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Photo: Tom Jamieson for the New York Times
“London’s bike-rental program has proved popular. Now, patients at two medical centers in Cardiff, Wales, will be offered six-month subscriptions to a bike-rental service, with free rides of up to 30 minutes,” reported the
New York Times last year.

Last week, as I watched two grandchildren painstakingly donning piles of bulky ice hockey gear, I remarked that for me, walking is the best exercise because you don’t have to do any prep. You just open the door and go out. My granddaughter, age 7, opined that walking is boring, and I have to admit that ice hockey may be more heart-pumping.

But I am not bored. And after walking every day for many years, I no longer feel surprised that I like to exercise. At first, I was resistant to doing anything. But a friend who was an internist leaned on me about exercising. And I knew if I were going to do anything regularly over a long period of time, it would have to be something I liked. So, walking was it.

Given that I go quite slow, I was surprised that when I told various doctors I just ambled, they didn’t seem bothered. Then I heard one refer to walking as a “weight-bearing activity,” and the penny dropped!

In the United Kingdom, doctors are making it easy for patients to exercise by means of bicycles. And like me, many former non-exercisers are surprised to find that they like it.

The BBC reports, “A cycling-on-prescription scheme trialled in Yorkshire has been so successful it could be rolled out across the UK, the organisers said. The scheme allows health professionals to offer those with long-term conditions 12 weeks of cycle training.

“More than 1,000 people have been referred to the scheme since it launched four years ago, according to the West Yorkshire Combined Authority. Cycle UK said the scheme showed cycling was good for overall wellbeing. …

“The initiative is funded by West Yorkshire Combined Authority, which covers Barnsley, Bradford, Calderdale, Craven, Harrogate, Kirklees, Leeds, Selby, Wakefield and York.

“Figures from 2018/2019 showed people using the scheme reporting a marked increase in feeling more confident and relaxed. …

“At the start of the programme, only 18% of participants were meeting the NHS [National Health Service] activity guidelines of 150 minutes per week — a figure that rose to 73% afterwards.

“Andrea, 47, from Wakefield, was referred as she has suffered from anxiety. ‘I’m more confident. I’m able to be out with other people more than I would normally,’ she said. ‘My fitness has improved, my lung function is a lot better than it has been and now I actually want to go out and do other things, and keep cycling, keep active and really start living my life.’ …

“Cycling UK said the scheme started in Yorkshire, and has since been trialled in areas including Wales, Manchester and London, but is not yet available nationwide.”  More at the BBC, here.

The New York Times, here, talks about the biking-rx trial in Wales, noting, “Nextbike, the company that offers the bicycle service for patients in Cardiff, provides rentals in many other European cities. Mareike Rauchhaus, a spokeswoman for the company, said that it participated in a program called By Bike to Work, which allowed people to claim prizes from their health insurance providers if they cycled to work. …

“Dr. Karen Pardy, a family doctor who is participating in the program in Cardiff, said in the statement [that] she hoped prescriptions would encourage people to ‘have a go at cycling around Cardiff’ and realize how the activity can support their well-being.”

P.S. If you search Suzanne’s Mom’s Blog for the word “prescription,” you’ll find a lot of posts on doctors’ unusual prescriptions to encourage more healthful living, including  biking in Boston, woodland walks, gardening, museum visits, poetry, music, dance, art …

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On January 15, I took a walk and encountered the astonished hellebore above. It’s not supposed to bloom until spring, but it just couldn’t help itself, the weather was so warm. Goodness knows what it thought when we went down to single-digit temperatures shortly thereafter!

I gather things have been topsy-turvy where you are, too, and I look forward to seeing other photos of out-of-season bloomings on your blogs.

Today’s collection of pictures includes a few from New York. Alice holds court at the Mad Tea Party in Central Park. I sent a close-up of the Dormouse to Carole, whose voice I still hear playing that role 65 years ago.

Building details are always fun in New York, where the ship below caught my eye. In the park one day, I also saw a panther ready to pounce.

Suzanne’s son, 7, wrote a nice essay about his vacation. And John’s daughter, 6, played a fierce game of ice hockey.

I took a picture of the flour can for no special reason at a favorite bakery in Providence.

The crooked tree continues to tempt and challenge my camera, because no matter what angle I try to take a photo from, there is always too much confusion in the background. I should get someone to hold up a white sheet for me. Perhaps you have another suggestion?

Next you can see our famous bridge and the statue of the “embattled farmer,” followed by a glimpse of town from a snowy balcony. I took three shots of a local arts center’s latest exhibit, “A Change in Atmosphere, a group show celebrating contemporary atmospheric firing of New England-based ceramic artists.” Not really sure what “atmospheric firing” means but it sounds elemental.

I liked the funny clay dwellings (which seemed both ancient and futuristic to me), the female figure bursting out of confinement in the Greek-type vessel, and the contrasting textures of the piece featured in the exhibit poster.

Jean K. tells me my photos are amusing, which has inspired me to start looking specifically for funny shots in the future. But I had to abstain from the name of a construction company on a passing truck because it would never have passed the Code of Conduct.

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Photo: Taylor Luck
Yeshiva students are seen studying in a Casablanca sukkah hut last October. “Jews and Muslims have a long history of amity in Northern African countries like Morocco and Tunisia,” says the
Christian Science Monitor.

It seems to me that when people want to get along, they do. In the following story, we see how two religions usually depicted at odds have coexisted comfortably in Northern Africa for generations. What isn’t clear to me is how communities can start this kind of positive relationship if they haven’t had it before. There has to be a way.

Taylor Luck reports at the Christian Science Monitor from Morocco, “Even as congregants recite evening prayers at Temple Beth El, the Muslim call to prayer rings out from minarets across the city and into the courtyard, a mix of Arabic and Hebrew filling the dusk sky with praises to God. And as the yeshiva students file out of Beth El (literally, House of God), Mohammed, the gatekeeper, kneels down in Muslim prayer at the synagogue’s entrance.

“This is not a mirage; this is Casablanca. After decades of economic migration and geopolitical tensions that reduced North African Jewish communities from hundreds of thousands to a few thousand people, hope is being rekindled in Morocco and Tunisia that as Jews keep the light of their communities alive, so too does the region’s unique model of Muslims and Jews living side by side.

“For even in a time of global polarization, Moroccans and Tunisians are proving that historical bonds bind, rather than divide, Jews and Muslims, whose shared past they say paves the way for a shared future. …

“In Morocco, a country that is 99% Muslim, whose monarch carries the title ‘commander of the believers,’ a distinct Hebrew culture nevertheless permeates practically every town today. … Moroccans will be quick to tell you that this is not only Jewish heritage, but Moroccan heritage.

“ ‘We have Jewish life from the cradle to the grave in Morocco,’ says Zhor Rehihil, an anthropologist specializing in Moroccan Judaism and curator of Casablanca’s Museum of Moroccan Judaism. …

“King Mohammed VI has promoted the return of the Moroccan Jewish diaspora and Israeli tourism to the country, funding the preservation and renovation of 162 ancient Jewish cemeteries and several synagogues across the country. Under Moroccan law, anyone with Moroccan Jewish ancestry can claim citizenship.

The preamble to Morocco’s 2011 post-Arab Spring constitution enshrines Moroccan Jews as integral to the national fabric, stating that Morocco ‘is a sovereign Muslim state … whose unity is nourished and enriched by its African, Andalusian, Jewish, and Mediterranean constituents.’ …

“ ‘Visiting Arabs and Israelis see the atmosphere in the [Casablanca] streets, signs in Hebrew, Jewish and Muslim families living together in the same apartment building, and they can hardly believe it,’ says Serge Berdugo, secretary-general of the Council of Jewish Communities of Morocco and a community leader. ‘But the fact is, it is not a slogan or some dream, it is daily life for us, and that is a model we need to preserve for the world.’ ”

Meanwhile in Tunisia, “The demand for kosher meat – seen as even more meticulously prepared than by Islamically halal butchers in the capital – is high among Tunisian Muslims as well as Jews.

“On a rainy Friday this October, men and women lined up at the kosher butchery of Amran Fennech, the store name in Hebrew and Arabic, red spicy merguez sausage hanging from the storefront. Ask anyone in central Tunis; hands down, Amran has the best cuts in town. …

“ ‘We are Jews and we are Tunisians – we have specific cuisine, a specific dress, and a specific way of life – you can’t separate one from the other,’ Mr. Fennech says. …

“Historians say the high-water mark of Jewish-Muslim relations may have been over a millenium ago at the time of Al-Andalus, or Islamic Iberia, when the Muslim empire stretched across the Mediterranean to modern-day southern Spain.

“Jews and Muslims had become an intertwined community that was a beacon of science, philosophy, art, and enlightenment while much of Europe was in the Dark Ages. They flourished as the leading scientists and writers: philosopher Moses ben Maimon (Maimonides), diplomat and physician Abu Yusuf ibn Shaprut, poet Moses ibn Izra. …

“For Tunisia’s Jews, communal tensions arose in the second half of the 20th century amid regional crises and the birth of Israel. …

” ‘Every time there was a war in the region, tensions would increase and certain people would direct their anger toward their Jewish neighbors,’ says one 50-year-old Jewish resident, preferring not to speak in the name of the community.

“But in the 21st century, particularly after the 2011 revolution, Jewish Tunisians say they have noticed a marked difference. …

“ ‘At the time of the revolution, there were bigger issues than the Jewish community and the question of Israel; the troublemakers left us alone,’ says Mr. Fennech, the butcher. ‘Now we are all living in a new Tunisia together.’ …

“Officially there are no diplomatic relations between Morocco and Israel, forcing Israeli visitors to receive visas in a third-party country such as Spain. Israeli tourists to Tunisia must fly to the island of Djerba; there are no direct flights to Tunis. But Israeli and European Jewish tourism to Morocco and Tunisia is on the rise; as is the demand for kosher foods and Jewish religious tourism experiences. Locals hope visitors come away with a lesson as well.

“ ‘For the good of the community, for the good of the world, for the good of Morocco, and for the good of Judaism, we must remain to maintain this link between peoples,’ says Mr. Berdugo, the Moroccan community leader.”

More here.

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Photo: Erin Siegal McIntyre/the World
Three-year-old Kevin, whose family fled cartel violence in Michoacán, Mexico, plays at the light table with magnetic blocks at the Nest Tijuana, an informal preschool set up by a California educator.

Speaking of migrant kids who can’t register for school at the border, here’s a related story about an informal preschool that kind hearts have set up in Tijuana. The story comes from a show I like called the World at Public Radio International (PRI).

Sasha Khokha reports, “Classical music plays, silk curtains blow in the wind, and comfy couches offer a place to curl up with a book. There are wooden toys, colorful magnetic blocks and crayons organized by color in glass jars. Children use light projectors to make patterns and shapes on the walls.

“It may sound like a high-end early childhood education center in California, but this is Tijuana.

“Most students and their parents come from other parts of Mexico where there have been recent surges in drug cartel violence. They are waiting for their numbers to be called to enter the United States at the San Ysidro port of entry and hope to lodge claims for asylum. For many, the wait can last several weeks or longer, during which children have little to do.

“Alise Shafer Ivey, a longtime early childhood director from Santa Monica, California, opened this informal preschool, the Nest, in September. It’s attached to a migrant shelter in this Mexican border city. Nothing else like it exists. …

“Patricia’s 2-year-old daughter is one of the new students at the Nest. On the journey to Tijuana, Patricia said her two girls kept asking where their dad was. But how could Patricia tell them? They couldn’t even go to the funeral. It was too dangerous to show up to bury her husband, she said. …

“‘These kids have seen things no child should see,’ Ivey said. ‘They’ve been stripped of their homelands, they’ve left their families behind. They’ve been stuffed in trunks of cars and crossed over borders. … To think we’re going to deliver them to a kindergarten in the US and think it’s going to go well? Not necessarily.’ …

“The idea for the Nest began with a trip Ivey took to Lesbos, Greece, after retiring from decades of directing the Evergreen Community School in Santa Monica. She met a relief worker who invited her to visit a refugee camp, which then housed mostly Syrian refugees.

“Children were ‘digging in the dirt, playing with nails in their pockets,’ Ivey said. ‘They had old cigarette lighters that they had found. There was nothing for children.’

“Ivey offered to set up a space for refugee kids to play. She returned to California and raised $10,000 through a nonprofit she helped found, the Pedagogical Institute of Los Angeles. She went on to set up Nests on another Greek island called Samos, then two more in the Congo. …

“The Tijuana Nest got its start after Ivey visited the shelter across the street, where Patricia and her girls sought refuge. Ivey said she instantly connected with Leticia Herrera Hernández, who runs the shelter. They’re both believers in prioritizing the needs of children, especially when parents are going through trauma, Ivey said. …

” ‘The kids would just spend their days playing on their parents’ phones, having tantrums, and we’d be trying to get them to play to entertain themselves,’ Herrera said in Spanish. …

“At parent orientation night at the Nest, Ivey did what she would do back at her former school in Santa Monica: She laid out a spread with wine and cheese. She talked to the parents about brain science and neural pathways, and explained why memorizing ABCs is not enough.

“ ‘The more we talk to children about their ideas and ask them “I wonder how that would work?” Not quizzing them, but just wondering with them, the more all of those parts of the brain are activated,’ Ivey told the parents, many of whom had never been able to send their kids to preschool in their hometowns. …

“Julieta and Kevin fled cartel violence in Michoacán. When they arrived in Tijuana in August, he had a really hard time accepting the shelter as home. He would hit other kids, yell at them. The Nest has helped him to adjust.

“ ‘Now he doesn’t fight. He plays with the other kids,’ Julieta said in Spanish (The World isn’t using her real name to protect her identity since she is fleeing violence). ‘I used to have to grab him so he would turn and listen to me. Now he turns and looks at me. He reaches for my hand.’ …

“Waiting, watching and letting kids problem-solve has been eye-opening for some parents.

“ ‘I’ve learned to be a better dad,’ said Alfredo, another asylum-seeker who has been volunteering at the Nest (The World isn’t using his real name to protect him from being located by a cartel he said had targeted his family). ‘I used to tell them, “No, do it this way. Because I said so.” And I learned that I was wrong. Having them do things on their own gives them more confidence in their decisions.’ ”

More at the World, here.

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Photo: Mohammad Ismail/Reuters
Afghan boys read books inside a mobile library bus in Kabul, Afghanistan.

Just when you thought the news was too depressing to turn on the radio or open a newspaper, here’s another story about good people making sure that books get to children who need them most.

Anne Cassidy writes at the Guardian, “Around the world, mobile library programmes are taking books, educational support and even counselling to communities in serious and urgent need.

“Every week, two converted blue buses stocked with children’s books carefully navigate the streets of Kabul, avoiding areas where deadly explosions are common. These travelling libraries stop off at schools in different parts of the city, delivering a wealth of reading material directly to youngsters who have limited access to books.

“ ‘A lot of schools in our city don’t have access to something as basic as a library,’ says Freshta Karim, a 27-year-old Oxford University graduate who was inspired to start Charmaghz, a non-profit, in her home city having grown up without many books herself. ‘We were trying to understand what we could do to promote critical thinking in our country.’ …

“In some cities public transport is being commandeered as means of getting books to communities that need them most. Vehicles are being reimagined and upcycled to not only to spread the joy of reading, but to educate and improve lives. …

“For Karim, buses were a cost-effective, efficient way to get books to children. Charmarghz rents them from a state-owned bus company. … The organisation is funded by donations from local business and communities, and also boasts a third bus that acts as a mobile cinema. Over 600 children visit the buses each day to read, socialise and play games. …

“On the other side of the world, in Tijuana, Mexico, another bus has been similarly transformed – this time for migrant children, whose families have come from countries such as Honduras and El Salvador to escape violence or poverty.

“The city is a popular destination on the migrant trail as it lies south of California where the courts tend to be more welcoming than in places such as Texas, so people have a higher chance of being granted asylum in the US, says Estefania Rebellon, founder of the Yes We Can World Foundation, which runs the bus school. …

“The school chose a location next to a shelter for families, as children make up 60% of the resident population. Many families remain at shelters for months waiting to apply for asylum.

“Rebellon was inspired to set up the school after volunteering at a Tijuana refugee camp. ‘I saw kids running around without shoes, just malnourished and not having anything to do,’ she says. ‘We needed a fast solution to an urgent problem. … The kids can’t be registered in schools because they don’t have a status.’ ”

Elsewhere:

• “Comic books were left on trains, buses, trams and underground systems in cities around the UK [in November] to mark 80 years of Marvel Comics.

• “A tram in Bucharest recently hosted an interactive poetry library where passengers were able to read poetry books written by Romanian authors and listen to jazz.

• “Carriages on two subway trains in Beijing were turned into audio book libraries where passengers could download books. …

• “People in the Netherlands get to travel on trains for free during the country’s annual book week celebrations. Passengers can present a novel instead of a rail ticket.

• “In the Greek city of Thessaloniki, the transport ministry installed mini libraries at bus stops to allow commuters to read as they wait for the bus. ….

• “Passengers on New York’s subway can download free short stories, poems, essays and book excerpts to their devices during the transport authority’s annual Subway Reads campaign, first launched in 2016.” More here.

Fresh off an hour or so of reading to my grandchildren, I know for sure that books mean a lot to kids. Adults, too. It’s important to learn to read, for sure, but maybe even more to let imaginations soar.

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Photo: Library Loan
I enjoyed hearing Native Alaskan Joan Naviyuk Kane read her poems and talk about her life at the Poetry at the Library series.

Our library has enabled me to hear all sorts of wonderful poets over the years. The woman in charge of the poetry series is good at bringing in poets you can sort of understand even at first reading. And the poets’ books are available to buy if you want to dig in later.

Last fall, I was intrigued by poet Joan Naviyuk Kane — both by her poems and her explanations between poems of what life is like for indigenous people in Alaska. To share some of that experience with you, I poked around on the web and came up with links.

The first link is from the library, here. “Multiple award-winning poet Joan Naviyuk Kane will read from and discuss her work that explores themes of adaptation and resilience, motherhood, marriage, extended family and its geographical context in her rapidly changing Arctic homeland.”

From the Poetry Foundation, here, we learn that “she earned a BA at Harvard University and an MFA at Columbia University. Kane’s spare, lyric poems are rooted in her Arctic homeland and concerned with movement: enlarging, thawing, accruing, crossing, even at times transforming. She considers themes of ecological, domestic, and historical shifts. Kane contends with biological, cultural, and political threats to her ancestral community, including climate change, language death, and the diaspora prompted by the Bureau of Indian Affairs’ forcible relocation of King Island residents in the mid-twentieth century.

” ‘Yet as a mother and a daughter, an educator and an artist, Kane brings to these subjects a singular, sonorous voice and a lyric sensibility as alternatingly austere and lush as the land of her ancestral home,’ observed Maggie Millner in a 2014 ZYZZYVA review of Hyperboreal.” More from the Poetry Foundation.

You might also like an interview conducted over e-mail by Anastasia Nikolis in winter 2018 for the Library of Congress, here:

“The stereotype about writers is that they are solitary and isolated, but your work is so connected to your family, to your ancestral heritage, and to the Inupiaq community.
“I’m so fortunate to have been raised with a family that insists upon connection, however difficult. When I am trying to structure the life of my children so that they remain connected — not just to our ancestral heritage, but to each other and our relatives, to the replenishing aspects of the human intellect that words afford, to our present and traditional lands — I remain connected to the fact that my ancestral heritage is not just a thing of the past, but a gift and responsibility whose urgency and vitality is carried forward in the present and future. …

“I’m not alone in this. My close contemporaries in the Native literary community — Sherwin Bitsui, Terese Mailhot, M.L. Smoker, Eden Robinson, Abigail Chabitnoy, Cathy Tagnak Rexford, and Tommy Orange, for instance — bring this to bear in their writing and discussions, in their families, in their lives as teachers. … Closer to home, I was raised with books and essays and poems by Joseph Senungetuk, Susie Silook, and William Oquilluk. My mother and father are voracious readers: they made it possible for me to see that you can read to establish and inform your sovereignty, and to remind me that their best words connect people through time.

“My uncles (as I was growing up and as I raise my children), too, all world-class artists (carvers of walrus ivory), modeled one way of being independent yet joined in with the work that Inuit have done and will do as long as humanity exists. …

The poems in Milk Black Carbon work out the profound and complicated, but also dynamic and changeable, ways the body, the land, and language relate to one another. … Could you elaborate on that interaction?
“This is not an on-trend platitude: the land, water, and ice give Inuit everything we need to survive, and it’s been that way for millennia. It’s been something to live through and witness firsthand the astonishing rate of climate change in the arctic and sub-arctic, to feel in my bones some of the most drastic environmental turns.

“My relatives — Uyuguluk in particular — told me how much more of the King Island dialect I would understand once I’d been to the island. It’s among the most challenging and generative sites of human inhabitation on the planet. It requires and bestows a highly-specialized and precise command of language. I think I have some difficulty answering this question because my family had its relationship with our ancestral lands extinguished by the United States government.”

And there’s the Harvard Magazine angle, here, “ ‘We ended up going by crab tender,’ says Joan Naviyuk Kane ’00, of her latest work trip. ‘It’s not lavish, or glamorous, riding a crab tender out, 90 miles, 12 hours across the Bering Sea.’

“Kane’s choice of transportation — a small boat used alongside larger vessels in crabbing — is perhaps even more surprising given her choice of career. [She] has three books of poetry to her name: The Cormorant Hunter’s Wife, Hyperboreal, and an untitled collection just sent to her publisher. ‘I thought I was going to be pre-med,’ she says, but a gap year after high school and a fall semester in Porter University Professor Helen Vendler’s freshman seminar, reading poetry closely, changed all that. …

“But back to the Bering Sea. The crab tender was headed to King Island, a tiny, rocky landmass between Russia and Alaska. Now uninhabited, the island was home until the early 1960s to a small indigenous hunting and fishing community that included Kane’s mother and grandparents. Eventually, under the Bureau of Indian Affairs’ assimilation policy, they were pressured to leave.

“Though Kane was born after they left the island, she describes a childhood filled with stories of its landscape. … So this past summer, after a successful crowd-funding campaign, she and a small group of fellow King Island women returned. It was the first time she had set foot there.

“ ‘It’s one thing to hear; it was another thing entirely to go,’ she says of the trip’s hazards.” More.

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Photo: Zlatko Bala/Department of Archaeology/University of Zadar
Dogs’ sensitive noses are being used for an expanding array of searches. In the photo above, a dog provides assistance on an archaeological dig.

I keep hearing about new ways that the sensitive noses of dogs are being used to help humans. We know they can help people with disabilities and sniff out contraband drugs in airports. I’ve also heard they can detect certain diseases in people before doctors can. And in this story, they are used by archaeologists to find ancient tombs.

Joshua Rapp Learn writes at the Guardian, “The scent-tracking abilities of trained dogs have helped archaeologists discover iron age tombs in Croatia dating back nearly three thousand years. …

“Experts have said that using dogs could be a good way to identify archaeological sites, as it is less destructive than many traditional methods.

“ ‘Dogs’ noses obviously don’t make mistakes,’ said Vedrana Glavaš, an associate professor of archaeology at the University of Zadar in Croatia and the lead author of the study, which was published in the Journal of Archaeological Method and Theory.

“Glavaš had already found a few tombs in a necropolis near the prehistoric hilltop fort of Drvišica, which dates back to the eight century BC. Hoping to find more, she contacted Andrea Pintar, a trainer who works with dogs used for sniffing out graves in criminal investigations. …

“Glavaš first sent the dogs to graves they had dug up the previous year but which were not apparent, without telling the trainers the location.

“ ‘We always use at least two dogs to confirm the position,’ Glavaš said, adding that the second trainer and dog were not told where the first dog and trainer had indicated a grave.

“The canines discovered all three graves, even though the human remains, associated artefacts and surrounding soil had been removed. The area had also been exposed to wind, sun and rain since the excavation.

Glavaš said the porous rock around the excavated soil had probably absorbed enough of the aroma of decomposition that the dogs could still detect it.

“Glavaš then let the dogs loose in an area they suspected more remains could be found, and excavated six new tombs – five of which are described in the recent paper. The dogs were extremely accurate in every case.

“The tombs consist of small stone burial chests in the middle of walled stone circles, each about five metres in diameter. Each chest contained small bones such as the fingers and feet of several individuals – perhaps several generations from the same family – along with buckles and other artefacts.

“Glavaš said the people in the site were probably fairly poor due to the harsh, windy climate of the area and the difficulty of growing crops. …

“Angela Perri, a postdoctoral archaeology researcher at Durham University who was not involved in the study, said using dogs to sniff out burials [can] be used in situations where ground-penetrating radar or other techniques may not work. …

“Perri, who studies the ancient history of how humans first began to domesticate and use dogs, said the technique was just the latest in humans’ long history of using dogs as biotechnology. ‘We’re still finding new ways of having dogs help us,’ she said.”

More at the Guardian, here.

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Movement Voter Project believes that no one knows your community like you do and no one knows the voters in swing states like the organizations deeply connected to communities there.

I’m really loving a concept introduced to me by Lisa McE. Instead of being a carpetbagger and ringing doorbells for your candidate in swing states other than your state, instead of (or in addition to) investing your money in a campaign and maybe having nothing to show for it in the end, why not invest in groups on the ground that work with communities on a variety of needs (while registering their participants to vote) and that keep working with those communities long after all the doorbells have been rung and all the out-of-staters have gone home?

Although Movement Voter Project is focused on progressive issues, getting people registered to vote benefits democracy as a whole. No one is telling new voters how to vote after all.

Here’s how Movement Voter Project explains its work: “Movement Voter Project (MVP) works to strengthen progressive power at all levels of government by helping donors – big and small – support the best and most promising LOCAL community-based organizations in key states with a focus on youth and communities of color …

“There are thousands of grassroots organizations and networks working towards building a true democracy – and to move the U.S. forward on issues of economic fairness, racial justice, immigrants rights, women’s rights, LGBT rights, access to healthcare, and environmental sustainability. But not nearly enough direct funding or individual donations go to these groups. In the meantime, over a billion dollars is spent each election cycle on TV ads and consultants. … Our job is to:

“EMPOWER donors – from grassroots donors to major donors to foundations – to embrace the impacts of their resources beyond elections. …

“MOVE resources to directly impacted communities.

We recommend both 501(c)(3) non-partisan groups and explicitly progressive [groups] that work in communities representing the true diversity of the American people. …

“There are four main concepts that MVP uses as a lens in our work: targeting overlays … where we can impact several key races with the same money (ie. investments in groups working in a swing US House district in Florida will also impact turnout for the Senate AND the Governor AND redistricting AND structural reforms on the ballot AND lay a foundation for 2020 – whereas investing in a House race in California is unlikely to impact any other nationally significant races); places that are especially underinvested in where money makes a more impactful difference; catalytic opportunities; … ecosystem portfolios … [where] moving multiple parallel investments into a community allows an entire ecosystem to thrive and to build mutual trust.

“We talent scout and vet groups in each state where an extra $10 or $100,000 will make the greatest difference for moving progressive change [now] and long-term. We recommend [groups] that are year-round … collaborative … locally-driven. … AND we recommend 501(c)3 non-partisan groups that organize communities of color.” More at Movement Voter Project, here.

I like the long-term, dig-deep aspect of this sort of activism, but if you think that the Movement Voter Project does not reflect your particular concerns, you might prefer a general voter organization that Suzanne told me about called Vote.org.

Citizens of every stripe agree that it benefits America when we all vote.

 

 

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Photo: Noah Nasiali-Kadima
Noah Nasiali-Kadima, foreground, takes a selfie with members of the Africa Farmers Group during a tour of a member’s farm in Machakos County, Kenya. 

I was reading in the Boston Globe yesterday about a guy who, after surviving a life-threatening brain aneurysm that his doctor misdiagnosed, launched a new career as an activist for aneurysm patients. You have to hand it to such people.

In another example, see what Diane Cole of National Public Radio (NPR) learned when she interviewed an African farmer who turned a major cabbage liability into something much bigger than cabbages.

“Making lemonade out of life’s lemons is one thing. But what could Kenyan IT consultant-turned-farmer Noah Nasiali-Kadima do with the 75,000 fresh cabbages he had been stuck with?

“That was the dilemma he faced in 2016, when the buyer with whom he had a contract simply walked out on him, refusing to pay and leaving him with six acres of ripe cabbages that had cost most of his savings to produce.

“He was uncertain how to proceed, to whom he could turn for help or whether to give up altogether. So he came up with a different idea: That year, he started a Facebook group so that he and other farmers — including new ones like himself, and experienced farm veterans — could discuss and come up with solutions to problems just like this.

“The Africa Farmers Group now has 138,000 online members in Kenya and throughout Africa. He has also organized in-person educational seminars in countries across the continent including South Africa, Nigeria, Somalia and Zambia. The goal is to help farmers learn the skills they need to succeed, by providing forums in which they can share their own stories of success and failure, and offer their peers empathy, encouragement and practical tips. In recognition of his work, in September 2018, Facebook awarded him $1 million as part of its Facebook Community Leadership Program. …

“We spoke to him as he was preparing to participate as a speaker at the Food Tank New York City Summit, a two-day conference sponsored by the sustainable agriculture advocacy group Food Tank. … This conversation has been edited for clarity and length.

“First of all, whatever happened to those 75,000 cabbages?
“I sold some, and some went bad on the farm. I gave some away to schools.

“Drought has left almost 3 million people there facing acute food insecurity. How can local farmers be a part of the solution?
“We have a lot of food shortages and food waste. There is a disconnect between the farmers producing the food and then getting it to market and to the people. No one is consulting the farmers themselves about, ‘How much can you produce, what do you need to help you to produce more?’ …

“You started out in technology in 2001, in programming and network management. How did agriculture come into the picture?
“I started out just to make some extra money since the tech space had become saturated. My father is a sugar farmer, and my father-in-law is a tomato farmer. One day in 2007, I was with my wife and my father-in-law and I said to him, ‘I want to be a farmer.’ He looked at me, like, ‘Are you really serious?’ And I said yes. He gave me and my wife a small piece of land, one-quarter of an acre, near his own farm, which is about an hour away from Nairobi. …

“At first this was a side career, a way to make an extra coin. … We started with green bell peppers, switched to tomatoes and watermelons and other crops, one of them cabbages.

“Then you faced the cabbage fiasco in 2016. Was that a turning point for you?
“I thought, this shouldn’t happen to any farmer. How come I can’t sell this produce? I did not know how to market or pitch what I had, or explain the particular quality or type of cabbage I had. …

“I saw how farmers were suffering. We have very many NGOs and very many tech solutions being funded but none that involve the farmers. I also wanted to make a difference, to see if I can start a group with farmers around me where we can talk about problems, who is buying what, what they are doing that is working and what is not. And I just opened a group on Facebook.

“The target was to sign up 3,000 farmers in three months. By the end of those three months, we had 16,000 farmers from across Africa. Some said, ‘Please post in English because I cannot speak Swahili!’

“It was a venue where farmers could talk to each other. I set up weekly online conversations with expert farmers from different regions who have worked with different kinds of soil and crops. Farmers listen to other farmers, so people could ask, ‘What were the challenges, how can we learn from you?’

“Now we have 138,000 members and growing. We also have more than 100,000 offline members in areas where internet connectivity is a challenge. Our motto is sharing is caring.

I have seen farmers who had given up. Then they hear from other farmers who have been through similar experiences. They see what they can do different.

“They learn they can contact this agronomist for more information about this problem, or try a different crop at this time of year, or maybe a particular variety that will do better in a particular climate, or maybe the soil is not right. These are success stories. They learn how to keep going or start again.”

Read more on how the initiative has grown and flourished, here.

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Photo: Molly Dilworth
“Molly Dilworth’s rippling mural helped reimagine Times Square as a car-free place,” says
Curbed. The work was part of an initiative by Bloomberg Philanthropies.

As much as I want to tell folks about anyone’s good works, I’m afraid that the wealthy presidential candidate whose name is on the initiative I’m covering today is getting too much free publicity.

I’m annoyed. I’m sure we all clicked “like” when the former mayor did something positive about, say, gun violence. But as a result, his campaign videos are showing up on Facebook saying they were “liked” by us, which is not the case. So you are just going to have to fill in the blank when I refer to [B] Philanthropies today.

Alissa Walker writes at Curbed, “Over the last decade, U.S. cities have carved out dozens of public plazas from existing streets using little more than paint. A new grant program and guide announced today by [B] Philanthropies will fund the creation of 10 street murals in 10 U.S. cities, as well as track the safety, economic, and civic impact of these projects.

“The Asphalt Art Initiative … will award 10 small or mid-sized cities with grants of up to $25,000 to create colorful murals on streets, intersections, and crosswalks, or vertical surfaces of transportation infrastructure like utility boxes, traffic barriers, and highway underpasses. Cities that apply must have populations ranging from 30,000 to 500,000 and must implement the project by the end of 2020.

“ ‘It’s not just about art — it’s about creating safe spaces for people for pennies on the dollar,’ says Janette Sadik-Khan. …

“As former transportation commissioner for New York City, Sadik-Khan championed the conversion of Times Square into a network of car-free pedestrian plazas. But the project, which included several asphalt murals, also ended up achieving other goals, she says, like ensuring nearby residents lived within a 10-minute walk of a public space, and helping pedestrian injuries in the area plummet by 30 percent.

“ ‘We’re not looking for just pretty pictures, we’re looking for projects that encourage safety benefits and community engagement,’ Sadik-Khan tells Curbed, noting that the selected cities will be gathering data to track the overall impact of their projects. …

“In addition to the grants, [B] Philanthropies, in collaboration with Street Plans Collaborative and public art consultant Renee Piechocki, has created a free publication that provides a how-to guide and dozens of case studies for city leaders wanting to implement these types of projects on their own.

“While the street plazas are intended to be temporary or ‘tactical’ — how long they last depends on the paint material used and how often it’s reapplied — the projects often end up leading to permanent, systemic changes, says Tony Garcia, principal at Street Plans Collaborative. …

“But even with paint that’s meant to fade away, the impact is lasting. Garcia points to a project in Asheville, North Carolina, which saw retail sales increased by 25 to 30 percent and a 20 to 30 percent drop in vehicular speeds along the corridor. …

“Asphalt art like plazas and crosswalks can help residents realize they don’t have to accept their transportation system’s status quo, says [Kate D. Levin, cultural assets management principal at (B) Associates], who notes that the current design of U.S. streets lends a sense of permanence to cities that isn’t particularly aspirational.

“ ‘People lose a sense that they have a choice. That can lead people to accept a public realm that doesn’t optimize what they want or need,’ she says. ‘These projects are helpful in reminding people to not to take their environment for granted.’ ”

More at Curbed, here. Hat tip: ArtsJournal.com.

Photo: Justin Mitchell via Street Plans
Coxe Avenue in Asheville, North Carolina, was transformed when Street Plans Collaborative used art to help create a safer, more profitable street.

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Art: Bradshaw Crandell
Jane Hall, a screenwriter at Hollywood’s most glamorous studio, would be lost to us but for her daughter’s painstakingly researched biography. Here she is on the cover of the October 1939 edition of
Cosmopolitan magazine.

I’ve been thinking about the unacknowledged accomplishments of women.

Having just finished a great biography on Frances Perkins, a trailblazer in FDR’s administration, I find myself not at all surprised that she is almost unknown today. Perkins is just one more example of accomplished women throughout history who have failed to get their just due. It’s complicated.

Being dismissed by men is not the only reason, Dear. Sometimes you were dismissed by women, too. Sometimes you didn’t sign your poem or your art and so became known as “Anonymous.” Sometimes, like Perkins, you were determined to do the most possible good for the most people in need by the most effective means.

Thinking about this led me to a New Yorker article on women in the early days of Hollywood.

Margaret Talbot writes, “One of the stranger things about the history of moviemaking is that women have been there all along, periodically exercising real power behind the camera, yet their names and contributions keep disappearing, as though security had been called, again and again, to escort them from the set.

“In the early years of the twentieth century, women worked in virtually every aspect of silent-film-making, as directors, writers, producers, editors, and even camera operators. The industry — new, ad hoc, making up its own rules as it went along — had not yet locked in a strict division of labor by gender. Women came to Los Angeles from all over the country, impelled not so much by dreams of stardom as by the prospect of interesting work in a freewheeling enterprise that valued them. …

“Some scholars estimate that half of all film scenarios in the silent era were written by women, and contemporaries made the case, sometimes with old stereotypes, sometimes with fresh and canny arguments, that women were especially suited to motion-picture storytelling.

“In a 1925 essay, a screenwriter named Marion Fairfax argued that since women predominated in movie audiences — one reason that domestic melodramas, adventure serials featuring acts of female derring-do, and sexy sheikh movies all did well — female screenwriters enjoyed an advantage over their male counterparts. They were more imaginatively attuned to the vagaries of romantic and family life, yet they could write for and about men, too.

“After all, men ‘habitually confide in women when in need either of encouragement or comfort,’ Fairfax wrote. ‘For countless ages woman’s very existence — certainly her safety and comfort — hinged upon her ability to please or influence men. Naturally, she has almost unconsciously made an intensive study of them.’

“Alice Blaché, the French-born director behind some six hundred short films, including ‘The Cabbage Fairy’ (1896), one of the first movies to tell a fictional story, … wrote in 1914, ‘There is nothing connected with the staging of a motion picture that a woman cannot do as easily as a man, and there is no reason why she cannot completely master every technicality of the art.’

In a way, the early women filmmakers became victims of the economic success that they had done so much to create.

“As the film industry became an increasingly modern, capitalist enterprise, consolidated around a small number of leading studios, each with specialized departments, it grew harder for women, especially newcomers, to slip into nascent cinematic ventures, find something that needed doing, and do it.

“ ‘By the 1930s,’  Antonia Lant, who has co-edited a book of women’s writing in early cinema, observes, ‘we find a powerful case of forgetting, forgetting that so many women had even held the posts of director and producer.’ …

“Trying to figure out who actually worked on films is not as easy as you might think. Credits were assigned haphazardly in the early days of filmmaking. …

“In the tendentious but mostly persuasive book ‘Nobody’s Girl Friday: The Women Who Ran Hollywood’ (Oxford), J. E. Smyth … tots up an impressive array of women film editors, costume designers, talent agents, screenwriters, producers, Hollywood union heads, and behind-the-scenes machers. … It’s little wonder that studios of the era catered to female audiences, with scripts built around the commanding presence of such actresses as Bette Davis and Joan Crawford, and with stories thought to reflect women’s prevailing concerns.

“Smyth quotes Davis, who pulled enough weight in Hollywood to have been dubbed the Fourth Warner: ‘Women owned Hollywood for twenty years,’ she said in a 1977 interview, so ‘we must not be bitter.’…

“Smyth burrows enthusiastically into humble sources that, she suggests, other scholars have looked down on: studio phone directories, in-house newsletters. Researchers on similar quests have come upon evidence in still more unlikely forms and places. Reels of film forgotten or lost sometimes turn up randomly — interred in an archive in New Zealand, or sealed into a swimming pool in a remote town in the Yukon.” The search goes on.

It’s a long article. Read it here. And while we’re on the subject, be sure to read Robin Cutler‘s wonderful book, Such Mad Fun, about her mother’s role as a writer in Hollywood.

 

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Photo: Dr. David S. Weiland
Conductor Joseph Young with the Berkeley Symphony. Young credits Marin Alsop of the Baltimore Symphony Orchestra with expertly mentoring his career.

Never underestimate the good you can do by being someone’s mentor. In this story, a woman conductor was the rock a young African American musician leaned on. Today he mentors others.

Lisa Houston writes at San Francisco Classical Voice, “Conducting is not a low-stress career. When the Berkeley Symphony called on Joseph Young to step in, the conductor had just two days to get up to speed on Leonard Bernstein’s second symphony, aptly named The Age of Anxiety, as well as the ominous majesty of the four orchestral interludes from Britten’s Peter Grimes. By all accounts he rose to the task admirably.

” ‘I didn’t sleep,’ Young says. ‘I even had a concert with the San Francisco Symphony that weekend as well. It was a great weekend of music making and I enjoyed every second of it, but I didn’t sleep until I got back to Baltimore.’

“In the wake of this triumph, Young was offered the music directorship for a three-year post. …

“The son of a Navy man, Young’s family moved around a fair amount in his childhood before settling in Goose Creek, South Carolina, best known for its naval base, and an area where Young’s mother’s family resided.

” ‘We heard music mostly in church,’ he says. ‘My mom comes from an extended family so I grew up going to the same high school she went to, the same church she grew up in, so we have a very tight-knit big family.’ …

“Young has known he wanted to conduct since he first heard an orchestra at the age of 16. ‘Sixteen was the first time I actually saw an orchestra, but it was also the first time I got to stand in front of an orchestra. It wasn’t any piece in particular, it was just the sound in front of me. I was a very introverted teenager and the idea of emoting what you wanted musically without saying a word was … I want to say cathartic. I was finding a way toward finding my voice.’

“An important mentor for Young has been Marin Alsop. …

‘I went up to her and said “I really want to go to grad school for conducting” and she said “why don’t you come study with me.” That moment changed my life.

” ‘Before that I had no examples. I had no mentor. All I knew was that I wanted to conduct orchestras. In that moment I had all of that. Someone from whom I learned there is a transcendental power in what we do in music, which I began to appreciate. Someone who showed me, by example, to be a leader not only of an orchestra, but of a community, as when I was with her in Baltimore. Someone trusting my own talent, my own musicality, giving to me, and showing me that this is a process, and it takes time. As a young conductor I was very eager to go, go, go! and she was there along the whole journey.

“ ‘I’m teaching with her now at Peabody [Conservatory in Baltimore], where we’re both teaching conducting. It’s kind of a strange to teach alongside someone who taught you, and at the school you went to! But seeing the students go through the same journey musically makes me realize how much more I appreciate being in that room with her throughout my early career.’ …

Asking Young about the upcoming repertoire for Berkeley is like asking a grandparent to describe in detail how cute their grandchildren are. He is effusive, delighted, and quite simply in love. …

“ ‘I wanted this season to be about focusing on the community, showcasing the community, investigating the community, not only Berkeley, but the Bay area.’ …

“For the first of four symphonic concerts, which took place Oct. 24, Young wanted to feature a friend of the orchestra, so Conrad Tao returned to play Ravel’s Piano Concerto in G Major. The program also featured a work of Olly Wilson.

“ ‘There’s a group of African-American composers that I have always wanted to conduct, and one of them happened to be from Berkeley. … I knew I wanted to feature an African-American composer somewhere in my season and I thought this was a great tribute not only to him, but to Berkeley, and also a way to strengthen the relationship between the Berkeley Symphony and UC Berkeley.’ …

“The season’s second symphonic concert on Feb. 6 is titled ‘You Have a Voice,’ and will feature the San Francisco Girls Chorus in a work by Mary Kouyoumdjian called Become Who I Am.

“ ‘Her piece talks about gender inequality, girls with confidence issues, and we have these young girls singing the parts, so I think it’s going to be a very empowering kind of message.’ ”

More here.

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Fresh produce in a market that is one of many in an affluent town. Many urban areas in America do not have easy access to such nutritious food.

In many parts of this great land of ours, people go hungry or subsist on junk food because that’s what’s available. I’ve written about food deserts before, and I continue to be interested in how activists and small businesses are addressing the problem.

Brittany Hutson reports at WEDT and National Public Radio (NPR), “On a cold, sunny day in early February, Raphael Wright and his business partner, Sonya Greene, check out a vacant building in Detroit’s Linwood neighborhood. Inside, wood panels are on the floor, and drywall is being placed over exposed brick. The only clue to the building’s past is a sign out front, with the words ‘Liquor, Beepers, and Check Cashing.’

“Located on the west side of Detroit, the Linwood neighborhood remains underdeveloped, with few retail businesses, countless empty lots and many vacant buildings. But Wright and Greene see potential here. It’s why they’ve chosen this neighborhood to open a bodega that sells healthy food. Like other neglected neighborhoods in urban areas, fresh fruits and vegetables aren’t a basic necessity here — they’re a luxury.

“Wright says it’s been that way since he was a kid.

” ‘I was raised in the ’90s, and I always say that we were junk food babies,’ he explains. … ‘Liquor stores, gas stations, and many times fast food restaurants were pretty much our go-to places to eat. … I’m a victim of food insecurity. … I was diagnosed with diabetes at 19, so before I was old enough to have a drink, I was diabetic.’

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Photo: Brittany Hutson/WDET
Sonya Greene and Raphael Wright are the folks behind a bodega offering fresh produce, prepared foods and staple items in an underdeveloped Detroit neighborhood.

“Wright wants the bodega, tentatively named the Glendale Mini Mart, to be a pilot for a full-range grocery store he hopes to open in the future. The bodega will offer fresh produce, prepared foods and staple items. He says he hopes it will be part of a larger mixed-use development that will include a barber shop, a beauty salon and housing. …

“Wright and Greene are not the first to recognize the importance of Detroit’s African American residents having access to fresh, reasonably priced food. That awareness began more than 50 years ago, following the rebellion that rocked the city. …

“The riots were the culmination of high levels of frustration, resentment and anger among African Americans due to unemployment, poverty, racial segregation, police brutality and lack of economic and education opportunities. However, there was something else not often discussed — food.

“According to Alex Hill, adjunct professor at Wayne State University in Detroit, there was a ‘fairly expansive hunger issue in the community’ around that time. Hill’s research on the ’67 Rebellion looks at food, power and race. In many ways, it’s the continuation of work that began when the non-profit group Focus: HOPE began studying conditions in Detroit’s black neighborhoods in the ’60s as a response to the riots.

“Focus: HOPE educated the clergy and the white Christian community on racism, poverty and other forms of injustice. In 1968, the organization released a Consumer Survey on Food and Drugs. …

“To get answers, nearly 400 suburban white women and inner-city black women were trained as undercover shoppers and sent to 300 grocery stores in the Detroit metro area. The main findings were that poor inner-city Detroiters were paying up to 20% more for lower-quality groceries. The survey also found that the quality of service, store condition, produce and meats in the city’s chain and independent stores were not of average quality compared to upper-income and suburban stores. …

” ‘In thinking about those disparities and access, those are still very much real. They may look different, but I’d say they’re very much the same from 1967.’ He says … Detroiters travel outside of the city on weekends to larger chain grocers to stock up and use their local grocer for smaller needs, such as eggs or milk, during the week. …

“Wright says the bodega is also about representation.

” ‘We’ve seen our grocery stores not be representative of our communities,’ he says. ‘So putting faces in the community that looked like us, that are from our neighborhoods and understand what we’re going through, it makes the education part easier.’ ”

More at NPR, here.

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Photo:
In a Brazilian favela, Rocywood actors pose with their screenwriter and their director.

The headlines from the slums of Brazil are hardly ever good. Between the gang violence and the police violence, there is frequent loss of life among innocent bystanders. So anytime I see something upbeat about these places — say, colorfully painted houses or musical instruments created from dump discards — I want to share the news.

This story is about the joy of making movies, even when the movies are about the harshness of life. It’s about the feeling of rising above it all.

Mariana Simões writes at Hyperallergic, ” Stacks of houses that showcase raw, exposed brick frame the rooftop view where I meet screenwriter Fabiana Escobar, or Bibi Danger, as she is known in Rio de Janeiro’s Rocinha, the largest favela in Brazil.

“With around 70,000 inhabitants, Rocinha is a vibrant community made up of low-income improvised homes built atop rolling hills that tower over Rio de Janeiro like a city within a city. Rocinha is also where, since 2015, Escobar and four other filmmakers have championed a budding film scene they call ‘Rocywood,’ combining Rocinha with Hollywood. Their Rocywood production company has one award-winning short under its belt and another short and two features in the making.

The films portray local realities, from the joys of growing up in a tight-knit neighborhood to the difficulties residents face living among drug traffickers and gun violence.

“ ‘When I was a kid, I stayed home to watch the Oscars on TV and I would marvel at every little detail. Hollywood creates that kind of magic that envelops us, even though it’s something that is so distant from our reality,’ Escobar says. …  ‘I grew up with that magic, but the industry doesn’t embrace Rocinha. We have to create our own magic. We are going to make it happen for ourselves.’

“The 38-year-old screenwriter used to own a salon and clothing store, but now rents out her shop while she dedicates her life to making Hollywood magic. But most of the people involved can’t afford to make movies full-time.

“ ‘The actors, the producers, the whole team has a second job. I am a manager at a clothing store, and I make films up here on the hill on the side,’ says Sergio Dias, Rocywood’s 31-year-old director. Dias was born and raised in Rocinha where he is known by his stage name, Sergio Mib. His one-bedroom apartment functions as a dressing room and houses Rocywood’s equipment and props, including three toy assault rifles that look impressively real.

“Rocywood’s productions cost $50 dollars (USD) on average. The filmmakers often take the budget out of their own pockets to cover transportation fees and snacks. With no dedicated financing, everyone in the community pitches in to make the films come to life, from lending filming equipment to styling hair and makeup for free at the local salon. Dias explains that Rocywood makes a conscious effort to include only people from favelas in its productions. The films, made for locals by locals, are screened on the streets of Rocinha using a projector and an improvised tarp as a screen, but are also available on YouTube for a worldwide audience to see. …

“I went in search of Rocinha’s low-budget Hollywood scene after meeting American filmmaker Alan Hofmanis by chance at a traditional Rio de Janeiro fast-food style chicken restaurant in the bustling tourist neighborhood of Copacabana. I struck up a conversation with him about his dessert and ended up learning about Wakaliwood, Uganda’s version of Hollywood, named after Wakaliga, the slum in Uganda’s capital of Kampala where the films are made.

“Eight years ago, after Hofmanis saw a trailer for a feature by Ugandan director Isaac Nabwana that mixed mafia gangs, kung fu, and gun fighting, he hopped on a plane to meet Nabwana. In 2013, Hofmanis sold everything he owned in New York and moved to Wakaliga, where he has been making movies with Nabwana ever since. Nabwana founded Uganda’s first action-film company, has produced about 45 films, and just had his feature Crazy World premiere at this year’s Toronto International Film Festival (TIFF).

“Fascinated by Nabwana and his ability to make kitschy action films with budgets around 65 dollars that still draw in millions of online viewers, Hofmanis searched the world for others like him. He found people in Ghana, India, Afghanistan, Peru, and even Siberia who are also making low-budget, Hollywood-inspired productions. He came to Brazil in the hopes of discovering the same scene in Rio de Janeiro. …

“The American filmmaker believes low-budget, Hollywood-inspired films are a growing phenomenon. … ‘They are taking something that is outside their reality and spinning it and making it their own,’ he says. ‘So maybe this [new movement] can be called the Micro Wave because it’s a New Wave movement, but it’s based on these micro-economies.’ …

“Escobar summarizes, ‘I decided our next feature will be a horror film to break free from that stigma that because I live in a favela, I can only make films about drug trafficking and violence. If we want to write about drug trafficking it will be a great film, but we can rock other narratives, too, and we want to break that barrier.’ ”

More at Hyperallergic, here.

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Photo: Night Media
A collaboration to plant 20 million trees started when YouTuber Mr. Beast (Jimmy Donaldson) hit 20 million subscribers.

Last year, when an ancient tree in our yard was pronounced too badly diseased to save, I felt terrible about cutting it down. After all, Planet Earth needs all the trees it can get. So I searched the web to find a good place to offset the loss. I wanted to find a highly rated nonprofit that was planting trees. I ultimately donated to the Arbor Day Foundation.

The radio show Living on Earth recently featured a story on an Arbor Day initiative that got its start on YouTube.

“YouTuber Destin Sandlin, who runs the science-based channel ‘Smarter Every Day,’ spoke with Living on Earth host Jenni Doering. …

“JENNI DOERING: On October 25, in what’s being called the largest YouTube collaboration of all time, hundreds of YouTubers from around the world came together and used their combined influence to send a message on the environment. … These YouTubers have a combined subscriber count of more than a billion people. One of the most popular YouTubers and an organizer of the event is Mr. Beast, who posted a video of himself and a team of volunteers planting trees. …

“Another YouTuber, Destin Sandlin, helped recruit fellow YouTube creators. … He joins me from Huntsville, Alabama. Destin, welcome to Living on Earth.

“DESTIN SANDLIN: Thank you so much for having me.

“DOERING: All right, so first, tell me about this collaboration — what kinds of videos are being featured?

“SANDLIN: [There are] a ton of different creators from all over the internet coming together; … people that have beauty channels, vlogging channels, we have science creators, education-type creators, people that do challenges. All these creators are coming from different places all over YouTube and the rest of the internet to work together on this one thing: We want to make an impact for good. We’re calling it Team Trees. And we’re going to support the Arbor Day Foundation and try to donate $20 million. And the Arbor Day Foundation has agreed that for every $1 that is donated to them, they will plant one tree, which is so cool.

“DOERING: How did this big, huge collaboration among different influencers and creators actually get started?

“SANDLIN: That was from the internet itself. When [Mr. Beast] passed 20 million subscribers. … Everybody on Twitter and Reddit were telling him to plant 20 million trees. And he’s like, ‘How the heck am I going to do that? That’s that’s a huge task’ But he decided to basically reach out and get help.

And so there was this little Twitter storm that happened one particular day, and everybody jumped in on it. They’re like, ‘Oh my gosh, we could actually do this.’

“So there was this video that was created behind the scenes. It was a secret video that was invite only. You can make a video unlisted on YouTube. And this was pushed out to a bunch of different creators, and it included a lot of really big creators in it all the way up to PewDiePie, right?

“PEWDIEPIE: Of course, Mr. Beast, I am by your side. I will plant at least a couple of trees. …

“SANDLIN: Once you watch [the secret video], you’re like, ‘Holy cow. This is bigger than any one YouTube channel. This is bigger than any one genre even.’ … The viewers have the power to actually do things themselves. You know, a lot of times we think about these issues, and we’re like, ‘Oh, that’s another person’s problem.’ It’s not. It’s all of our problems. So if we can come together and literally do something, it’s an empowering message, right?

“DOERING: And you’re not competing with each other.

“SANDLIN: No, not at all, like, to succeed is for everyone to succeed, right? Because it’s the Earth, right? Like if we’re all helping the Earth, that’s like all being on the same bus and rooting for the bus driver to do well. We want the Earth to succeed. And so you know, there’s a lot of policies that, you know, we see a lot of campaigns. But what we want to do is physically and tangibly do a real thing that helps the environment. And that is putting trees in the ground. …

“DOERING: I understand that some creators have even made songs just for this occasion. Let’s listen to a clip.

“GABRIEL BROWN [singing]: ‘Is there anything better than the tree? If you ask me it ain’t that hard to see. How about 20 million, 20 million trees. Making 20 trillion little baby leaves. And I can’t help but choke up thinking about all the birds and bees.’

“SANDLIN: What we just heard is from a guy named Gabriel Brown. He’s a creator that was in the Navy. He’s a veteran. But now he makes music videos. He does all kinds of stuff on YouTube. And he decided to make a song for this movement. … Let me tell you a story. I got a tree in my Happy Meal back when I was six years old, and we planted it at my granny’s house.

“DOERING: Wait, in your Happy Meal?

“SANDLIN: Yeah, there was there was the Arbor Day that they gave away pine trees down in the south in your Happy Meal. And I went and planted my tree beside my two cousins. They had trees as well. And we still go by that house today. And we look at this tree and it’s huge. And knowing that I had a part in planting it so long ago is amazing. So I really think that planting trees is awesome, as long as you know exactly what you’re doing, make sure you you make a decision, an informed decision on what to do and how to do it and just put a tree in the ground.”

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