Feeds:
Posts
Comments

14tmag-ban-slide-qges-master675-v3

Photos: clockwise from top left, Emma Smales/View; Afyen Hsin-Chu; Takanobu Sakuma; Hufton+Crow/View
The bottom right photo shows Shigeru Ban’s Paper Log Houses, temporary housing in Kobe, Japan, created after a 1995 earthquake left many residents homeless. The
New York Times took an in-depth look at Ban’s body of work here.

It’s inspiring to see a successful person in any field turn her or his talents to a humanitarian cause. That is what innovative Japanese architect Shigeru Ban did after seeing problems with post-disaster housing in Africa. He knew he could do better.

Nikil Saval at the New York Times wrote an in-depth feature on Ban’s larger body of work and explained how he got into building temporary paper-tube shelters.

“His move to create shelter architecture came out of seeing the temporary structures offered to Rwandan refugees in Zaire (now the Democratic Republic of Congo) in 1994. At the time, the United Nations High Commissioner for Refugees was handing out plastic tarps and aluminum poles to hold them up, but many people were instead selling the aluminum and harvesting nearby wood to frame their tents, contributing to massive deforestation.

“Ban wrote to the U.N.H.C.R. several times before flying to Geneva. There, he encountered the organization’s senior physical planner, Wolfgang Neumann, who became interested in Ban’s idea of using recycled paper tubes to build shelters. Ban was hired as a consultant and the concept was later implemented at a camp in northern Rwanda.

“The first time Ban used paper tubes for a disaster relief project was in Kobe, Japan, in 1995, where a series of small houses — about 170 square feet each — were constructed for victims of an earthquake that killed more than 6,000 people.

As is typical for Ban’s humanitarian projects, each shelter cost less than $2,000 and took a single day to construct; according to Ban, about 30 were built over the span of a few weeks, mostly by volunteers.

“These shelters remained in Kobe for about a year, after which they were dismantled and recycled. But a church and community center in the city, also designed by Ban and built out of recycled paper, stood for 10 years, a testament to the durability of his work.

“He has also used shipping containers to build thousands of small housing units in Onagawa, on Japan’s northeast coast, following the 2011 earthquake and tsunami there, and beer crates weighted with sandbags have occasionally served as the foundation for his Paper Log Houses (including in Kobe), illustrating Ban’s commitment to relying on ‘local materials’ in the most expansive sense: whatever is cheap and locally available that won’t result in waste.

“These structures are off-the-cuff, constructed quickly by staff members of the Voluntary Architects Network, a nongovernmental organization founded by Ban in 1995, along with the help of local students and volunteers. Initially, he was able to pay for them through donations and his own earnings; some of his relief projects now receive public funding. But he often uses his expensive commissions to test out ideas for his aid work, toying with cheap materials in structures for the rich so he can use them later to help those who have lost everything. …

“Ban is not given to displays of pity or indignation; he usually explains his humanitarian efforts by citing his horror at waste rather than some charitable impulse. It is an austere, utilitarian front for the architect to present, considering that, at the moment, he is trying to expand his humanitarian efforts beyond temporary structures and has just begun working with the southeast Indian state of Andhra Pradesh to develop housing for its new capital, Amaravati — multistory units for which paper tubes would not likely be appropriate (he has instead been considering fiberglass foam-core panels). But disasters will continue to preoccupy him.

“He spoke of doing larger urban-scale planning, preparing cities for disaster relief. More earthquakes, certainly in Japan, are likely, to say nothing of climate-change induced nightmares. ‘This moment, the beginning of the 21st century, is a big moment to change the direction — toward sustainability and disaster relief,’ he said. ‘This will continue as the main theme of this century.’ Times had changed since the Modernist era: ‘Those times, people believed that they would have utopia some day. But we know that it’s not true. There’s no utopia.’ ”

More at the New York Times, here.

woman_in_tree-1_custom-b0cb07002611909bcf892cd2ef07bc4242501c46-s700-c85
Near the southern Sumatran village of Krui, 48-year-old Marhana climbs up the trees to harvest damar, a resin used in paints and varnishes. The trees are part of an “agroforest” that experts believe will help prevent deforestation in Indonesia.

Recent floods in Indonesia have been overshadowed by infernos in Australia, but both disasters are part of the same issue: what careless human stewardship of nature has wrought. The following article from National Public Radio (NPR) talks about an effort to help Indonesian farmers produce something more sustainable than the palm oil that causes flood-increasing deforestation and even threatens orangutan survival.

Julia Simon writes at NPR, “A few times a month, Marhana leaves the village of Krui in southern Sumatra and journeys deep into the woods. Then she finds a tree, lined with triangular holes, each hole dripping with crystalized sap. …

” ‘This is the damar,’ she says in Indonesian, as she looks at the golden droppings.

“Marhana may see damar as her way to make a living, but agriculture experts see this rare commodity as something bigger. They see damar as a sort of anti-palm oil — a model to combat deforestation and climate change. …

“In the 1800s, Dutch colonists used the sap to bind their wood boats for sea journeys. Today damar is used in varnishes, paints, and cosmetics. According to the UN, Indonesia exports tens of thousands of tons of damar and other resins each year.

“But … according to the Indonesian Palm Oil Organization, or GAPKI, Indonesia exports about 2 to 3 million tons of palm oil per month. And those palm oil exports come at a cost: large-scale deforestation of Indonesian forest, which in turn releases large amounts of climate change gases and destroys habitats for animals like endangered rhinos and orangutans. Last year, the Indonesian government stopped issuing licenses for new palm oil plantations and the European Union is now considering an import ban.

“But there’s an issue. [In September] Thomas Hertel, a professor of agricultural economics at Purdue University, co-authored a paper in the Proceedings of the National Academy of Sciences. He argued that even if the EU ban comes to pass, and even if it successfully reduces the trade of palm oil, local farmers aren’t just going to automatically keep the forests in place. …

“Hertel says that farmers might stop planting palm oil, but they might keep cutting down forests to plant other commodities, like soy or rice. ..

“That’s where damar comes in. Back in Krui, farmer Kamas Usman says he grows damar in something called an agroforest. It may look like a regular forest, but it’s actually an intricately planned farm.

” ‘In this agroforest there are lots of varieties of trees. Durian, jengkol, lots of them,’ Usman says. The farmers plant food crops below — Southeast Asian fruits like durian and jengkol, as well as avocados or coffee. Above in the canopy are the damar trees — also called Shorea javanica — which produce the golden sap. …

“David Gilbert, a researcher at the University of California, Berkeley, says the agroforestry model adds value that’s key to the forest’s survival. First there’s the water benefits: Having your farm in the middle of a forest with natural watersheds and rain cycles is a win for crops’ health.

“And then there’s the business side — all these crops growing together means forest farmers like Usman and harvesters like Marhana have lots of economic incentives not to cut down their trees. …

“With damar agroforests, farmers aren’t reliant on a single product. ‘If the damar price is too low, they can concentrate on selling their coffee or their avocados, for example,’ Gilbert says, ‘So it insulates them from the shocks of these global commodity markets in a way that producing just one crop can’t provide.’ …

In the 1990s, when the palm oil industry came in and tried to persuade locals to cut down their damar trees, it didn’t work. The majority of farmers stuck with damar. Around this time, Indonesia’s forestry minister decided to formally grant the community ownership of several thousand hectares of woods.

“Now the Indonesian government is in the middle of a plan to increase Indonesia’s community-owned forest lands to 12.7 million hectares. And the Indonesian Ministry of Social Forestry is also working on community agroforestry projects on other islands besides Sumatra, including Java, Kalimantan and Sulawesi.”

You may read the full article or listen to the radio story at NPR, here.

merlin_162547917_954e6b18-5736-43ae-9543-23e4a4360113-jumboPhoto: Chloe Aftel for the New York Times
“If we weren’t covering it, no one would know what’s going on,” said Katherina Sourine, one of
four city and government reporters at the college newspaper, the Michigan Daily.

Local papers are vital to democracy not only for the local people to manage their lives well but because big stories start locally. Moreover, if Twitter gets the news first, misinformation or incomplete information may get a firm grip on the collective consciousness.

In Ann Arbor, Michigan, where local papers have followed the national trend of going out of business, the college newspaper is having to pick up the slack. And it is not the only student newspaper to do so nationwide.

Dan Levin reports at the New York Times, “Municipal committee meetings — the tedious minutiae of Ann Arbor’s local governance — do not tend to draw a crowd. On a recent afternoon, Katherina Sourine was among only a few in attendance.

“But Ms. Sourine, a University of Michigan senior, was there because she had to be. As one of four city and government reporters for Ann Arbor’s sole daily newspaper, she had biked through a steady rain between classes to take notes on the city’s plans for developing a new park. …

“Said Ms. Sourine, 21, who also plays rugby and is taking a full schedule of classes this semester, ‘It’s really hard to take time out of my day, especially when breaking news hits. But a lot of people rely on us to stay informed, not only students, but the people of Ann Arbor.’

“For more than a decade, the Michigan Daily, the university’s student newspaper, has been the only daily paper in town. After the Ann Arbor News shuttered its daily print edition in 2009 — and eventually its website, too — a staff of about 300 student journalists has worked hard to provide incisive coverage about the city’s police, power brokers and policymakers, all while keeping up with school.

“Student journalists across the country have stepped in to help fill a void after more than 2,000 newspapers have closed or merged, leaving more than 1,300 communities without any local news coverage. And several young reporters have broken consequential stories that have prodded powerful institutions into changing policies.

“A high school newspaper in Pittsburg, Kan., forced the resignation of the principal after discovering discrepancies in her résumé. After writing an article about a school employee’s unprofessional conduct charges, high school editors in Burlington, Vt., won a censorship battle against their principal.

“And when the State Department’s special envoy for Ukraine resigned abruptly last month, a 20-year-old junior at Arizona State University broke the news in the school’s student newspaper, a scoop that gained international attention. …

“ ‘We’re the largest Arizona-based news-gathering operation in Washington because we’re the only Arizona-based news-gathering operation in Washington,’ said Steve Crane, director of Washington operations at Arizona State’s Walter Cronkite School of Journalism and Mass Communication.

“Despite little training and no university journalism program, the staff of the Michigan Daily has embraced its vital role. Last year, in the wake of the #MeToo movement, it published a lengthy investigation that detailed sexual misconduct allegations against a professor, leading to his early retirement. In 2014, the paper published a major scoop about a sexual assault that the university concealed to protect a football player. …

“The Daily also covers issues that matter to Ann Arbor’s 121,000 residents, such as the inner workings of the municipal government, cuts to the county’s mental health budget, and a police oversight commission that was created last year in response to the shooting death of a black woman and the violent arrest of a black teenager.

‘We’ve been given this mantle of holding the powerful accountable, five nights a week, with no department backing us up,’ said Finntan Storer, 21, the managing editor of the Daily. ‘It’s a huge responsibility.’ …

“Today, the Daily’s closest competitor is MLive.com, a news website owned by Advance Publications that covers the state of Michigan. The company regularly publishes articles about Ann Arbor, including in a twice-weekly print digest branded as the Ann Arbor News, and it employs a staff of local journalists who cover the city’s government, real estate, police and other beats. But some residents said the student paper has often more effectively covered the community.

“Unlike many college newspapers, the Daily has the financial support — in the form of a $4.5 million endowment — to sustain its breadth of reporting, said Neil Chase, the chairman of the university’s student publications board. …

” ‘In a city of 100,000 people, you have to decide if you’re going to cover a City Council meeting, a car crash, or some other local news because you only have a few people to go around,’ he said. But the Daily ‘has so many people, they don’t have to make those tough decisions.’ ” More here.

urban20tree2020lead20image

Photo: Melanie Stetson Freeman/ Christian Science Monitor
Pruning trees in Baltimore helps to keep them healthy. “We are making a difference,” says Erik Dihle, arborist for the city of Baltimore. … “It ties into social equity, into climate adaption, everything.”

The value of tree canopies in cities is not a new topic at this blog. I’ve written often about efforts around the world to capture the physical- and mental-health benefits of urban forests (for example, in 2014, 2017, and last summer).

I’m not sure, though, that I ever knew how forward-thinking Baltimore has been, a city that was recently disparaged by a kind of leader unfamiliar with actual leadership.

Stephanie Hanes writes at the Christian Science Monitor, “From his headquarters office, Erik Dihle drives into what has become one of the most monitored forests in the United States.

“He begins to point out the trees: There is a tulip poplar, as big as the ones George Washington planted at Mount Vernon. There are the blossoming cherries, with a cotton-candy display that rivals their famous compatriots down the road at the Tidal Basin in Washington, D.C. And there is a white oak, Maryland’s state tree, with its branches gnarling horizontally for yards.

“ ‘This is a good-size one,’ he says, getting out of his truck to pace the area of shade created by the tree’s canopy. ‘I’d be surprised if it was less than 150 years old.’ …

“Mr. Dihle’s forest is in the city. He is the arborist and the head of forestry for the city of Baltimore, which means he monitors all the trees here – those growing in shady parks, in metal grates along busy streets, in backyards, and in relatively untouched forest patches dotting the municipality. Together, these trees make up what is called the city’s ‘urban forest.’ …

“With concern growing about climate change and rapid worldwide urbanization, city forests have emerged as one widely touted solution to a host of social and environmental challenges. Municipalities from Barcelona, Spain; to Melbourne, Australia; to Chicago have put urban canopy coverage at the center of their long-term strategic plans. Community groups focusing on planting, maintaining, and saving trees have blossomed across the U.S. In 2015, the World Economic Forum’s Global Agenda Council on the Future of Cities named increasing green canopy coverage as one of its top 10 urban initiatives.

“Yet at the same time, the U.S. Forest Service, which in the past decade has also upped its focus on urban forests, has found that American cities are losing trees – and quickly. … Urban regions showed a particular decline, along with an increase in what the researchers call ‘impervious surfaces’ – in other words, concrete.

“But not, it turns out, in Baltimore.

“Here, the net tree canopy coverage has increased. Not by a lot, Mr. Dihle is quick to point out – only from 27% of the city’s land coverage to 28% – and not because Baltimore hasn’t lost trees. It has. But overall the tree canopy here has grown, which means that Mr. Dihle has found himself presiding over one of the more successful efforts in the U.S. to preserve and improve the urban forest. …

“New technology has let researchers better understand the urban ecosystem – not just how trees thrive or fail in a city, but how they intersect with humans.

‘[Trees] impact work productivity, wildlife habitats, air pollution removal, carbon sequestration, energy use,’ says David Nowak, senior scientist with the U.S. Forest Service who authored the recent national report on tree canopy loss. … ‘We should be smart about this whole process and use nature to make our lives better.’

Much of the understanding of how, exactly, trees affect everything from climate to criminal justice stems from a technological breakthrough pioneered in Baltimore. …

“By the 1990s, satellite imagery allowed governmental agencies such as NASA to produce visible images of Earth and to show on various scales where trees existed. But there was a limit to those pictures, explains Morgan Grove, a scientist with the U.S. Forest Service who has worked in Baltimore since 1999. Because the data were recorded in pixels, not physical parcels, it was difficult to identify, say, the owner of a particular tree, or to compare what was happening from one city block to another.

“In 2006, though, the Forest Service, working with researchers from the University of Vermont’s spatial analysis lab, put together a new type of land cover map in Baltimore using a combination of aerial imagery, light-reflecting technology, and high-resolution landowner data. This novel approach not only allowed a closer look at trees, it also let scientists synchronize forest maps with other information that was also newly computerized and manipulable – everything from health records to census figures, crime statistics to property values.”

Learn about the amazing array of data they were able to collect, how data helped the city prevent nascent problems like storm sewer overflow, and how the community has organized to protect and expand urban forest benefits, here.

By the way, I thought the photographer on this story, Melanie Stetson Freeman, did an especially good job capturing the faces of these tree huggers. It helps one understand that the individual and the things an individual cares about are what improve the world.

hazleton_1280

Photo: Erin Clark/Boston Globe
Hazletonians reacted to a hula hoop competition during Fun Fest in downtown Hazleton, Pa., a city that has benefited from the influx of immigrants.

In 2019, the Boston Globe did an interesting series on battleground states, going into communities to listen to a range of voices in hopes of understanding what people are really thinking. Laura Krantz covered Hazleton, Pennsylvania, where residents have mostly embraced a change of industry — and of population.

She reports, “Bob Curry is a man in constant motion, not unlike this fast-changing community he’s always championing. Passing a colorful mural in the community center he runs, its rainbow letters spelling out a Maya Angelou quote about the strength and beauty of diversity, he paused for effect.

“ ‘You see our mural, if you don’t like it, get back on the elevator, you’re free to leave,’ Curry proclaimed.

“He’s kidding — sort of. The Hazleton One Community Center is in a small city all too familiar [with] incendiary anti-immigrant proposals and political dog whistles. … Back in 2006, the City Council voted to make English the official language and proposed fines for landlords and employers who rented to or hired undocumented immigrants, all in an attempt to preserve, as one official said back then, ‘Small Town USA.’ …

“Curry and most others don’t feel a need to talk about that anymore. Time has marched on, and Hazleton has changed with it. …

“Like the rest of this swath of northeast Pennsylvania, Hazleton flourished more than three-quarters of a century ago during the mining of the anthracite coal buried deep below the region’s green hills. But that industry, and that generation, began to fade in the 1950s.

For a while Hazleton was practically a ghost town. Then starting in the early 2000s, something strange happened. A new industry took root, and with it, a new population of mostly Latino families arrived from New York, New Jersey, and Philadelphia.

“Hazleton is located near a confluence of major highways that connect it to much of the Eastern Seaboard. The proliferation of online shopping gave birth to a booming sector of distribution warehouses, long low-slung buildings tucked into the rolling hills that surround the city. And with those warehouses came salaries that would cover the cost of a perfectly nice home. Families arrived in pursuit of a middle-class life. …

” ‘Everything has changed here,’ Curry said. …

“Amilcar Arroyo is in many ways the personification of this change, as well as the chronicler of it. He is the publisher of El Mensajero, and from his first-floor office, he has seen the sleepy downtown street revived by Latino families who have flowed into town over the past two decades. There were few children when Arroyo arrived some 30 years ago from Peru; now they are everywhere.

“Amid the surge in Latino residents, Arroyo has taken it upon himself to show the town the many contributions of the Latino community. There always seems to be a need for more justification.

“So he keeps a tall whiteboard in his office where he has scribbled a long list: barbers, beauty shops, car garages, grocery stores, restaurants, bars, discotheques, furniture stores, pawn shops, transportation companies, media companies, cleaning businesses, photographers, DJs, nail artists. One afternoon, he remembered he needed to add something else — food trucks.

“ ‘I want to present how many businesses we have in Hazleton,’ he said. …

“Up the hill from Broad Street, the gridded neighborhoods are filling up again with young families. Flowers sprout through cracks in the sidewalks. Sloping awnings cool front porches. Tucked between the modest homes is the community center that Curry runs with his wife, Elaine. …

“Curry left a corporate job to run the center full time when it opened six years ago. He and Elaine don’t take salaries so this is not a luxurious retirement, but their house is paid for and their daughters graduated from college. …

” ‘We always talk about how one candle lights another. This ain’t one candle lighting another, this is lots of candles and really helping to try to illuminate the city.’

“When they opened the center, the Currys hoped they might see 300 children in the first month of their after-school program. Instead, families flooded through their doors, and they’ve never served fewer than 1,000 people — children and adults — each week. …

“After the center opened, the Currys quickly added English language courses for adults, citizenship classes, bilingual pre-kindergarten, and summer camps that cost $25 per week.

“This summer, the project was murals. The basement walls are now splashed with color. The hallway smells of paint. The children started the summer painting a daytime mural, but soon added a nighttime scene because someone drew fireflies and they needed the dark. …

“Earlier in the summer, [after news] that there would be massive immigration raids across the country, … someone drew an alien spacecraft that captured the fireflies, and many of the children painted rocket ships hurtling away through the darkness.

“ ‘There is an undercurrent of nervousness and trepidation that flows through the city,’ Curry said. …

“Mariluz Rodriguez represents the new Hazleton. Her family moved here from Queens, N.Y., when she was 8. Now she is a mentor at the center and preparing to leave for college on a full scholarship.

“ ‘It was just weird being different at first, but after a while it didn’t matter, you’re just part of the community,’ she said as she paused to have a snack. …

“This year, Elaine Curry gave her a wall to paint her own mural. She designed a glowing bouquet of flowers that surrounds the doors to the elevator.

“These are the things Rodriguez thinks about, not demographic shifts, presidential politics, or a sense of belonging. She’s gotten a few looks over the years, but she said she has never felt like a target of racism.

“Here, even though there are always the little things that you get from people, we still have it off really well, and we make it work.’ …

“Penelope Rodriguez [her mother] said she has never felt the kind of racism you hear about on television in Hazleton. Her co-workers and parents in the PTA have been kind and welcoming. The neighbors on their street know each other. …

“ ‘The unknown, which is the great fear, becomes the familiar. And when it’s the familiar, your biases start to dissipate,’ Curry said.”

More here.

12real-green-roofs-inyt-3-02-jumbo

Photo: 525 West 52nd Street
The space on top of the 525W52 building in New York features plants, lounge chairs and a view of the Hudson. Nice place to live.

Practically paralyzed by the headlines today, I think I will write about green rooftops.

That’s while I try to absorb the “news of fresh disasters” (to quote Beyond the Fringe) and figure out what one person can do. Got to remind myself that the majority of human beings are just living day to day, taking care of their families and their communities, and trying to make the world a little better instead of a lot worse.

So, green rooftops.

Kelly DiNardo writes at the New York Times, “When David Michaels moved to Chicago this year, he chose the Emme apartment building in part because of the third-floor green roof, which has a lawn, an area for grilling, fire pits and a 3,000-square-foot vegetable garden.

“ ‘The green space was a huge factor in choosing this apartment,’ Mr. Michaels said. ‘My wife and I are out there every other night, grilling or relaxing. And we like that they host classes out there.’

“The Emme actually has two rooftop gardens — the one visible to residents on a deck on the third floor and a 5,000-square-foot garden on the roof of the 14-story building. Both are run by the Roof Crop, an urban farm that grows food for restaurants on a handful of roofs in Chicago. Residents at the Emme can also subscribe to regular bundles of rooftop-grown fruits and vegetables.

“As concerns about climate change and dwindling natural resources grow, green roofs have become increasingly popular. The Toronto-based organization Green Roofs for Healthy Cities estimates an increase of about 15 percent in the number of green roofs in North America since 2013.

“Replacing black asphalt and shingles with plants can lower the surrounding air temperature, filter dirty storm water and reduce a building’s energy use.

While it is difficult to calculate the savings, as utility costs vary from city to city, the National Research Council of Canada estimates a green roof can reduce air-conditioning use in a building by as much as 75 percent. …

“As understanding of the benefits grows, more cities around the world are passing green roof legislation. In 2010 Copenhagen began requiring green roofs on all new commercial buildings with a roof slope of less than 30 degrees. In 2016, the city of Córdoba in Argentina issued a bylaw that directed all rooftops — new or existing — of more than 1,300 square feet to be turned into green roofs. The same year, San Francisco began requiring that 15 to 30 percent of roof space on new buildings incorporate solar panels, green roofs or both. More recently, the New York City Council passed a suite of measures to reduce greenhouse gases, including a requirement for green roofs, solar panels or a combination of both on newly constructed buildings. …

“Toronto was the first city in North America to pass a green roof law, in 2009, requiring new buildings or additions that are greater than 21,000 square feet to cover between 20 and 60 percent of their buildings with vegetation. … Since the law was enacted, roughly 640 green roofs, covering more than five million square feet collectively, have been constructed, effectively changing Toronto’s architectural DNA and making the city a leader in the green roof movement.

“Simply put, a green roof is one that allows for the growth of vegetation, but the process is more involved than plopping down a few potted plants. Typically, a green or living roof is constructed of several layers including a waterproof membrane, a root barrier, a drainage layer, a growing medium — soil is too heavy — and plants. …

“Of course, green roofs are not entirely new.

“ ‘We’ve been using soil and plants as a roofing material for thousands of years,’ said Steven Peck, the founder and president of Green Roofs for Healthy Cities. ‘The Vikings would flip their boats over and cover them in sod because it’s a great insulator. What’s new is the research the Germans have done.’ …

“In the 1970s, German horticulturists, construction companies and others began developing waterproofing technologies and researching blends of growing mediums that would be lighter than soil. In the 1980s, Germany passed a mix of local and federal laws encouraging green roof development and today the country features approximately 925,000,000 square feet of living roof.”

More at the New York Times, here.

00sci-mayanlidar7-jumbo

Photo: Takeshi Inomata
Human activity at the Mayan city Moral Reforma in Mexico ended about 1,400 years ago. Recently, researchers figured out that
lidar maps revealing underground Mayan archaeological sites, though ordinarily costly, are free if you know where to look.

It often takes time, a creative thinker, and a hot tip to uncover the best way to access technology. In this example, an archaeologist learned that the expensive underground maps he needed for his research could be found free online.

Zach Zorich writes at the New York Times, “Until recently, archaeology was limited by what a researcher could see while standing on the ground. But light detection and ranging, or lidar, technology has transformed the field, providing a way to scan entire regions for archaeological sites.

“With an array of airborne lasers, researchers can peer down through dense forest canopies or pick out the shapes of ancient buildings to discover and map ancient sites across thousands of square miles. A process that once required decades-long mapping expeditions, and slogging through jungles with surveying equipment, can now be done in a matter of days from the relative comfort of an airplane.

“But lidar maps are expensive. Takeshi Inomata, an archaeologist at the University of Arizona, recently spent $62,000 on a map that covered 35 square miles, and even was deeply discounted. So he was thrilled last year when he made a major discovery using a lidar map he had found online, in the public domain, entirely for free.

“The map, published in 2011 by Mexico’s National Institute of Statistics and Geography, covered 4,440 square miles in the Mexican states of Tabasco and Chiapas. …

“Dr. Inomata learned about the map from Rodrigo Liendo, an archaeologist at the National Autonomous University of Mexico. The resolution of the map was low. But the outlines of countless archaeological sites stood out to Dr. Inomata. So far, he has used it to identify the ruins of 27 previously unknown Maya ceremonial centers that contain a type of construction that archaeologists had never seen before. …

“His findings have not yet been peer-reviewed, but Dr. Inomata has presented his work at four conferences during the past year. ‘The stuff he is finding is crucial for our understanding of how Maya civilization developed,’ said Arlen Chase, an archaeologist at Pomona College, who did not contribute to Dr. Inomata’s work. …

“The 27 sites he identified on the map have a type of ceremonial construction that Dr. Inomata and his colleagues had never seen before — rectangular platforms that are low to the ground but extremely large, some as long as two-thirds of a mile.

“ ‘If you walk on it, you don’t realize it,’ Dr. Inomata said of the platforms. ‘It’s so big it just looks like a part of the natural landscape.’ The similarities between these sites and the early buildings they found at Ceibal led them to believe they both date to sometime between 1000 B.C. and 700 B.C. …

“While lidar technology is giving archaeologists new ways to analyze the ancient world, the change in perspective has been shocking and a little disorienting for some researchers. Marcello Canuto, director of the Middle American Research Institute at Tulane University, was the lead author of a lidar survey that covered 800 square miles of the Petén rainforest in Guatemala. He is also the director of an excavation at the Maya city of La Corona. Seeing the edges of the city as well as buildings between cities and the roads that connected them was shocking to him.

‘The word that all of us used when we started looking at the lidar was “humbling,” ‘ he said. ‘It humbled all of us in showing us what we had missed.’

“Dr. Inomata agreed. Even in areas where they were busy excavating, he said, ‘lidar was showing us things we didn’t notice.’ This included broad causeways and agricultural terraces, which are difficult to see in an excavation. …

“Viewing the archaeology of an entire region, in detail, will allow archaeologists to answer bigger-picture questions, such as the ones that Dr. Inomata has about the interactions the Maya had with the Olmec at the beginning of their civilization. …

“ ‘The future pattern,’ Dr. Inomata said, ‘will be that everything will be covered by lidar, like topographic maps today.’ ”

Lots more detail at the New York Times, here.

1570912830780Photo: Chris McKeen/Stuff
The woman above, who participates in a New Zealand prison’s ballet class, says the dancing made her happy. She says she plans to take some of her new skills into her future on the outside.

In New Zealand, officials in a women’s prison have found that ballet may not only provide structure and discipline to people who need help with self-control: it may also provide happiness.

Caroline Williams writes at Stuff, “Barbed wire fences, concrete cells and a focus on hard punishment are a thing of the past at the Auckland Region Women’s Corrections Facility. Instead, it’s open spaces and restorative rehabilitation in the form of classical music and contemporary ballet.

“Since 2017, inmates at men’s and women’s prisons in Wellington and Christchurch have enjoyed a more refined approach to restorative justice, thanks to a Royal New Zealand Ballet [RNZB] initiative to make the art form more accessible.

“Before prison, some of the women had had to ‘be staunch’ their whole lives, RNZB corporate development manager Diane Field said. The ballet program had allowed them to feel free and feminine.

“[In October], the first group of women to take the course in Auckland graduated in front of an audience of RNZB representatives and prison staff, with choreography including repertoire from past RNZB productions Megalopolis, Cacti, Artemis Rising and Black Swan, White Swan.

“The seven women beamed with pride as they completed the performances with few mistakes — a pretty good effort for only 10 and a half hours of practice spread over eight weeks, with a week lost in the middle due to a measles scare. …

“One said the certificate given to her at a graduation ceremony made her feel like she’d accomplished something. … Another said the classes had shaped her into ‘a totally different person’ after never having engaged in sport or dance before her conviction.

“While the dancing ‘made her happy,’ she accepted it was part of her punishment and would take something from the experience into her future. She hoped to pursue a career in fitness upon her release from the facility. … ‘Little things from outsiders make a big difference for us.’

“All the inmates interviewed by Stuff said they would like to take dance classes again and would encourage other inmates to have a go.

“RNZB senior dance educator Pagan Dorgan taught prison programmes in Wellington and Christchurch, but said the women in Auckland had a particular flair for movement.

‘Every week you can just see them become more confident. With confidence comes the drive to want to get better. They’re very engaged and very present.’

“Dorgan, who usually taught dance in schools, … adjusted her teaching style to accommodate for the inmates, including allowances for chatter and freedom for the women to work in their own groups. But she insisted she hadn’t made it easy for the women.

” ‘The more you see them develop, the more you can push.’

“Prison director Steve Park said … [it’s a credit] to the women to put their name forward for the programme.”

I had thought of “restorative justice” as an effort on the part of a wrongdoer to “restore” what they had taken from someone else in committing a crime. But of course, it’s also about restoring criminals to their better selves. Good to know that ballet can help.

More at Stuff, here.

123119-record-cabinet

Do you listen to your old LPs? It took us a while to get a decent record player after the old one wore out, but now we can listen anytime — if we remember we have a vinyl collection. That’s not a given: it’s more automatic to turn on the radio.

And you have to get back in the habit of noticing when one side has finished playing and it’s time to flip the record. We did play the Mormon Tabernacle Choir when the children were in the house at Christmas. But then we forgot to turn off the machine.

I have been reading that some music connoisseurs prefer the sound of vinyl to CDs and the ubiquitous MP3s, and now it seems that other consumers are catching on.

In September Elias Leight reported at Rolling Stone that the revenue generated by record sales was on track to surpass the revenue generated by CDs.

“Sales of vinyl records have enjoyed constant growth in recent years. At the same time, CD sales are in a nosedive. Last year, the Recording Industry Association of America’s (RIAA) mid-year report suggested that CD sales were declining three times as fast as vinyl sales were growing. In February, the RIAA reported that vinyl sales accounted for more than a third of the revenue coming from physical releases.

“This trend continues in RIAA’s 2019 mid-year report. … Vinyl revenue grew by 12.8% in the second half of 2018 and 12.9% in the first six months of 2019, while the revenue from CDs barely budged. If these trends hold, records will soon be generating more money than compact discs.

“Despite vinyl’s growth, streaming still dominates the music industry — records accounted for just 4 percent of total revenues in the first half of 2019. In contrast, paid subscriptions to streaming services generated 62 percent of industry revenues.

” ‘We welcome [the growth in vinyl],’ Tom Corson, now the co-chairman and CEO of Warner Records, told Rolling Stone in 2015. ‘[But] it’s a small percentage of our business. It’s not going to make or break our year. We devote the right amount of resources to it, but it’s not something where we have a department for it.’

“Still, the vinyl resurgence has been a boon for some artists, especially classic rock groups. The Beatles sold over 300,000 records in 2018, while Pink Floyd, David Bowie, Fleetwood Mac, Led Zeppelin, Jimi Hendrix, and Queen all sold over 100,000.”

More at Rolling Stone, here.

Of course, reissues of classic records on vinyl are one thing, but original vinyl is quite another. The website Work+Money says that 28 particular classics are worth a combined total of nearly $2 million today.

According to reporter Eli Ellison, they include “The Beatles, ‘The Beatles’ (aka ‘White Album’) … Elvis Presley, ‘My Happiness’/’That’s When Your Heartache Begins’ … Sex Pistols, ‘God Save the Queen’/’No Feeling’ … Bob Dylan, ‘The Freewheelin’ Bob Dylan’ … and The Velvet Underground, ‘The Velvet Underground & Nico.’ ” More about that here.

Wonder what our collection is worth.

Taking Photos in Winter

122819-hippo-playground-NYC

Time for more photos. Most were taken by me in New York and Massachusetts, but my friend Ann took the one of her granddaughter contemplating Abe Lincoln.

What would either Abe or Gracie think if they understood all that was going on in Washington today?

In the next photo, one of my own granddaughters and her friend enjoy candy canes and conversation after performing in a “Nutcracker” put on by their ballet school.

Then we have a book “sculpture” put together to measure donations to the library fund for its ambitious addition. The pile of books increases as the donations increase. I took a close-up of a giant replica of a local author’s bestseller.

Two snow pictures are next, followed by one of a squirrel I saw yesterday posing on a lion sculpture.

The decorated windows are at the Umbrella Arts Center, where I went to see a musical version of Tuck Everlasting before Christmas. The building was once a school. A magnificent makeover was completed just this year and includes a state-of-the-art theater, artist studios, rooms for pottery and classes of all kinds, and a new maker space.

Next we move on to New York, where I spent two nights after Christmas. At the top of this post is one of the many delightful Central Park playgrounds with wild animals to climb on. Alice in Wonderland mosaics are in the subway at 50th Street, and giant toy soldiers grace midtown for the holidays.

At the Museum of Modern Art (MoMA), beautifully redesigned, I saw this Horace Pippin painting of Lincoln pardoning a sentry condemned for falling asleep on the job. I had received a text the day before from my daughter-in-law saying that she had just been learning about Pippin from my six-year-old granddaughter, thanks to A Splash of Red, a wonderful children’s book. So I texted the painting to them.

There follows one of Edward Hopper’s most famous lonely paintings — this one of a gas station in the middle of nowhere — and Edward Weston‘s “Hot Coffee, Mojave Desert, 1937.” Also from MoMA, a delightful cat by Morris Hirshfield (thanks, Paul, for identifying the artist).

The next day, I visited the Neue Galerie, which I adored. That museum, housed in a beautiful mansion, focuses on early 20th century German and Austrian art and design. I saw Gustav Klimt’s “Adele Bloch-Bauer” in gold and silver, lovely works by Egon Schiele, and a special exhibit of works by the tragic Ernst Ludwig Kirchner.

Unfortunately, they don’t let you take pictures there, so I shot brochures!

120719-Gracie-in-Washington

122119-Nutcracker-aftermath

121119-library-book-pedestal-in-snow

121119-Concord-authors-on-pedestal

121119-footbridge-in-snow

121119-snow-decorates-stream

122919-squirrel-poses-on-lion

120819-Umbrella-gets-festive

122719-Lewis-Carroll-rabbit-Manhattan-subway

122719-huge-toy-soldier-Manhattan

122719-Horace-Pippin-at-MOMA

122719-Pippin-plaque-MOMA

122719-Hopper-lonely-gas-station-MOMA

122719-Edward Weston Hot Coffee, Mojave Desert 1937

122719-Morris Hirshfield-cat-at-MoMA

122819-GERMAN-EXPRESSIONIST-MUSEUM

 

 

3203

Photo: Tim Crocker/RIBA/PA
The Goldsmith Street project in Norwich marks the first time the UK’s Stirling architecture prize has gone to affordable housing.

I’m looking at pictures of a handsome affordable-housing project in England and remembering that during my short stint at Rhode Island Housing, a similar building, restored to provide affordable housing for homeless veterans, also won a prize. I blogged about interviewing one happy resident here. Clearly, homes for low-income people need not be ugly.

Oliver Wainwright reports at the Guardian, “One hundred years since the 1919 Addison Act paved the way for the country’s programme of mass council housing, the prize for the best new building in the UK has been awarded to one of the first new council housing projects in a generation.

“Goldsmith Street in Norwich represents what has become a rare breed: streets of terraced homes built directly by the council, rented with secure tenancies at fixed social rents. And it’s an architectural marvel, too.

“ ‘A modest masterpiece’ is how the RIBA [Royal Institute of British Architects] Stirling prize judges described the project, designed by London firm Mikhail Riches with Cathy Hawley, representing ‘high-quality architecture in its purest most environmentally and socially conscious form.’

“The 105 creamy-brick homes are designed to stringent Passivhaus environmental standards, meaning energy costs are around 70% cheaper than average. The walls are highly insulated and the roofs are cleverly angled at 15 degrees, to ensure each terrace doesn’t block sunlight from the homes behind, while letterboxes are built into external porches, rather than the front doors, to reduce any possibility of draughts.

“Immense thought has gone into every detail – from the perforated brick balconies to the cleverly interlocking staircases in the three-storey flats at the end of each terrace – to ensure that every home has its own front door on the street. The back gardens look on to a planted alley, dotted with communal tables and benches, while parking has been pushed to the edge of the site, freeing up the streets for people, not cars. …

The architects won the original competition because they were one of the few firms to propose streets, rather than slabs of apartment blocks.

“They took inspiration from the city’s Golden Triangle, a desirable neighbourhood of Victorian terraced houses, where the streets are laid out more tightly than modern overlooking regulations would allow. The architects used this precedent to argue that their new neighbourhood could be just as humanely scaled, while fitting in more homes.

“Marking the first time in the 23-year history of the Stirling prize that it has been awarded to social housing, the project beat stiff competition from the revamped London Bridge station, an opera house in a former stable block, the Macallan whisky distillery in Scotland, a visitor centre for the Yorkshire Sculpture Park, and a house made entirely of cork. …

“This year’s choice sends a clear message that, despite government cuts, it is eminently possible for brave councils to take the initiative and build proper social housing.”

Read more here.

Photo: Suzanne’s Mom
An impressive coalition of funders, including Rhode Island Housing, collaborated on this 2015 award-winning mill restoration to house homeless veterans.

030716-vets-for-tomorrow-providence

nativestories_turtles

Photo: Lukas Vermeer, Flickr
There’s a strong connection with the turtle and the story of creation in indigenous traditions. Native American tales told recently on Public Radio International include tales associated with winter and tales tied to the gradual return of life.

Most indigenous people have oral traditions about the seasons, the origins of life, and the duty to protect the Earth. Recently I heard some Native American winter stories on the radio and learned that when tales are not written down, it’s important to include the name of the person who first passed the story to you.

What follows is part of a discussion that Steve Curwood at PRI’s “Living on Earth” had with Joe Bruchac, a storyteller from the Nulhegan Abenaki tribe in Vermont’s Northeast Kingdom. The radio show covered traditional winter tales and Native Americans’ respect for the Earth.

“CURWOOD: Years ago, I went to visit the Menominee and I met their forester, [who] explained to me that the Menominee only cut the trees that are too old or ill and that as a forester, he was cutting trees that had been designated by the foresters before him that they had been prepared, they would be mature, and that he was going ahead to make preparations for what would be cut in later generations. …

“The Menominee were forced to give up their land, along [Lake] Michigan. But they were permitted in negotiations to keep a couple hundred thousand acres of forest land inside. And they decided that this was their legacy forever. And they started with an estimated billion and a half board feet of timber. Over the years, they’ve harvested over a billion board feet and they have more than what they started with today, because they’ve only cut with what’s too old or too ill to keep growing. It’s amazing. …

“JOE BRUCHAC: It was Stephen Marvin Askinet, who was the elder who told me that story when I was visiting Menominee. He since passed on but he was a wonderful tradition bearer. And one thing I always try to do is to remember to acknowledge those people who shared those stories with me. For example, that rabbit snow dance story can be traced back through people such as Arthur Parker, who was a Seneca storyteller and writer who recorded many of the traditions of his people. …

“CURWOOD: [Do you have a tale about] the solstice, the changing of the season, then getting dark and getting cold? …

“JOE BRUCHAC: Well, there is a tradition among the Abenaki people which has gone back for a long time, called the New Year’s greeting. And it is this when the new year comes, everyone goes from house to house, and they say …

[HE SINGS THE ABENAKI GREETING SONG]

“Which means, ‘Forgive me for any wrong I may have done to you, including wrong that I may not realize I have done to you.’ For it is important to realize that the things you do affect others around you. And sometimes you may not even know that you’ve caused an offense or hurt someone’s feelings. But at the start of the year, beginning again with those words, were able to have a clean slate. …

“As a friend of mine who is a Cheyenne elder [told me], if you carry guilt, it’s like carrying bad water in a cup. You can never fill it again with good water. Instead, pour that guilt out and then do better so that you do not accumulate more of that guilt and you can have fresh water to drink or to share. And that again, is an idea for the beginning of the new year. …

“CURWOOD: This is the time of year when we celebrate life. … Perhaps you could tell us along those lines?

“BRUCHAC: One of the traditions that I have learned over the years, my Mohawk and other Haudenosaunee, Iroquois, elders who are friends of mine, such as Tom Porter, a Mohawk elder, is that the first person who came to this earth was a woman.

“That long ago there was a land in the sky, and that a woman fell from that sky land, holding in her hand, the seeds of the flowers and plants. The birds flew up to catch her on their back, and then the great turtle swam up from below the surface of the water for only water was here. And animals began to dive down to bring up Earth.

“The one who succeeded the one who made it was the little muskrat. She brought up a paw full of Earth and put it on the back of the turtle. And then that woman stepped from the backs of the birds and began to dance in a circle with slow, small steps as women dance today in the Haudenosaunee tradition.

“The earth got bigger and bigger, and where her feet stepped and made footprints, she dropped the seeds, the flowers and the trees and the other plants. So life came to be on earth through the agency of sky woman, who is always remembered among the Haudenosaunee people as a Mother, the first Mother of us all. …

[HE TAPS A DRUM]

Which drum do we hear first? We hear the heartbeat of our mother, even before we are born. We’re listening to the music of life and dancing in that water within our mother’s body. So when we are born, we’re listening for the sound of the drum. …

“[We] say the drumbeat is the heartbeat of Mother Earth, and that we as human beings must always remember it when we hear the drum to respect our mothers and respect our Mother Earth.”

More good stories here, including the one about the rabbit who loved snow a little too much.

 

last-supper-detail

Photo: Evy Mages
Detail from a massive sculpture of a black Last Supper discovered by a demolition crew in the Columbia Heights section of Washington, DC.

Oh, my! Imagine the wonder of the demolition crew that uncovered this artwork in a former church! I wish reporter Andrew Beaujon at the Washingtonian had tracked them down and interviewed them for their immediate thoughts.

Here’s his story.

“Joy Zinoman got an unexpected phone call [in early October]. Demolition had just begun inside a former church in Columbia Heights that she’s turning into the new home of the Studio Acting Conservatory. Now the boss of the the crew working was on the line to tell the Studio Theatre founder about a remarkable discovery his guys made: An enormous frieze of the Last Supper that was hidden behind drywall for more than a decade.

“The building on Holmead Place, Northwest, had been slated to become condos before the conservatory bought it earlier this year. It was built in 1980, city records say, to house New Home Baptist Church, which moved to Landover, Maryland, in the 1990s. After that it became a building for the Church of Jesus Christ of Latter-Day Saints. A signature on the lower right of the sculpture  leaves no doubt at which point it joined the building’s history: ‘All rights reserved 1982 Akili Ron Anderson.’ …

“New Home trustee board chairman Willie L. Morris told Post reporter Esther Iverem, ‘It was very important to us that we have a black artist. All the other Last Supper pictures we’d seen were always in a white framework.’ …

“Anderson now teaches at Howard University and some of his artwork is easier to see, particularly his work Sankofa at the east and west entrances of the Columbia Heights Metro Station as well as stained glass at Andrew Rankin Memorial Chapel and the Prince George’s County Courthouse.

“The fact that the participants in the Last Supper are black reflects a movement among African American artists, beginning in the late 1960s, to make the art in places of worship look like the people inside them. ‘I think it’s important for black children sitting in churches all over this country on Sunday morning to look up at the windows, look up at images and see themselves and believe that they can ascend to heaven, too,’ Anderson told Iverem in 1993.

“It’s not clear when the 232 square feet of religious art was covered by drywall. City records show that an inspector reviewed some ‘Close-in (concealment)-Walls Construction’ in 2003. Anderson says he undertook the artwork when he worked at Duke Ellington School of the Arts and had a coworker who attended New Home. ‘Most of the time I was in there by myself,’ he says.

‘It actually got to be something of a spiritual experience for me.’ …

“When you first view the frieze in person, as I did Friday, you’re likely to gasp: It’s difficult to convey just how large and impressive this sculpture is.

“Acting studios are supposed to be bare, and Zinoman, who likens this piece to the Sistine Chapel, really hopes it won’t end up behind a curtain at her conservatory. … She’s hoping a museum might wish to take it. Removing it from the wall will not be easy and will require a lot of skill and experience (and presumably money) to do properly. ‘All I want is for it to be in a place where people can see it,’ Zinoman says. ‘I think it’s a great work.’ ”

You can tell that a lot of love went into this frieze. If it does end up behind a curtain, at least it will still be available to visitors. If you know of any venue that could afford to move it and make it available to the public, please get in touch with the Studio Acting Conservatory, 202.232.0714.

More at the Washingtonian, here. Lots of great photos.

80ced23a-0936-4595-a3aa-f67f8329d099_750x422

Photo: NOAA
Aerial image of Granny J2 (right) and a juvenile orca, J45, chasing a salmon in September 2016. Ultimately J2 captured the salmon and presented it to J45.

Being a grandparent himself, my husband recently took note of some research on grandmothers in the animal kingdom and judged it blogworthy. This version of the story appeared online at King5News.

Michael Crowe reports, “A team of researchers have found having a young orca’s grandmother around improves survival of the offspring. A study published last week in the Proceedings of the National Academy of Sciences tests the ‘grandmother effect’ in Southern and Northern Resident killer whales off Washington state and British Columbia. …

“The study used decades of photo census records of the two populations to study survival of individual whales and connected family groups through observation. And they found if a grandmother whale died, it reduced the survival of her ‘grandwhales’ in the two years following her death.

“ ‘The statistics showed they were healthier and lived longer when they had a thriving grandmother,’ said Howard Garrett, co-founder of the Orca Network.

“Dr. Deborah Giles, a killer whale researcher at the University of Washington Center for Conservation Biology, said the study confirmed decades of observations.

“ ‘They’re incredibly socially bonded animals,’ Giles said. She said it’s a fascinating relationship, because whales can live decades after they cease reproducing – killer whales have evolved one of the longest post-reproductive spans outside humans.

“She recalled an aerial photo of J2 (also known as ‘Granny’) from 2016 sharing fish with J45 – her apparent great-grandson. J45’s mother had recently died, and he was not yet old enough to thrive without support. Though J2 was thin and towards the end of her life, she helped the younger relation.

‘It sticks out to me, because this is an animal in here late 80s, maybe old as early hundreds,’ said Giles. ‘She’s clearly trying to keep that fish in the pathway of her relative so he’ll eat it. …

” ‘She could have eaten that fish in one bite, but she chose to corral it toward him so he’d grab it.’

“The study also notes the importance of grandmother whales in lean salmon years when the female leaders serve as ‘repositories for ecological knowledge.’ …

“ ‘The grandmothers have that long perspective, the multi-decade look at where the salmon have been, the nooks and crannies,’ said Garrett. ‘… So they’re constantly in that role of guide, mentor, teacher. They share not only their food, but their traditions, their ways.’ …

“There are 73 Southern Resident whales we know of, Giles said, and of that, there are just four grandmothers remaining – one in J pod, one in K pod, and two in L pod. She worries that these grandmothers will only become more important to the endangered Southern Resident killer whales’ survival. …

“Garrett also hopes deeper knowledge of the whales’ behaviors will encourage people to help protect them.

“ ‘I think the study helps people learn more detail, more higher resolution if you will, of how they live and who they are,’ he said. ‘They really are individuals with their own identities, their own roles, their own place in their societies and in their families. And the more we get to know them in that kind of intricate detail, the more we feel close to them, and want to help them in any way we possibly can.’ ”

More here.

Photo: Shutterstock
Another name for the orca is killer whale.

killer-whale-orcinus-orca-260nw-554900338

nypbi7re7ai6vkwtccicsdsbri

Photo: Nic Antaya for The Boston Globe
Dana Mendes held his niece, Izariel Brown, 5, as he walked around Boston’s annual Christmas in the City, a happy event for homeless children.

The other day, I was talking to a woman about her idyllic-sounding childhood on the island of Dominica in the West Indies. One thing that she mentioned really struck me. No one was homeless. People looked after each other, she said.

That is how it should be, I thought. In a country like the US, where there is enough wealth to house and care for everyone if we have the will, I’m naturally grateful that homeless children get a joyful day in December but can’t help wishing that their happiness didn’t get rolled up and put away afterward.

In this update on the giant Boston Christmas party that started small in 1989, we learn about the illness of event founder and lead organizer Jack Kennedy, who wouldn’t miss this party for the world.

Naomi Martin writes at the Boston Globe, “The children and parents awoke Sunday in homeless shelters around Greater Boston and boarded school buses, some with no idea where they were going other than to a Christmas event.

“As they entered the Boston Convention and Exhibition Center, solemn faces broke into wide smiles and dropped jaws as they stepped onto a red carpet toward people waving and applauding them, along with extravagantly costumed characters — Disney princesses and Superman, Star Wars storm troopers and the Incredibles — all there to welcome them. Snowflake confetti fluttered. Lights sparkled. Parents dance-walked to the upbeat Christmas tunes, filming their children’s faces on phones, some with tears in their eyes.

“ ‘Wow, it’s beautiful!’ said Aylajoy Dufresne, 5, who wore a pink tutu, as she ran to princess Elena of Avalor and hugged her. ‘Elena!’ …

“Thousands of volunteers rallied this year to serve more than 6,000 people from dozens of shelters at the 31st annual Christmas in the City, which has grown from a small gathering at City Hall in 1989 to a massive party thrown for families struggling with homelessness.

“The event featured performances by the Blue Man Group, a gospel choir, and an Afro-Caribbean band, as well as a petting zoo, amusement rides, Santa Claus photo booths, face paint, manicures, haircuts, dental screenings, flu shots, and white-clothed tables holding pizza, chicken tenders, and gingerbread cookies.

“This year took on particular poignancy because the founder and lead organizer, Jake Kennedy, 64, has been diagnosed with ALS, which took the lives of his father and brother. Kennedy’s son, Zack, a neuroscientist at University of Massachusetts Medical School, has dedicated himself to researching a cure for the lethal disease. …

“Mayor Martin J. Walsh of Boston stood onstage beside Kennedy and his wife, Sparky, and expressed his gratitude and admiration of Jake Kennedy.

“ ‘Many of you in this room might not know him personally, but he does this because he loves you,’ Walsh said. ,,,

“Offstage, Kennedy struggled to speak, though he made a point to say one thing.

“ ‘When you ask people what they like best — the winter wonderland, Santa, the food, the Blue Man Group — they all reply,

‘ “This is the first time in our lives we’ve been treated with dignity and compassion,” ‘ Kennedy said. ‘That’s because of the volunteers.’ …

“Many parents said they were thrilled to see their children laughing and having fun with activities they can rarely access.

“ ‘I don’t want to miss anything; this is beautiful,’ said Anthony Raye, as he and his son, Antonio, 10, plotted their next moves: face-painting and visiting animals. …

“By a ‘salon’ sign, hairstylists buzzed, cut, and blow-dried the hair of parents and kids. Aaron Lauderdale, 7, received a mohawk, his face painted like a green Grinch.

“ ‘This is the one and only time I’ll let him have a mohawk,’ said his mother, Natashia Lauderdale. ‘This is his day. I’m just along for the ride. I feel like a big little kid all over again.’

“A parade led by men playing bagpipes filed through the room, followed by Santa Claus on a raised platform. The Kennedys led a countdown, prompting a red curtain to rise on one wall, leading to a winter wonderland of amusement rides and a petting zoo. Children clamored for a carousel, flying chair swings, bouncy castles, super slides, trampolines, and a rock-climbing wall. …

“Amelia McCauley pushed her 2-year-old, Lauryal, in a stroller. ‘I feel special,’ she said. ‘I don’t know when something like this is going to come by again, so I just want to enjoy it.’ ” More here.