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Photo: Lisa Wrightsman
When soccer player Shauntel Payton attended the Street Child World Cup in Brazil, she says, “A lot of people kinda didn’t know why I was there. Like, ‘How are you homeless? You’re from the United States.’ ”

I hope readers don’t mind that I keep revisiting favorite themes. Since there are always new followers, I have to assume not everyone is familiar with the topics near and dear to my heart.

One such topic, covered here in 2014, concerns the sense of freedom that street soccer can provide to people experiencing homelessness. The 2014 story took place in Chile. This one, by Martin Kessler at Only a Game, is from California.

“Seventeen-year-old Shauntel Payton is the second oldest of five children. … Growing up, Shauntel and her siblings lived with their grandparents. She says her mom was in and out.

“But around 2010, Shauntel’s mom moved into a transitional housing program outside Sacramento for adults who had been in homeless shelters or rehab centers. She was recovering from addiction. Shauntel and her siblings joined their mom. Shauntel liked living there — there were lots of other kids.

” ‘All the kids knew where I was coming from,’ she says. ‘We all came from somewhat of the same background, so we all kinda just connected.’

“Around the same time, another resident named Lisa Wrightsman was trying to start a soccer team.

“Wrightsman was a former college player. She was also recovering from addiction. When she moved into the transitional housing, she realized Sacramento had a Street Soccer team for men. But not for women. So she decided to start one.

“And if she wanted to recruit women, she was certain of one thing: Children had to be welcome at practices. … That’s how Shauntel and her siblings ended up at the very first practice for the Sacramento Lady Salamanders.

“The idea was that the kids would sit and watch while their moms practiced. But when the Payton kids started wrestling on the sideline, Wrightsman realized that plan wasn’t going to work. …

“So Wrightsman invited Shauntel and her siblings to scrimmage against their mom and the five other players. …

“Shauntel says those practices were important.

” ‘It was like a different vibe when we would go there,’ she explains. ‘We kind of connected better than we would’ve, I think, without having some type of outlet to come together and do something as a family.’ …

“As Shauntel’s siblings got older, they gravitated to other sports. But Shauntel stuck with soccer.

“When I step on the field I just feel like a brand new person,’ she says. ‘And when I shoot the goal, it’s like a feeling like I’ve never really felt before. It’s like freedom.’

“And that brings us to an event called the Street Child World Cup. Every four years, the World Cup host country holds a competition for children who have been homeless.

“In 2014, Wrightsman nominated Shauntel to join the U.S. team in Brazil. …

Shauntel had never left the country. But in Brazil, she met boys and girls from Zimbabwe, Burundi, the Philippines, and 15 other countries.

“Some of the kids were surprised to see Shauntel and her U.S. teammates.

” ‘A lot of people kind of didn’t know why I was there,’ she says. ‘Like, “How are you homeless? You’re from the United States?” I was really shocked. And I was like, “I don’t know.” ‘

“The kids shared their stories. One Indian boy told Shauntel how he spent his days working for pocket change to help his family. And how he saw his dad abuse his mom.

” ‘It made me kind of think back to my life and how much I took for granted,’ Shauntel says. …

“Shauntel says as soon as she got back to the U.S., she gave all her siblings big hugs and started crying.” She says the trip made her more hopeful.”

More here.

Photo: Pedro Alvarez for the Observer
Øvre Forsland hydroelectric station in northern Norway.

So while we’re on the subject of removing pollutants using artistic sculptures, how about an article on creating clean power in an artistic energy plant?

Stuart Dredge writes at the Guardian about “an unusually handsome hydroelectric plant” on the edge of a forest in northern Norway.

“Located in the Helgeland district in northern Norway, [Ovre Forsland is] a small hydroelectric power station capable of supplying 1,600 homes with power.

“Designed by Norwegian architecture firm Stein Hamre Arkitektkontor, it sits on a riverbed at the edge of a forest, with an exterior that aims to reflect the irregular shapes of the spruce trees forming its backdrop. …

“Says Torkil Nersund, production manager at the plant’s owner, energy company HelgelandsKraft … ‘This region is known for its spectacular nature, so we thought the building should try to live up to the surroundings.’ …

“ ‘Øvre Forsland does not only serve hydropower to people in the region. Its purpose is also to bring attention to hydropower, the history around it and the benefits,’ says Nersund. …

“Øvre Forsland is also angling for the attention of people who come to Helgeland for its hiking trails and beautiful scenery. Those visiting the power station can look through a tear in the building’s exterior that reveals its innards: the turbines. …

“The emphasis on this harmony, and on renewability in general, can be seen in the fabric of Øvre Forsland itself. The architects used Kebony wood, sustainable softwood that has been treated with a bio-based liquid to make it more like hardwood. …

” ‘We hope that the Government also sees that hydro power has a great future ahead and that they facilitate the development of Norwegian hydro,’ says Nersund.”

More here.

Hat tip: @VictoriaLynden on twitter.

 

Photo: Studio Roosegaarde/flickr
Dutch designer and architect Daan Roosegaarde’s 23 ft. high ‘Smog Free Tower’ removes pollution from the atmosphere.

I wrote recently about a googly-eyed contraption in Baltimore’s harbor that is removing litter — and about the controversy over the relative importance of cleaning up trash vs. stopping it at its source. (See “Mr. Trash Wheel,” here.)

Here is another take. Does creating a sculpture that removes smog from the air we breathe take too much focus away from eliminating smog in the first place? I continue to think that all efforts are important, both for what they accomplish and for the ability to reach more audiences.

Blouin News reports, “Dutch designer and architect Daan Roosegaarde has created a 23 ft. high ‘Smog Free Tower,’ which is the world’s first outdoor air purifier with the ability to suck up smog, filter out pollutant elements and release clean air.

“The tower, resembling a miniature chrome-latticed skyscraper, has been tested in Rotterdam and will soon be installed at public parks in Beijing, a city that suffers from catastrophic levels of smoggy air, writes The New York Times.

“The tower, which can clean up to 30,000 cubic meters of air in an hour, may not bring radical change to a highly polluted city like Beijing but its installation is a symbolic gesture, reminding the society of its responsibility to fight air pollution. The designer will be placing 25 such towers in Beijing’s public parks and plans to introduce the technology in India and Mexico as well, notes RealClear Life.” More here.

I am just realizing I already wrote about another aspect of this project: the smog waste will be turned into diamonds! Read this.

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Photo: Aram Boghosian for The Boston Globe
Malika MacDonald is director of the Amal Women’s Center, which provides shelter for Muslim women and children in need of temporary housing.

When I was working at the central bank, we had a Hubert Humphrey Fellow visit us from Bahrain. One aspect of America she was studying was homelessness. She said there was no homelessness in her country. She said families would never let it happen; they would take people in.

Having no way to know whether that was true in every case, I was nevertheless intrigued. Was it something about the culture in a Muslim country?

One thing I do know is that in this country, alas, Muslim women and children like other women and children, sometimes find themselves in need of temporary housing. That was the impetus for a new center in Boston, the brainchild of an Egyptian-American college student.

Lisa Wangsness wrote about the initiative at the Boston Globe. Here is the part of the article that touched me the most.

“The project began six years ago, when Mona Salem, then a 20-year-old Egyptian-American college student, was trying to help a young Muslim friend who wanted to escape a foster home where she felt unsafe.

“Salem thought her friend would feel most comfortable in a Muslim-run shelter for women, but soon discovered none existed in Boston. So she began raising money to start one, and teamed up with [Malika MacDonald, the national director of the Islamic Circle of North America Relief USA’s Transitional Housing Network.] …

“Donations poured in from every direction. Dishes and pots and pans for the kitchen arrived from families affiliated with the Framingham and Wayland mosques. A man offered his Home Depot credit card to pay for lighting. Various groups and individuals sponsored each of the bedrooms, furnishing them with bright-colored bedding and art for the walls.

“Salem said she was near tears when she saw the finished house the other day.

“ ‘That place was a dump when we first got there, and now it’s beautiful — absolutely beautiful,’ she said. ‘That says a lot about . . . how strong we are as a community to help one another.’

“Help arrived from beyond the local Muslim community as well. An artist in Texas sent an Arabesque Moroccan ceiling medallion for the living room. A board member of the interfaith group Kids4Peace Boston donated a lacquered dining table and banquette. The founder of a planned shelter for transgender people in Indiana sent along bathroom towels, MacDonald said.”

I suspect many of those donors know what it’s like to feel different and look for comfort.

More at the Boston Globe, here.

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Photo: Jonathan Wiggs/Globe Staff
Attorney Elizabeth Read led a session at “Know Your Rights Day” at Boston International Newcomers Academy, a high school.

The lawyer in the photo above is someone I met in April, when we were both volunteering in a Jewish Vocational Service class for Haitians learning English. I was surprised to see her picture the very next day in the Boston Globe, doing a related kind of volunteer work. She certainly has found multiple ways to serve.

Evan Allen wrote, “Attorney Elizabeth Read stood before the classroom full of teenage immigrants at Boston International Newcomers Academy [and] explained their rights if they are ever detained by an immigration official.

“ ‘You have the right to make a phone call,’ she told them Friday afternoon, as their teacher translated into Spanish.

If you are detained, they can take your cell. You must memorize phone numbers. It’s hard! But you must.’ …

“The talks were organized by the Political Asylum/Immigration Representation Project and conducted by volunteer lawyers. …

“The PAIR Project has trained more than 300 lawyers across the state, and delivered 250 presentations to 10,000 people in community centers, health centers, churches, and schools. …

“ ‘I feel sad,’ said 15-year-old Alvaro … ‘I’m with my dad here, and at any minute, immigration could come and there’s nothing we can do.’

“All the students were given red cards to hand to immigration authorities that outline their rights, including the right to remain silent and to refuse to allow authorities to enter their homes. Alvaro said feeling prepared was a relief. …

“[Headmaster Tony] King said he has tried to reassure students by explaining their rights, reminding them that politicians in Massachusetts support immigrants, and talking to Muslim girls who wear head scarves about what to do if someone becomes aggressive. He gave them numbers to call — including his own — if they need help. …

“Sowda Roble, a 16-year-old Somali refugee wearing a sparkling silver headscarf and a Red Sox shirt, said through a translator that America is a country where ‘every opportunity — education, everything — is available.’

“She arrived here from a refugee camp in February 2016 with her mother and two brothers; four other siblings and her father stayed behind. …

“ ‘I know what it feels like to be in a refugee camp, and wait for hope. It hurts. [All of a sudden,] you are told the hope dies.’ Sowda started to cry. She had walked for days through the desert to the refugee camp, people dying around her, she said.

“The Know Your Rights presentation from the attorney, she said, was helpful. And she still loves America. The people ‘have good hearts.’ ”

More at the Globe, here.

I find that I prefer taking photos in sunlight — there’s a better chance of getting the shadows I love.

Does the sun shine more in summer? Perhaps I’m just outdoors more. In any case, there seem to be more photo ops in summer. Here are several recent pictures from my travels back and forth between Rhode Island and Massachusetts.

Any favorites? I especially love the long, early-morning shadows behind the blue Lace-Cap Hydrangea. And I can never resist mysterious messages sent out onto the world as if by UFO.

That’s Suzanne’s son surveying the new section of the bike path as he learns to ride using training wheels first.

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What do you think makes America great? For me, it’s the Bill of Rights, especially the First Amendment:

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.

Whether we walk in dark times or in times of hope, may we always hold on to what is good.

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Art: Neal Personeus
This humorous piece, exhibited in 2015 at the Block Island Airport, is called “Yeah … but the view.”

People know Rhode Island for its beaches, its cuisine — and, of course, its arts. Perhaps the cluster of arts activities started with the Rhode Island School of Design. Perhaps people who attended RISD stayed around after graduation. It’s hard to say.

But there is no doubt that the state saw what a treasure artists were and decided to create incentives to get them to stick around and contribute.

Dustin Waters has details in Charleston City Paper.

“Little Rhody has become a powerhouse when it comes to attracting artists and art lovers to its shores. And the method by which state leaders have leveraged Rhode Island’s tax code to benefit the creative community could serve as a model for other states looking to cultivate a stronger arts economy.

” ‘When artists populate an area, it tends to get energized,’ says Randall Rosenbaum, executive director of the Rhode Island State Council of the Arts.

“Targeting specific neighborhoods in need of revitalization, Rhode Island’s General Assembly realized that an excellent way to breathe life into these areas was to foster the growth of arts in these communities. Establishing designated arts districts throughout the state in 1996 with the goal of attracting and keeping talented artists, state leaders offered two tax incentives for artists who were willing to live and work in these districts, according to Rosenbaum.

“First, all works of art created in these districts could be purchased exempt from state sales tax. This tax break extended to dealers, galleries, and shops within each district. …

“The second benefit proved to be a major boon. [Income] received by artists from work produced and sold in a designated arts district was exempt from personal state income tax. B…

“Finally, in 2013, the Rhode Island General Assembly extended the sales tax incentive throughout the entire state. This decision came after a meeting between artists, politicians, and businesspeople who saw the plan as a way to turn the state’s creative community into an economic driver. …

“In a 2015 report to the Rhode Island General Assembly prepared by the Rhode Island State Council of the Arts, participating artists were surveyed to find out how they felt about the first year of business under the state’s new guidelines. Not surprisingly, the general consensus among the artistic community was positive.

“Almost 58 percent of artists surveyed reported that their sales increased from the previous year before the sales-tax exemption was instituted. …

“While Rhode Island hopes to spread the news about the state’s arts incentives, it wouldn’t be a bad idea for more states to start taking better care of their artists — before all the local creatives start heading up to Providence.”

More here.

Hat Tip: ArtsJournal.

 

Photo: Lucy’s Love Bus.
Transformation of an old VW bus into one bringing joy to seriously ill children.

July 1 was a sad day for friends of my former boss because despite some promising treatments, it turned out there really was no cure for the type of brain-stem cancer that his beautiful 8-year-old daughter mysteriously contracted.

But I want to tell you about two wonderful organizations that provided many happy moments for this little girl for more than a year. With the help of these nonprofits and the child’s friends and teachers, she was able to have normal, happy times as she became in 19 months — to use her mother’s words — “somehow, both more vulnerable and more amazing at the same time.”

Lucy’s Love Bus is described here. “Lucy Grogan founded Lucy’s Love Bus in 2006, from her hospital bed at Tufts Floating Hospital for Children in Boston. … Thanks to the financial support of folks in her hometown of Amesbury, MA, Lucy had consistent access to integrative therapies such as acupuncture, massage, horseback riding, art, and music therapy.

“Lucy learned that the integrative therapies that were so profoundly helpful to her during treatment were not covered by insurance, and therefore most children with cancer did not have access to them. She decided that when she was ‘done with cancer,’ she would make sure that all children had the same access to the helpful integrative therapies that she took advantage of during treatment.

“Lucy named her organization Lucy’s Love Bus, because she wanted to deliver love, comfort and quality of life to children with cancer. She felt that cure was very important, but recognized that no one was addressing the immediate suffering that she and her friends faced every day. Lucy’s primary concern was to deliver comfort … until a cure.” More.

The Hole in the Wall Gang is described here. “The Hole in the Wall Gang Camp is dedicated to providing ‘a different kind of healing’ to seriously ill children and their families, free of charge. We are a community that celebrates the spirit of childhood, the sound of laughter and the feeling of endless possibility.

“The Hole in the Wall Gang Camp was founded in 1988 by Paul Newman to give every child – no matter their illness – the chance to raise a little hell.’ Including our summer Camp in Ashford, Conn, we run 9 programs that serve more than 20,000 kids and family members throughout the Northeast each year.” More.

My former boss’s two wonderful daughters. So much love here.

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Thursday I went over to the Hapgood Wright Town Forest to check out the latest iteration of the Umbrella Community Arts Center’s Art Ramble.

The center’s website says, “In honor of Henry David Thoreau’s 200th birthday, this exhibit encourages artists to create work that slows the viewer’s experience of the natural world.”

I enjoyed finding the art tucked away here and there in the woods, and I also enjoyed the beauties of the forest: a Great Blue Heron standing patiently in the middle of a pond where I could hear a bullfrog croaking, a beautiful fallen log with wavy lines, Indian Pipe fungi hidden among dry leaves.

The first of the art pieces that I chose to photograph was Mary Baum’s “Point of Entry,” a construction of mirrors covering a rock. Baum says that, in general, “her work deals with themes of belief and mysticism; the connection between the natural and spiritual worlds; and the relationship between magic and miracle.”

The second work I photographed was called “Forest for the Tree” and features small jars holding bits of tree arranged around a trunk.

Self-taught conceptual artist Heather Kapplow says the work “plays with the movement of consciousness or attention between the big picture and the more granular one (with its emphasis resting on the consciousness or attention of one particular tree). It exists as a liminal object, one that touches two worlds and acts as the passageway between. It allows the viewer to consider that there is more to our existence than what meets the eye.” (If you take children, you may want to find a way to translate artistspeak here and elsewhere around the woods.)

My favorite work was an array of “knotholes” by clay sculptor Liz Fletcher, who creates environmental art because she is “concerned about human impacts on the land.”

The title of her contribution is “Lovers of Life,” and features portraits of people who walked gently on the land, such as Rachel Carson, Aldo Leopold, and Black Elk, a Oglala Lakota (Sioux), who lived from 1863 to 1950.

Fletcher says, ” ‘Lovers of Life’ is an outdoor portrait gallery. Embedded within knotholes are images of people from various eras and cultures who devoted their creative energies to studying and protecting the natural world, and encouraging people to live in harmony with it. Knotholes on trees show where branches once grew out from the trunk. Knotholes are fine frames for these naturalists and spiritual leaders whose ideas have branched out across the world.”

I wrote about last year’s Art Ramble here.

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I like stories like this since they give encouragement to cities that do a good job of supporting the arts. No doubt, once you list 20, the situation is already changing and other cities are emerging, but it’s still a good idea to give credit.

N. Rallo reports at Southern Methodist University’s National Center for Arts Research that the new study divides the pool of cities into small, medium, and large.

“SMU’s National Center for Arts Research (NCAR) announces its third annual Arts Vibrancy Index, which ranks more than 900 communities across the country, examining the level of supply, demand, and government support for the arts in each city.

“This year, 20% of the communities on the most-vibrant list appear for the first time – a total of eight new communities, including one new state, Alaska. … For the first time, community rankings are organized into three distinct lists based on size. …

“In addition to the Arts Vibrancy Index, NCAR provides scores for every U.S. county on its interactive map, based on measures of arts dollars, arts providers, government support, and socio-economic and other leisure characteristics. …

“Supply is assessed by the total number of arts providers in the community, including the number of arts and culture organizations and employees, independent artists, and entertainment firms. Demand is gauged by the total nonprofit arts dollars in the community, including program revenue, contributed revenue, total expenses, and total compensation. Lastly, the level of government support is based on state and federal arts dollars and grants. …

“Among cities with populations of 1 million or more, the five most vibrant arts communities are as follows:

Washington-Arlington-Alexandria, DC-VA-MD-WV
New York-Jersey City-White Plains, NY-NJ
San Francisco-Redwood City-South San Francisco, CA
Nashville-Davidson-Murfreesboro-Franklin, TN
Minneapolis-St. Paul-Bloomington, MN-WI …

“[Winning] communities with populations 100,000 to 1 million: …

Pittsfield, MA
Santa Fe, NM
San Rafael, CA
Missoula, MT
Burlington-South Burlington, VT …

“For small communities … the top five cities are:

Breckenridge, CO
Summit Park, UT
Bennington, VT
Bozeman, MT
Hudson, NY.”

More at SMU. How many of the cities do you know well? Have you enjoyed the arts there?

Another Hat Tip to ArtsJournal.

Photo: Southern Methodist University’s National Center for Arts Research

Photograph: Cassady Rosenblum
Garland Couch (seated) works on some code with James Johnson. The men are part of an effort to turn coal country into Silicon Holler.

About a year ago, I wrote a post about Mined Minds, a nonprofit founded by two young Northerners to help jobless miners learn computer coding skills.* This follow-up shows that the idea is taking root and spreading.

Cassady Rosenblum writes at the Guardian, “As Highway 119 cleaves through the mountains of eastern Kentucky, exposed bands of black gold stretch on for miles – come get us if you can, they tease. And for years, miners did: they had good employment that earned them upwards of $70,000 a year and built a legacy of blue-collar pride in the region. ‘We felt like what we did was important,’ says Rusty Justice, a self-described entrepreneur who hauled his first truck of coal in eighth grade. And it was. In 2004, coal powered half of America’s electrical needs.

“But by 2011, Justice and his business partner, Lynn Parish, who worked in coal for 40 years, began to worry. … So the two coal men from Pikeville began thinking about how they could diversify.

Coal country must transform itself into something else, a new place on the map the hopeful call ‘Silicon Holler.’

“In its own, proud way, Pikeville has a new message for America: we’re ready to move on if you’re ready to let us do it our way. That means some help from the government, but not a handout. ‘We need to identify the doers and facilitate their ideas,’ Justice says. …

“ ‘We considered just about everything. Windfarms, solar farms, hog farms – you name it,’ he laughs. As unemployment tore through their 7,000-person town, Justice and Parish prayed for a business idea that would not just pay, but pay people what they had been making before in the mines. …

“Their breakthrough came when Justice and Parish visited a workforce retraining expo in 2014 in Lexington, where they learned about coding.

“The concept appealed to them. Each year, 600,000 US tech jobs go unfilled, jobs that ultimately go overseas but could be on-shored if more Americans had the right skills. Even better, the job paid the same as the mines.

“Justice had seen first-hand how miners employed logic to solve life or death problems underground. Still, he wondered, could a coal miner really code? He called his computer-savvy friend Justin Hall with that question. ‘I don’t see why not,’ Hall said. ‘Great, you’re hired,’ Justice told him.

“They placed ads for their new web and app design company, Bitsource, in 2015, then watched as more than 900 applications rolled in. From this pool, they chose 11 former miners who scored highest on a coding aptitude test. Two years later, in an old Coca-Cola factory by the Big Sandy river, nine men and one woman remain.

“On a late March day, Hall stands at a whiteboard [and] fills the board with modules and nodes as the guys shout out ideas in lingo that eventually makes Garland Couch, a 55-year-old coder, pause at how far they’ve come. ‘Man, we’re nerds now,’ he laughs, pushing his Under Armour cap back on his head. After the session, they break for lunch, then return to work with Drupal software on laptops whose Apple icons glow next to bumper stickers that say ‘Friend of Coal.’

“Despite the team’s new profession, the stickers are a nod of respect to an industry they all got their start in, an industry that still employs some of their friends and family. As Parish is fond of saying, change is necessary, ‘but you don’t want to upset the one who brought you to the dance.’ ”

Read about other companies retraining miners in Kentucky, here.

*Update May 12, 2019: Uh-oh. Read about an unfortunate outcome, described at the New York Times, here. I still think it was a worthy effort.

 

Photo: Samuel West
Harley Davidson Eau de Toilette was never a big hit with the general public. Perhaps folks assumed it would smell sweaty.

There are creative people out there who become obsessed with a topic, collect memorabilia related to the topic, and end up starting a museum.

Back in April, Derek Hawkins wrote about one such museum at the Washington Post. “In his years as an innovation researcher at Lund University in Sweden, Samuel West got sick of hearing the same story over and over — the tired narrative of the nerdy innovator from humble beginnings whose brilliant idea made him a millionaire.

“ ‘Everybody in the innovation business knows that 80 to 90 percent of projects fail,’ West, now an organizational psychologist, told The Washington Post. ‘So where are all these failures? Why do we only read about the successes?’

“To chip away at those questions, West started buying failed products online. At first, he did it for his own amusement, but it quickly turned into an obsession. Eventually, he said, he amassed dozens of items.

“Now, his one-of-a-kind collection of flops is getting a permanent home.

“In the coming weeks, West is set to open the Museum of Failures in Helsingborg, Sweden, celebrating some of the corporate world’s most extreme misfires. The goal, he said, is to show that innovation requires failure. Every exhibit offers ‘unique insight into the risky business of innovation.’ In other words, we can all learn a lot from bad ideas, so we should stop pretending they never happened.” For more, see the Washington Post and also Business Insider.

To hammer home the point about failure, I think the museum would be well served to include a section on failures that led directly to successes. Perhaps a Swedish reader will go to Helsingborg and let us know if West has done that.

By the way, since we’re talking about unusual museums, here’s the link for the Museum of Broken Relationships and an article about the now defunct Museum of Questionable Medical Devices, which my husband and I always took guests to see when we lived in Minneapolis.

12/8/17 Adding another article on the same topic, here. This Museum of Failure is a pop-up museum in Los Angeles. Guess it’s an idea whose time has come.

Photo: Luke Runyon/Harvest Public Media
In a small Colorado farm town, immigrants accept America’s least popular jobs. Now the town is helping them gain citizenship.

When you hear that immigrants are important to a farm town, you probably think of farm labor. But farm towns, like other small towns in America, struggle to find workers for many grueling jobs citizens don’t want.

Now the town of Brush, Colorado, is offering help to its new residents to become citizens themselves.

This Harvest Public Media report by Luke Runyon, broadcast on National Public Radio, explains.

“At the public library in the rural Morgan County town of Brush, Colo., Marissa Velazquez welcomes her students to class. It’s a sunny Saturday morning, and the day marks the halfway point in Velazquez’s class, a 10-week crash course on American history, civics and English.

“Nearly all of the students work in either meatpacking or dairying. Everyone in it has the same goal: become an American citizen. In two hours, Velazquez runs through voting rights, the legislative process and some grammar tips. …

“Morgan County has anchored its local economy to agriculture. A meatpacking plant, cheese factory, sugar beet processing plant and large dairy farms provide plentiful yet grueling jobs that require little proficiency in English, just hard manual labor. That has made the rural county a magnet for migrating immigrants and refugees. It now holds sizable Somali, Mexican, Ethiopian, El Salvadoran, Guatemalan and Honduran populations. …

“In some smaller towns … fear has spurred some to take steps to go from green card holders to fully fledged citizens.

“The number of people who applied for U.S. citizenship rose across the country in 2016. And while there are no definitive data for the first part of 2017, there are small indications that the same trend could be continuing this year.

“To become naturalized, applicants are tested with a series of questions about the U.S. They are given a dictation exam and an interview, most often in English.

” ‘That’s why we get to practice listening skills, writing skills, reading, so that they’re ready for when they go in for their interview to become a citizen,’ Velazquez says.

” ‘I never thought I would teach the class, because I took this class as a student,’ says Velazquez, who became a naturalized citizen in 2016.

“Citizenship classes are pretty standard in some parts of the country, often offered by nonprofit groups and immigration law firms. What makes this one unique is its size. In 2015, 10 people finished it. In 2016, just five. This year, Velazquez has a class of 21 students. In a rural area like Morgan County, that is huge.” More.

One thing you can say about immigrants who take those tough jobs: they work hard. I believe that the country is strengthened by people like that deciding to become part of it.

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Sculpture: Nancy Whelan
Cat sculpture “Henry VIII — Six Wives, Nine Lives,” Catskill, New York.  See and hear the artist’s description, here.

Sandy and Pat attended a family wedding at Lettterbox Farm in upstate New York recently and took a little time to check out the local sights. They loved the cat sculptures in the town of Catskill and the owl sculptures in Coxsackie, whose name is thought to come from an Indian word for “owl.”

Ariél Zangla wrote at the Daily Freeman, ” ‘Cat’n Around Catskill’ is celebrating its 10th anniversary. …

“Visitors come from local communities, but also from out of state. [Catskill Association President Tina Annese] said she knows of at least one family that has visited the cats each year as part of their summer vacation. She said people come to see the cats, get their pictures taken with them, and then visit area businesses.

“ ‘It brings tourism into the area, without a doubt,’ Annese said. She added that with neighboring communities doing their own art displays, visitors can stop in multiple areas. Annese said she loves that — and the more public art displays, the merrier.

“Locally, Saugerties once again has its decorated horse statues on display, while Greenville will have its ducks for the second year.”

More about the cats at the Daily Freeman, here. And if you are on Facebook, you will want to check the Cat’n Around Catskill page, here.

As for owls, it was last September that Coxsackie decided to get into the act.

Melanie Lekocevic of Columbia-Greene Media wrote about the effort at the Daily Mail: “Catskill has its cats, Cairo has bears, and Ravena had trains. Now, it’s Coxsackie’s turn.

“A volunteer committee has been working for several months to get a new project off the ground – ‘Hoot of the Owl,’ a public art exhibit that will bring sculptures of creatively decorated owls to the community.

“Owls have long been the symbol of Coxsackie; indeed, some translations of the name ‘Coxsackie’ – said to be of Native American extraction – are thought to reference owls, according to an article by Coxsackie Town Historian Michael Rausch on the town website. …

“Like the Catskill cats, once completed each owl will be posted at locations around the village for several months, and later auctioned off at an extravagant gala.

“Visitors to [the early September] Coxsackie Farmers Market got a taste of what is possible in creating an owl when local artist Ellen DeLucia put on display an owl she created just to get the creative juices flowing around town.

“ ‘When we started, we decided to buy one owl prototype and have Ellen DeLucia paint it to give people an idea of what it would look like,’ said Committee Chair Joseph Ellis, also a village trustee.” More at the Daily Mail, here.

Horses, ducks, owls, bears, cats. Dragons, Anyone? I’d definitely go out of my way to see dragons.

Photo: Melanie Lekocevic/Columbia-Greene Media
Artist Ellen DeLucia created the owl “Freedom” to give artists an idea of what a finished owl can look like.

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