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Photo: Library of Congress/Wikimedia
Frances Densmore at the Smithsonian Institution in 1916 during a recording session with the Blackfoot tribal leader called Mountain Chief for the Bureau of American Ethnology.

I can understand that one might be able to resurrect a mastodon that was frozen in ice, but how do you resurrect an extinct language? Turns out the answer is lasers and wax recordings. (Takes me back to my father’s clunky wire recorder and what I had to say in my 6-year-old voice on the static-filled recording we call “The Birth of Willie.”)

Allison Meier writes at Hypoallergic, “Among the thousands of wax cylinders in the University of California (UC) Berkeley’s Phoebe A. Hearst Museum of Anthropology are songs and spoken-word recordings in 78 indigenous languages of California. Some of these languages, recorded between 1900 and 1938, no longer have living speakers. The history on the cylinders is difficult to hear. The objects have deteriorated over the decades, mold eating away at their forms, cracks breaking through the sound.

“A project underway at UC Berkeley is using innovative optical scan technology to transfer and digitally restore these recordings. … The initiative aims to preserve about 100 hours of audio. he collaborative restoration project involves linguist Andrew Garrett, digital librarian Erik Mitchell, and anthropologist Ira Jacknis, all at UC Berkeley, and utilizes a non-invasive scanning technique developed by Lawrence Berkeley National Laboratory physicists Carl Haber and Earl Cornell. …

“Anthropologist Alfred Kroeber began his field audio collecting in 1901, a month after becoming the curator of the then-new museum. Although the recordings are limited, each only a few minutes long, and were captured at a subjective start and stop by Kroeber, they are invaluable for understanding the diverse languages of indigenous life in California.”

According to Hypoallergic, the project website warns that “due to ‘the culturally sensitive material of the content on these cylinders, and out of respect for the contemporary descendants of many of the performers on the recordings, access to the majority of the audio being digitized is currently restricted.’ One of the publicly available recordings is that of Ishi, recognized as the last surviving member of his Yahi tribe, who lived out his final years at Hearst Museum. His voice, among many being recovered from the noise of the wax cylinders, leads the recently-shared video from [National Science Foundation] below.”

More at Hyperallergic, here.

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Photo: David Brichford
This eight-panel folding screen, a late 1800s example of Korean “Chaekgeori,” makes one observer think of a kind of instagram photo popular today. The screen was displayed in a recent Cleveland Museum of Art exhibition.

Some people call instagram pictures of their beautifully appointed bookshelves “shelfies.” They might think the fad is a 21st C. idea, but in 18th C. Korea, something similar was going on.

Claire Voon writes about the Cleveland Museum of Art’s recent chaekgeori exhibit at the website Hyperallergic.

“You could call it a very early precursor to the ‘shelfie.’ Long before we were snapping pictures of our bookshelves to show off our literary troves on the ‘gram, there was chaekgeori, a style of Korean still-life painting that emerged in the late 18th century. Spread across the panels of folded screens, these images of near-life-size bookshelves were also meant to express an individual’s intellect, and often stood in a scholar’s room as a beautiful, dignifying backdrop.

“More broadly, they were markers of one’s social status, putting on full view the objects of refined taste and affluence. Chaekgeori (pronounced check-oh-ree) literally means ‘books and things.’ Aside from tomes stacked on tomes on tomes, these massive paintings also featured writing tools, luxury goods from abroad, and gourmet delicacies, all neatly arranged. …

“The interest in depicting bookshelves grew under the reign of King Jeongjo of the Joseon Dynasty, between 1776 and 1800, and flourished through the early 20th century. As Sooa McCormick, the museum’s assistant curator of Korean art explained, Jeongjo [began] commissioning chaekgeori as a royal emblem to display around his royal throne. …

“ ‘Books became a symbol of high social status and power,’ McCormick told Hyperallergic. … ‘Learned individuals made up a very, very small percent of the population.’ …

“In a few instances, screens also included Western objects: one of the paintings on view [in Cleveland] boasts a rare depiction of European mechanical clocks — a subtle yet significant record of the kinds of cultural exchanges that occurred during this period.

” ‘When historians look at ancient, premodern Korea, they often describe Korea as “a hermit kingdom” — as if Korea never really interacted with the bigger world,’ McCormick said. ‘But when you look at these works, you see that Koreans traveled to Beijing, and that European materials were also introduced to Korean audiences at the time.”

More at Hyperallergic, here. (This lead came from twitter.)

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Art: Josie Merck
Mansion Beach, New Shoreham, Rhode Island

Oh, my poetry-loving readers, you are in for a treat! Praised by poets Lisa Starr and Naomi Shihab Nye and US Senator Sheldon Whitehouse, among others, a book of paintings and poems that captures a powerful love of a place just became available. It’s Present on Block Island, by poet Nancy Greenaway and painter Josie Merck.

I have written about Nancy Greenaway in several posts, including the time she asked for feedback on her owl poem. Her collaborator Josie Merck is both a fine painter and an extraordinary benefactor of environmental causes. Her love of nature, especially in Rhode Island, is palpable in the art illustrating the collection.

I welcomed like an old friend Nancy’s owl poem, but the other poems were new to me. They cover a variety of themes, especially the joy that the beauty of nature can inspire. But there are also poems about friendships; a poem about a big-shot visitor who failed to engage school children; a moving contribution about a brush with death (the plane’s fuel line froze; “we all now know/ just how we’d handle/ a situation like that”); a funny one about being trapped in brambles near home and calling out for help before deciding to crawl on her belly to safety; and a very touching poem about island great Fred Benson, who lived to 101 and hoped that the afterlife would be something like Block Island.

I enjoyed Nancy’s many intriguing turns of phrase, too — like a new meaning for “weather underground” and the reference to ice cream as George Washington’s “revolutionary dessert.”

You can find the book at http://www.lulu.com. Or you can call the Island Bound Bookstore at 1 401 466 8878, as I did to buy my copy with a credit card. It arrived in the mail soon after.

From “Astonished,” by Nancy Greenaway

“Each morning that I wake
“to sun painting black sky blue
“and inhale ocean-chilled air,
“I am astonished.

“First glance out my window
“grants me cloud migrations
“over Great Salt Pond,
“sails on Long Island Sound.

“I drive to work with crows,
“gulls, hawks, terns, herons
“following overhead,
“pass waddling ducks, walkers,

“check ocean choppiness
“in scene-slots between dunes,
“wave to fellow drivers
“who wave to me in turn. …

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I wanted to share a few photos documenting a view of New England’s transition from fall to winter. (Maybe it’s not officially winter, but we have had our first snow.)

I start off here with one of my favorite photographic subjects: shadows. These are shadows of late-autumn weeds. Next we have a view of French’s Meadow along the Sudbury River. It is nearly always covered with water from the river escaping the banks.

Concord was the site of the military funeral for Tom Hudner, Korean War hero and a native of Fall River, Massachusetts.

The classroom picture was taken December 12, when students from a Providence English-as-a-Second-Language class where I volunteer gave me the sweetest thank-you celebration. Many of them also took phone videos of me trying to replicate the dancing of a Congolese woman in the class. Now I am worried about how many Facebook pages it’s on.

The gingerbread house is the 2017 version by the woman who does one every year for the town library. Each year’s is more amazing than the last. Note the little duck pond in the lower left.

The Grasshopper Shop, a women’s clothing store, put out a tree decorated with the holiday wishes of children. How sad that one child would have to wish “that North Korea doesn’t nuke anyone.”

The deciduous holly and white pine are pictured after our first snow. The town was really pretty when my husband and I walked through the shadows cast by streetlights and holiday lights on our way to dinner that night.

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Photo: Sara Miller Llana/Christian Science Monitor
The annual Festival Verdi in Parma, Italy, brings opera to the people by performing in private homes. Just like the old days.

I love the idea of having arts performances in one’s living room, whether it’s a cabaret duo, jazz, opera, drama, or anything similar. It’s partly because I used to write and perform plays as a kid, especially at Christmas in the living room.

Sara Miller Llana has a cool story about living-room concerts at the Christian Science Monitor, a really interesting newspaper with an international focus, in case you’re interested.

She writes, “A young tenor’s voice, in his rendition of ‘La donna e mobile,’ fills the palatial living room with one of Giuseppe Verdi’s most famous canzones from ‘Rigoletto.’

“It’s a late Thursday afternoon and the sun is setting, as guests seated around the piano begin to clap. The hostess is suddenly in the center of the circle for a short waltz.

“For a moment, it feels as though we are transported back to the 19th century, when Verdi, among the world’s most famous composers, created 27 operas, some of them the most-loved in the world.

“But it’s 2017, and this is the sidelines of the month-long Festival Verdi held each year in Parma, Italy. If any region can call itself a heartland of opera, it’s this one.

“The festival … aims to bring opera off the stages into the community in a series of events – from Verdi sung in rap, to the staging of ‘Nabucco’ by inmates at the local jail, to these living room performances for aspiring opera stars. And at least with the latter, the festival brings an ancient custom of private home performances that started in mid-18th century Europe to 21st century Italy.

“Accompanist Claudia Zucconi, who is studying for her masters and wants to specialize in opera, says that playing these antique keys in such a living room ‘was very emotional.’

“ ‘The piano was very ancient, so it was special for a pianist to play it. I felt like it was another epoch, in another time, like I could be dressed liked a princess playing in a room like this.’

“Opera – and specifically local hero Verdi – are so central to the town’s identity and culture that people debate it at locales the way they might discuss the latest soccer match. …

“The director general of Parma’s Teatro Regio, Anna Maria Meo, says the responsibility she feels is nothing short of enormous. Only a few nights ago, after a performance that had only one intermission, theatergoers stopped her on her way down from her office and asked why there weren’t two. She replied that the opera was already long. ‘ “But you can’t cut the space for us to discuss what we are watching, we need at least two,” they said,’ she recounts over a cappuccino in the theater’s baroque café.”

More here.

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Photo: Josh Reynolds for The Boston Globe
IV Safe T developers Melinda Watman (left) and Maggie McLaughlin have spent about $5,000 to make a prototype to keep IVs from slipping out of newborns.

Nurses have been a largely overlooked source of innovative ideas although they are constantly jury-rigging improvements to keep patients comfortable. Fortunately, people in the medical-device field are beginning to recognize the possibilities.

Andy Rosen writes at the Boston Globe, “Maggie McLaughlin’s path from nurse to entrepreneur started last year when an IV tube became unhooked from an infant in the neonatal intensive care unit at Tufts Medical Center, where she works, causing the child to begin bleeding unexpectedly.

“A specialist in IV procedures, McLaughlin was asked to study ways of preventing such an incident from happening again, and she learned there is no universally accepted tool to safely lock the line onto an infant’s tiny body. …

“Since then McLaughlin has been working to develop an IV connection that lies flatter on an infant’s skin and holds more securely to the needle than the alternatives on the market today. She has teamed up with a former nurse she met at a Northeastern University event to form a company called IV Safe T to make and market the device.

“McLaughlin is among a number of nurses — with the help of programs from nursing schools and their own hospitals — who are using their bedside experience to develop new products and innovations in the medical industry.

“Rebecca Love, director of the year-old Nurse Innovation and Entrepreneurship program at NU, said research has shown that nurses spend a significant portion of each shift using workarounds and making impromptu fixes to ineffective processes or equipment. …

“The NU program, which connects nurses to resources and guidance to help them carry out their ideas, said it has attracted 1,600 people to events it has held, and it has connected at least 20 nurses to business mentors. …

“These programs strive to put nurses on equal footing with other professions, including doctors. … Some who follow innovation in health care say nurses represent a relatively untapped reservoir of expertise about improving patient care. …

“McLaughlin calls her device ‘Lang lock,’ after her maiden name. The rounded device connects tubing to an IV catheter with a single twist, and it has one flat side to make the needle approach the skin at a lower angle so it sits more securely.

“She has teamed up with Melinda J. Watman, a former nurse who later got an MBA and went into business. … NU has been helping them to protect their intellectual property and study the market.”

More at the Boston Globe, here.

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Photo: Jessica Mendoza/Christian Science Monitor
Mike Fleming, owner of Farmers Feed Co., in Stockton, California, wants every customer to feel comfortable.

Well, yes, our country is polarized. But Stockton, California, not so much. Maybe there is something we can learn from the people there about what happens when you get to know the “other.”

Jessica Mendoza writes at the Christian Science Monitor, “When customers walk into Farmers Feed Co., Mike Fleming’s first priority is to make them feel at ease. He goes out of his way to befriend his clientele, ‘whether they spend a dollar or $300.’ When he sees a customer struggling to speak English, he uses his bit of Spanish to communicate with them. …

“ ‘It makes them feel more comfortable … and that’s what I like.’ ”

Fleming — an actual Trump voter and a reason not to see that constituency as monolithic — says this is pretty typical of Stockton.

“A city whose historic ties to agriculture have helped it retain a streak of classic conservatism, Stockton’s population today is 70 percent people of color and 15 percent non-citizens. Immigrants both documented and undocumented work and live with conservative landowners, growers, and businessmen – and family values, hard work, and individual merit are principles that sit side-by-side with opportunity, tolerance, and equality.

“The result is that Stockton – and the San Joaquin Valley in general – provide a snapshot of an increasingly rare reality in 2017 America: what happens when people with a broad range of histories, ethnicities, and ideologies rely on one another within the same community.

“Immigrant advocates here are less inclined to alienate those on the opposite end of the political spectrum by shutting down Republican voices. Local conservatives also tend to be more open to immigration reforms that involve pathways to citizenship for undocumented workers. …

“ ‘In communities where a lot of undocumented immigrants live and work, people are more sympathetic to them,’ notes Sarah Trumble, deputy director of social policy and politics at Third Way, a centrist think tank in Washington. …

“Michael Tubbs, Stockton’s 27-year-old mayor, … says, ‘Because we’re forced to come together, the conversations aren’t in an echo chamber.’

“Given that reality, a city official who wants to get things done has little room to pander to one side or the other with extreme positions on polarizing issues like immigration, Tubbs says. … Just because he disagrees with a group or individual or what they represent, he says, ‘that’s not going to stop me from having a conversation if I need to have a conversation.’ …

“This isn’t to say that Stockton is a political utopia where Republicans and Democrats live in harmony. In the past decade the city has dealt with … events charged with political, socioeconomic, and racial tension. But interviews with Stockton residents and community leaders do suggest that when people view one another as part of the same group – when they are able to empathize with one another because they live and work together – compromise and compassion are more likely to become viable options”

More at the Christian Science Monitor, here.

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Photo: fractalx via VisualHunt.com
Street art outside Nottingham Playhouse. The city has a plan to integrate arts and culture into all aspects of life.

What do we know about the city of Nottingham? We know about the sheriff, I guess, and his adversarial relationship with Robin Hood. But did we know that modern-day Nottingham is really into the arts? A website called Arts Professional wants to enlighten us.

Christy Romer writes, “Nottingham has committed to embedding culture in education and healthcare as part of an ambitious ten-year vision for the city.

“By 2027, the city aims to make ‘culturally-inspired lifelong learning’ available for every person in Nottingham, and establish cultural programmes, research and partnerships that enhance health and wellbeing.

“The vision … aims to achieve national and international acclaim for the quality and diversity of locally-produced artistic work.

“ ‘Culture will unlock potential in our city. The next ten years will continue to see a transition that takes the city from its industrial, manufacturing past, paving the way to reimagine the city for generations to come,’ the [Cultural Statement’s] foreword reads. …

“Plans include supporting schools to develop a world-class cultural learning offer and giving every person opportunities to access creative skills and careers. …

“The City Council also aims to work in partnership with public health professionals and local commissioning groups to understand and enhance the health and wellbeing of the city’s residents. …

“The city announced its bid for the European Capital of Culture 2023 title in August.” More.

Alas, the Brexit vote to leave the European Union means that UK cities will not be eligible. Here’s hoping that Nottingham’s worthy ambitions are not derailed by Brexit and that the UK government will help the city find the resources to carry out its plans. (One has to wonder if the ramifications of leaving the EU was ever fully thought out.)

AmeliainHull, it sounds like Nottingham wants to give Hull a run for its money!

Art: Louis Rhead, “Bold Robin Hood and His Outlaw Band,” New York: Blue Ribbon Books, 1912.

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Photo: Jason Rosewell
No one’s singing is hopeless, says a Toronto voice teacher.

I know many people who say they can’t sing, but a teacher in Toronto begs to differ. Anyone can sing, she says. People just need a little help.

Anya Wassenberg writes at Ludwig van Toronto, ” ‘I’m tone deaf. I can’t sing.’ It’s usually accompanied by a smile or laugh, but the message is both clear and absolute. And wrong.

“Lorna MacDonald is Professor of Voice Studies and Vocal Pedagogy at the University of Toronto, and she puts it even more strongly. ‘That’s a blatant lie.’

“Of all creative endeavours, singing is perhaps the most poorly understood. To the chagrin of vocal teachers everywhere, singing is the one pursuit where you will be told, you can’t sing, so don’t bother. Parents will readily pony up the resources for acting lessons, or soccer, but when it comes to the ability to sing, many people are still under the impression that it’s something magical – you either have it, or you don’t. …

“Sean Hutchins is the Director of Research at Toronto’s Royal Conservatory of Music. His lab looks into how music affects the mind, and how the mind affects music, in essence. …

“He points out that in older generations, in particular, the sole emphasis was on performance. When school children who couldn’t naturally hit the right notes, rather than training them, they would simply be told to mouth the words, and not sing at all. ‘There’s no better way to make sure someone is bad at something than to tell them they can’t do it.’ …

“Lorna MacDonald cites breath, posture, and vowels as the essential elements that are integral to vocal training for anyone. ‘It’s very much a physical process,’ she explains. ‘Our larynx isn’t necessarily made to create those beautiful sounds, any more than our legs were designed to kick soccer balls.’ …

“[MacDonald] suggests that thinking about what styles and genres you’d like to sing, and your ultimate goals as a singer are a good place to start. ‘It’s so important that it comes from a place of communication — not to be famous.’ …

“In reality, people with congenital amusia, or the innate inability to hear pitch properly, form a very small percentage of the population. The study of amusia is still quite recent, but estimates put it at no more than 1.5 to 4 percent. …

“In essence, amusia testing looks for evidence of faulty pitch perception. That’s the difference. Someone with clinical amusia actually can’t hear variations in pitch. …

“In extreme cases, a little delusional thinking can help. Florence Foster Jenkins was a Manhattan heiress in the early 1920s to 1940s who dreamed of being an opera singer, and was somehow entirely convinced of her talent. There are a smattering of Youtube videos that attest to the fact that she was, let’s say, entirely lacking in training. Still, she went on to become a cult favourite of the NYC music scene. …

“So why sing, in the end? Professor MacDonald puts it best. ‘You contribute beauty to the world,’ she says.” And pleasure to yourself, I’d add.

More here, at Ludwig van Toronto.

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Art: Steve Cutts
A short animation about the rat race you are sure to recognize.

Slippery Edge has the most amazing blog. It’s full of original works by artists, photographers, animators, musicians. I have long wondered how s/he gets permission, but the posts do send readers to the originators’ websites.

I’m especially enamored of the short animations Slippery Edge posts and just had to share this one by Steve Cutts about the rat race. I thought it was so on-the-money, having squeezed myself into subways like that for many years. All that’s missing are treadmills, which always look to me like something you put in a rat’s cage.

The poor rat in the video thinks he’s on the track of happiness and keeps pursuing whatever contemporary voices — media, advertising, the world at large — suggest is the road to happiness. The message I take away is that I better figure that out for myself and not get distracted by unknown entities’ self-serving promises.

Watch the short animation and see what Slippery Edge has to say about the artist, here.

See also:
http://www.stevecutts.com/
https://stevecutts.wordpress.com/
https://www.facebook.com/SteveCuttsArt

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Today’s Bonus Tidbit

Suzanne will be showing Luna & Stella antique lockets Fridays at noon (Eastern Standard Time) through December 22 on Instagram Live. Go to @Lunaandstella .

You can also see these one-of-a-kind lockets on her Facebook page, https://www.facebook.com/lunaandstella/. Suzanne will size and place a photo of your loved one in the locket of your choice. A few of the antique lockets are shown below.

Suzanne’s Mom

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Photo: Getty
Auckland Libraries in New Zealand figured out why their books were going missing and came up with a win-win solution.

If you know how to read, you want to read, and librarians want you to read. But not everyone has easy access to books. That is why some readers in New Zealand were sneaking books.

Mark Molloy writes at the UK’s Telegraph, “A New Zealand library has finally solved the mystery of why some books were going missing from its shelves.

“Auckland Libraries staff were bewildered after finding some books were being hidden in random places. They initially thought kids playing pranks were to blame, but later discovered it was the city’s rough sleepers who were actually stashing the books so they could return the next day to continue reading.

“ ‘A lot of our street community were wanting to put them underneath the couches or underneath book shelves and kind of hiding them in various places,’ librarian Sean Taylor told TV NZ. … Without a permanent address they were unable to sign up for a library card that would allow them to take the literature away.

“As a solution, Auckland Library created a new section where books can now be left overnight and picked back up again the next morning. …

“ ‘They are really well read. We’ve got a guy who I’ve had a discussion about the meanings of words and we’ll talk about the reference section and it’s the kind of intellectual conversation you’d expect from an academic.’ …

“Auckland Library says it sees itself as a ‘home for the homeless’ and holds regular cinema screenings and a book club for those sleeping rough. …

“ ‘One guy told me he moved to the city several years ago, and that none of his family back home knew he was homeless,” [said Rachel Rivera, manager of Auckland Libraries]. He used our computers to keep in touch with them. It was his lifeline to his family,’ she said.

“ ‘They value our service, like many of our communities do, for different reasons. But they don’t always feel safe and welcome, and that is something we can and should take steps to address.’ ”

More at the Telegraph, here. And look: Everything at the Auckland libraries website is in both English and Maori.

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Photo: Matt Nemeth for WESA, Pittsburgh’s NPR station
Former football player Baron Batch reinvented himself as a street artist.

I enjoyed this story from the sports radio show Only a Game about a former football player who became an accomplished street artist. Sarah Kovash reported.

“It wasn’t until after Baron Batch left the NFL that he attracted the attention of the Pittsburgh police department. … It was while riding his bike along one of Pittsburgh’s riverfront trails that he stopped to spray paint a message.

” ‘You know, I just got so comfortable with painting on things outside,’ Batch says. ‘Like, I just was riding my bike and just tagged the trail.’ He didn’t stop there.

” ‘I had this tag that said “all your scars are lovely” down by the wharf. That’s where I like ride my bike, and I always get off my bike there and stretch my ankle. I have no cartilage in my ankle. It’s just grinding bones. I deal with chronic pain every single day. So, at that spot, you know, I was riding one day and stretching. And that hit me. Like, all your scars are lovely.’ …

“Batch started his company, Studio AM, about a year after leaving the Steelers. Young Pittsburgh residents took notice and began sharing his work on social media. Batch relished the attention.

“He started doing what he calls ‘art drops,’ where he would leave one of his paintings in a public area and post its location on social media — free to the first person who could find it. …

“He turned his studio — located in the Pittsburgh-adjacent, Rust-Belt town of Homestead — into a brunch venue and gallery. On Sundays, visitors eat fruit-covered french toast and savory rice dishes while chatting with the artist. It’s not the same crowd you’d find at a Steelers tailgate.

“Last year, Batch was commissioned for a mural project. He created 20 pieces throughout the city, mostly on the sides of buildings. …

“As Batch spent more time on outdoor murals, he moved from the surfaces he had permission to paint to … some he didn’t. …

“He painted other colorful messages — some on a bridge and a parking lot. It never occurred to him that he was breaking the law. …

“Batch was creating some of the most inspired art of his career, but his project was quickly halted when the police showed up. …

“In all, police said Batch caused more than $16,000 worth of damage. They charged him with 30 counts of criminal mischief. …

“Batch had to pay $30,000 in fines and legal fees. But he says his arrest also led to a much needed discussion about public art.

“Part of that conversation was with the Friends of the Riverfront. That’s the group that manages the trail Batch graffitied. The group gave Batch permission to paint a section of the trail that’s lined with concrete barriers.”

And it turned out that the arresting officer, Detective Alphonso Sloan of the Pittsburgh police graffiti squad, had empathy for Batch. He told the ex-football player, ” ‘Hey, I admire your artwork. Even though some of it’s, you know, it’s illegal.’

” ‘[He] said “OK, I’m an artist, and you’re an artist. How about we get together sometime?” We worked on several projects.’ …

“Detective Sloan hopes Batch doesn’t test the city’s graffiti laws again.

” ‘[I’m] hoping it’s just a one-time thing because I hate to arrest someone … you get to work with them and you actually like them.’ ”

More at Only a Game, here.

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Photo: NJ Advance Media
Rodin sculpture of Napoleon turns up in a New Jersey town hall. Drew University grad student Mallory Mortillaro did the legwork to authenticate it. She is pictured here with Rodin expert Jérôme Le Blay.

Sometimes lost treasures actually get found. In this story, a bust by famed sculptor Auguste Rodin turned up in a New Jersey town hall, thanks to a determined grad student.

Justin Zaremba wrote about the discovery at NJ Advance Media.

“The art world lost track of acclaimed sculptor Auguste Rodin’s bust of Napoleon in the 1930s, but it’s apparently been on display for the past 85 years in the most unlikely of places — the council chambers in Madison [New Jersey] Borough Hall. …

” ‘Napoléon Enveloppé Dans Son Rêve’ (‘Napoleon Wrapped in his Dream’) was ‘long rumored’ to be Rodin’s work but the borough and the Hartley Dodge Foundation, which owns the sculpture, didn’t know for certain until about two years ago … [when] Drew University graduate student Mallory Mortillaro was hired by the foundation to go through the various art pieces at the Hartley Dodge Memorial Building.

“The bust was able to hide for so long, he said, because it weighs 700 pounds and requires about five people to move it and its attached pedestal. Rodin’s signature had been hidden from view for decades because that side of the sculpture was pushed against the wall. …

“The building and the artworks inside it were deeded over to Madison by Ethel Geraldine Rockefeller Dodge in the 1930s as a memorial to her son, Marcellus Hartley Dodge Jr., who died in a car accident at the age of 22. The foundation’s sole focus is on preserving the art and architecture of the building. …

“Mortillaro began her detective work by researching every book on Rodin she could find, doing online searches, visiting the Rockefeller archives and contacting officials in the art world.

“Mortillaro, now a teacher at Lawton C. Johnson Middle School in Summit, pursued the case despite receiving the brush off from various art experts.

” ‘No one was being very receptive,’ she said.

Nevertheless, she persisted.

“Mortillaro got in touch with the world’s leading Rodin expert, Jérôme Le Blay, formerly of the Rodin Museum in Paris. …

“According to Mortillaro, when Le Blay walked into the council chambers he turned and said ‘Hello my friend, so is this where you have been hiding?’ …

“The bust had originally been conceived and begun in 1904 at the behest of New York collector John W. Simpson in 1904, but the commission wasn’t completed. Four years later, Thomas Fortune Ryan saw the unfinished piece in Rodin’s studio and acquired it. Rodin completed the piece in 1910. …

“[Hartley Dodge Foundation trustee Nicholas] Platt said the borough and the foundation kept the bust’s identity hidden until now because the insurance company wouldn’t insure the piece for its value and allow them to have the bust open to the public. That’s why for a limited time, it’ll be open to the public — though protected by security — before it leaves the Garden State.

“Platt estimated the piece was worth anywhere from ‘the mid-millions to the 10 million’ range depending on the market.”

The bust will go out on loan to the Philadelphia Museum of Art for a year.

More here.

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Photo: Diego Ibarra Sanchez for The New York Times.
Ali Shehadeh, a plant conservationist from Syria who fled the war in his country, at work in Terbol, Lebanon.

The harm that wars do seems endless. Every aspect of life is affected. And yet, against all odds, good people rise up to save or try to reconstruct what might be lost. In this post, everyday heroes protect a seed bank from the war in Syria.

Somini Sengupta has the story at the New York Times. “Ali Shehadeh, a seed hunter, opened the folders with the greatest of care. Inside each was a carefully dried and pressed seed pod: a sweet clover from Egypt, a wild wheat found only in northern Syria, an ancient variety of bread wheat.

“He had thousands of these folders stacked neatly in a windowless office, a precious herbarium, containing seeds foraged from across the hot, arid and increasingly inhospitable region known as the Fertile Crescent, the birthplace of farming.

“Shehadeh is a plant conservationist from Syria. He hunts for the genes contained in the seeds we plant today and what he calls their ‘wild relatives’ from long ago. His goal is to safeguard those seeds that may be hardy enough to feed us in the future, when many more parts of the world could become as hot, arid and inhospitable as it is here.

“But searching for seeds that can endure the perils of a hotter planet has not been easy. It has thrown Shehadeh and his organization, the International Center for Agricultural Research in the Dry Areas, squarely at a messy intersection of food, weather, and war.

“The center, though it received no state funding, was once known as a darling of the Syrian government. Based in Aleppo, its research had helped to make Syria enviably self-sufficient in wheat production. …

“By 2014, the fighting drew closer to its headquarters in Aleppo and its sprawling field station in nearby Tal Hadya.

“Trucks were stolen. Generators vanished. Most of the fat-tailed Awassi sheep, bred to produce more milk and require less water, were stolen and killed for food. … And the center’s most vital project — a seed bank containing 155,000 varieties of the region’s main crops, a sort of agricultural archive of the Fertile Crescent — faced extinction.

“But researchers there had a backup copy. Beginning in 2008, long before the war, the center had begun to send seed samples — ‘accessions’ as they are called — to the Svalbard Global Seed Vault, the ‘doomsday vault,’ burrowed into the side of a mountain on a Norwegian island above the Arctic Circle. It was standard procedure, in case anything happened.

“War happened. In 2015, as Aleppo disintegrated, center scientists borrowed some of the seeds they had stored in Svalbard and began building anew. This time, they spread out, setting up one seed bank in Morocco and another just across Syria’s border with Lebanon in this vast valley of cypress and grapes known as the Bekaa. …

“Mr. Shehadeh … is obsessed with the wild relatives of the seeds that most farmers plant today. He eschews genetically modified seeds. He wants instead to tap the riches of those wild ancestors, which are often hardy and better adapted to harsh climates. ‘They’re the good stock,’ he said.

“He hunts for the genetic traits that he says will be most useful in the future: resistance to pests or blistering winds, or the ability to endure in intensely hot summers. He tries to select for those traits and breeds them into the next generation of seeds — in the very soil and air where they have always been grown.”

The experts believe that the seeds from plants that thrive in this arid part of the world will be needed for feeding the planet as it warms.

Read the whole article here.

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