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Over at radio show Living on Earth, “Steve Curwood spoke with farmer and author Audrey Levatino, who has written Woman Powered Farm: Manual for a Self-Sufficient Lifestyle from Homestead to Field. …

“CURWOOD: Why did you decide to write a book about farming specifically for women?

“LEVATINO: Well, women were coming up to me at the farmers’ market and asking about what I did and were very interested. Many of them wanted to know how to get into farming and growing things themselves, and so they wanted advice and instructions on how to get started. …

“CURWOOD: Audrey, what do women farm more typically as opposed to men?

“LEVATINO: That’s a great question, and that’s another thing that I really investigated when I was writing the book. And many women get into this farming business. It starts off as just wanting to provide the best and healthiest, most local food that they can for their families. So women are growing a lot of different things, but in many cases it is healthy, delicious, seasonal food. They know exactly where it came from, so that their children and their husbands and their neighbors can have the best food possible.

“But the other thing that I discovered as I got further into my research and interviewed lots of women farmers in my area and around the country is women are just amazingly creative: they grow herbs and other medicinal plants to make cheese, salves and tinctures. Women also tend to farm — when they do livestock — smaller animals. You know, things that are a little more manageable. And sometimes it’s for fiber — sheep and llamas and alpacas — other times it’s for milk, such as using goats to make cheese.” More here.

Audrey’s farm, Ted’s Last Stand, is located near Charlottesville, Virginia.

Photo: Michael Levatino
Audrey Levatino grows specialty cut flowers and sells them at local farmers’ markets to florists and restaurants, and for weddings.

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Casey Kelly has a story at WBUR’s Only a Game on a sport enabled by the removal of dams on the Penobscot River in Maine.

The recent removal of two dams (and upgrades to others) in Maine’s Penobscot River made available over 1,000 miles of habitat for Atlantic salmon and other fish — and also made the river available to whitewater enthusiasts.

“The dam removal was the culmination of years of restoration efforts by several groups. The Penobscot Nation, for whom the river has been vital for centuries, helped lead that effort.

“ ‘The creator put us here, in the Penobscot River Valley,’ said James Eric Francis, Sr., the director of cultural and historic preservation for the Penobscot Nation. ‘We are surrounded by the sacred river.’

“Last month, paddlers from all over the country gathered for a race celebrating the removal of the dams.” More here, including a video.

Here’s how freeing the river came about. It was a major collaboration by disparate groups committed to identifying and acting on the values they held in common.

Photo: Craig Dilger for The New York Times  
The dismantling of the Veazie Dam is also giving 11 species of fish better access to 1,000 miles of spawning habitat.

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Signs and portents. Summer is winding down. The writing is on the telephone wires. The sidewalk squirrel is gathering nuts. My neighbor’s garden is producing bounty. A dragon has appeared on the beach. We seized our last chance for a ladies’ lunch overlooking the harbor. I bought Jubali beet-cucumber-apple juice at the farmers market because it was called Beet Poet.

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No, I’m not thinking of the 19th century, of George Eliot (Mary Ann Evans), Currer Bell (Charlotte Brontë), or George Sand (Amantine-Lucile-Aurore Dupin). Masculine names are taken more seriously than feminine ones nowadays, too.

Here is a woman who put it to the test.

Catherine Nichols writes at the Jezebel blog, “The plan made me feel dishonest and creepy, so it took me a long time to send my novel out under a man’s name. But each time I read a study about unconscious bias, I got a little closer to trying it.

“I set up a new e-mail address under a name—let’s say it was George [Suzanne’s Mom asks, ‘What is it about the name George?’] Leyer, though it wasn’t—and left it empty. Weeks went by without word from the agents who had my work. I read another study about how people rate job applicants they believe are female and how much better they like those they believe are male. …

“So, on a dim Saturday morning, I copy-pasted my cover letter and the opening pages of my novel from my regular e-mail into George’s account. I put in the address of one of the agents I’d intended to query under my own name. I didn’t expect to hear back for a few weeks, if at all. It would only be a few queries and then I’d close out my experiment. I began preparing another query, checking the submission requirements on the agency web site. When I clicked back, there was already a new message, the first one in the empty inbox. Mr. Leyer. Delighted. Excited. Please send the manuscript.

“Almost all publishers only accept submissions through agents, so they are essential gatekeepers for anyone trying to sell a book in the traditional market rather than self-publishing. …

“I sent the six queries I had planned to send that day. Within 24 hours George had five responses — three manuscript requests and two warm rejections praising his exciting project. For contrast, under my own name, the same letter and pages sent 50 times had netted me a total of two manuscript requests. …

“I wanted to know more of how the Georges of the world live, so I sent more. Total data: George sent out 50 queries, and had his manuscript requested 17 times.

He is eight and a half times better than me at writing the same book.

“Fully a third of the agents who saw his query wanted to see more, where my numbers never did shift from one in 25. …

“Most of the agents only heard from one or the other of us, but I did overlap a little. One who sent me a form rejection as Catherine not only wanted to read George’s book, but instead of rejecting it asked if he could send it along to a more senior agent. Even George’s rejections were polite and warm on a level that would have meant everything to me, except that they weren’t to the real me. George’s work was ‘clever,’ it’s ‘well-constructed’ and ‘exciting.’ No one mentioned his sentences being lyrical or whether his main characters were feisty. …

“I quit sending out queries entirely, and used the critiques that George got to improve the book — a book I would have put away in frustration long ago if I hadn’t tried my experiment. The edited draft went to the agent who now represents me, after she got in touch about a nonfiction piece I had written under my own name. Patience, faith, playing by the rules—the conventional wisdom would never have brought me here.” More at Jezebel.

Whew. Now I’m wondering if the fantastic (male) nonfiction writer ML Elrick got some rejection letters because recipients thought he was a female masquerading as a male.  Like JK Rowling. Who now writes mysteries as Robert Galbraith.

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You may have heard tell of the town that banned single-serving plastic water bottles. The Huffington Post was one of the many news outlets that reported on the law when it took effect in early 2013.

“Concord, Massachusetts, has become one of the first communities in the U.S. to ban the sale of single-serving plastic water bottles. According to the Associated Press, the plastic bottle ban resulted from a three-year campaign by local activists. The activists pushed to reduce waste and fossil fuel use. …

“The campaign Ban the Bottle claims that ‘It takes 17 million barrels of oil per year to make all the plastic water bottles used in the U.S. alone. That’s enough oil to fuel 1.3 million cars for a year.’ Their website also states: ‘In 2007, Americans consumed over 50 billion single serve bottles of water. With a recycling rate of only 23%, over 38 billion bottles end up in landfills.’ According to the EPA, in 2010, the U.S. generated 31 million tons of plastic waste. …

“Not everyone is happy with the ban. WHDH reports that some businesses are also working around it by selling larger bottles, since the rule only focuses on smaller ones. Local Jenny Fioretti voiced one concern to the news group: “Towns are close enough that people can walk two minutes and go get it from Acton or Bedford. It doesn’t really help I don’t think.” More here.

Many bikers and runners were not happy either. What to do?

Crosby’s supermarket began selling water in cardboard cartons instead of plastic. And it put a faucet on the outside wall of the store so that thirsty people could refill their reusable bottles even when the market was closed. And now, after 2-1/2 years, the town has installed a water fountain near the train station.

So if you were afraid of fainting from dehydration after you took the train to Concord for the long hike to Walden Pond, fear no longer.

Water fountain as a work in progress, left. Finished fountain, right, offers three opportunities for quenching thirst: water to refill your reusable bottle, water to drink directly, water for your dog. All working well.

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Back when Netscape was the browser of choice, I clicked every day on What’s Cool, and I think that is how I learned about the Museum Of Bad Art (MOBA), “a community-based, private institution dedicated to the collection, preservation, exhibition and celebration of bad art in all its forms and in all its glory.” I read that many pieces were pulled out of dumpsters and attics — or found abandoned by the side of the road.

Twenty years later, I got to wondering if MOBA was still around. I found lots of information on their expanded website.

“MOBA was founded in the fall of 1993 and presented its first show in March 1994. The response was overwhelming. Since then, MOBA’s collection and ambitions have grown exponentially.

“Initially, MOBA was housed in the basement of a private home in Boston. This meager exhibition space limited the museum to being a regional cultural resource for the New England area.

“As the only museum dedicated to bringing the worst of art to the widest of audiences we felt morally compelled to explore new, more creative ways of bringing this priceless collection of quality bad art to a global audience. Another Boston-area cultural institution, Dedham Community Theatre, generously allowed MOBA the use of their basement. Our first permanent gallery is now conveniently located just outside the men’s room in a 1927 movie theatre.

“The ambiance created such a convivial atmosphere, that when we went looking for a second location, the only place that was up to our quality standards was another theatre basement. The Somerville Theater in Davis Square, Somerville MA is now our second gallery.”

MOBA now exhibits online, publishes an email newsletter called MOBA News, and offers the book Museum of Bad Art : Masterworks. More here.

It was hard to pick one piece of art to show you from the many great examples online. But what’s not to love about the landscape below?

Says MOBA, “The wild westerly wind that devastated this peaceful bucolic landscape was strong enough to denude mature trees, grossly distort fair weather clouds, rend the fur from a cow, bend a wrought iron weather vane, and induce panic in a basset hound whose ears and tongue point due east. …

“In the note accompanying his donation, Mr. Roots wrote, ‘I was happy with the way the barn turned out. It was when I started animals and people that [I realized] I was having problems with proportions.’

“He enjoys other creative pursuits in addition to painting. ‘I have won the World’s Worst Poetry Contest in Pismo Beach, CA, placing 1st, 2nd, and 4th in separate years., [and] I have made many bottles of home brew and wine.’ ”

Art: Bob “Grandpa” Roots
“On a Windy Day,” Donated to the Museum of Bad Art

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I liked this story about a 91-year-old artist having his first solo show. John sent it to me. I hope the Arlington Advocate leaves it up for a while. (I know that all the profiles I wrote for the newspaper chain of which the Advocate is a part — and all my theater reviews — are long gone.)

A solo exhibition called ‘Umberto Centofante: A Life’s Work” was featured at the Arlington Center for the Arts (ACA) until last week and highlighted 40 years of still lifes, portraits and landscapes.

Heather Beasley Doyle writes, “When Umberto Centofante tells a story about his life or talks about his art, a distinct, almost palpable energy underscores his words. His eyes light up, his body springs lightly and a hearty laugh punctuates his paragraphs. …

“Centofante’s life began in Pontecorvo, Italy, where he grew up on his family’s farm. When he was eight years old, he says, his teacher gave him a sketchbook to take home with him.

“ ‘All of a sudden some ideas came into my head,’ Centofante recalled, and he filled the book with drawings of farm life. …

“The drawings earned him a prize and the opportunity to receive professional art instruction — a chance he had to pass up so he could help work the farm. Eventually, Centofante became a police officer and worked in Rome. After World War Two ended, he emigrated from Italy, bound for the Boston area and a job as a truck mechanic at Garwood Industries in Brighton he secured with help from an uncle who lived in Milton. Centofante had never been a mechanic, but he learned with the same intuition that had enabled him to fill the sketchbook.

“Centofante is ‘self-taught in everything,’ including painting, according to the oldest of his four children, Elaine Gleason. …

“In the Gibbs Gallery, Centofante’s paintings of boats ferrying passengers through white-capped brilliant blue seas share space with glowing, color-soaked portraits of children and exacting, nearly monochromatic nature scenes such as ‘High Moon.’ …

“Centofante says he never sketches out a project ahead of time — that he spends more time thinking and planning a painting than setting paint to canvas.

“ ‘I don’t design; I just start. I find the resolution very quickly,’ he explained. …

“Asked why he paints, he replied simply: ‘It makes me feel good.’ ”

Read more of the story at the Arlington Advocate.

Photo: Arlington.Wicked.Local.com

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This story comes from Heather Dockray at Good magazine (by way of the Huffington Post). It’s about a life-affirming project in Atlanta.

“Good, local, nutritious food shouldn’t be expensive,” she writes, “and shouldn’t only be enjoyed by people who can afford it.  A homeless shelter in Atlanta decided that their residents desperately needed access to healthy food — but instead of sourcing out, encouraged residents to grow their own. Now, the shelter is home to a huge rooftop garden planted by the residents themselves, which is expected to yield hundreds of pounds of great quality greens. …

“While eating discounted snacks might give homeless residents short-term financial benefits, the long-term health consequences are substantial. The Metro Atlanta Task Force for the Homeless, who runs the gardening program, wanted to give homeless people access to food previously considered out-of-reach. Now, residents are responsible for 80 garden beds, producing kale, carrots, chard, and squash, among other vegetables.” More here.

Dockray doesn’t mention how gardening and donating to the shelter makes residents feel, but I am going to guess it builds their self image and confidence.

Photo: Metro Atlanta Task Force for the Homeless

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I was not surprised to note in the Beatrix Potter biography I’m reading that although Potter worked hard to get rid of rat infestations in her Hill Top Farm house, she had a soft spot for rats. An artist who could draw all sorts of bugs and wildlife with meticulous care, she kept a pet rat as part of her menagerie and even wrote an indulgent story about Samuel Whiskers.

Rats turn out to be good for other things, too: for example, saving people from land mines.

Michael Sullivan writes at National Public Radio (NPR), “It’s 5:45 in the morning, and in a training field outside Siem Reap, home of Angkor Wat, Cambodia’s demining rats are already hard at work. Their noses are close to the wet grass, darting from side to side, as they try to detect explosives buried just beneath the ground.

“Each rat is responsible for clearing a 200-square-meter (239-square-yard) patch of land. Their Cambodian supervisor, Hulsok Heng, says they’re good at it.

“T ‘hey are very good,’ he says. ‘You see this 200 square meters? They clear in only 30 minutes or 35 minutes. If you compare that to a deminer, maybe two days or three days. The deminer will pick up all the fragmentation, the metal in the ground, but the rat picks up only the smell of TNT.’ …

“These are not kitchen rats, but African giant pouched rats, also known as Gambian pouched rats, about 2 feet long from head to tail. Their eyesight is terrible. But their sense of smell is extraordinary. The rats can detect the presence of TNT in amounts starting at 29 grams (about 1 ounce).

“A Belgian nonprofit called Apopo began harnessing the rodents’ olfactory prowess 15 years ago. (The group also trains rats to detect tuberculosis). The organization set up a breeding program and training center in Tanzania and began deploying rats to post-conflict countries, first to Mozambique and Angola. Apopo’s Cambodia program began in April, in partnership with the Cambodian Mine Action Center.

” ‘The idea was very strange,’ says operations coordinator Theap Bunthourn. ‘Cambodian people kill rats, don’t like rats. But they’re cost-efficient, they’re easy to transport, they’re easy to train, and they don’t set off the mines because they’re too light.’ ”

Gosh, they detect TB, too? Who knew?

Read more at NPR, here.

Photo: Michael Sullivan for NPR
Victoria, a 2-year-old rat, sniffs for TNT, sticking her nose high in the air to indicate she’s found some. She is able to detect the presence of TNT at a distance of approximately half a yard.

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I realized we hadn’t done any poetry for a while. So after I heard poet Mary Jo Bang on the radio show Studio 360, I thought I would share an unusual thing she has done. She has created a modern version of Dante’s Inferno — relying on poetic license and others’ translations to make it more accessible.

Studio 360’s host calls Bang a “poet’s poet, one whose books regularly make year-end best-of lists. Her latest book of poetry is called The Last Two Seconds, and it couldn’t be farther from the stereotypical pretty nature poetry. The collection is full of a sense of impending environmental collapse: natural disaster, extinction, climate change, and cataclysmic violence. …

“The book’s title is also connected to Bang’s sense of her own mortality. ‘Once you get into your 60s you know you have x amount of time. …’

“Bang also recently produced a new translation of Dante’s Inferno — a feat she accomplished without knowing Italian. She worked from previous translations, she explains, comparing the work of other scholarly translators to get an idea of the literal meaning of the original. ‘I could see what was going on; I could see the liberties that each of these translators had taken,’ she says. ‘That gave me permission to come up with my own way of saying it, but it established the borders.’

“Bang also updated Dante’s hell to include [more-recent fiends, including] South Park’s Eric Cartman, who is condemned for the sin of gluttony. ‘Dante wrote the Inferno in the vernacular. He wanted everyone to be able to read it. I wanted to do the equivalent,’ she explains.

“Bang teaches at Washington University in St. Louis, and she says her students appreciate the contemporary references. ‘They tell me things like, “I always wanted to read this and I tried several times and I couldn’t.” That’s exactly the person for whom I wrote this, because I was one of those people, too.’ ”

Maybe me, too.

Hear Bang read her work at Studio 360, here.

Photo: Matt Valentine
Poet Mary Jo Bang. (Does this woman look like she hit 60?)

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An experimental theater piece to test the Theory of Purposefully Divided Attention to Fend Off Meltdowns.
Cast: Grandma (G), Adult One (1), Adult Two (2), Adult Three (3), Small Child (Small)
Setting: Dinner table

G: Why is your hairdresser your hero?

1: She’s a real bootstrap entrepreneur. She’ll try anything.

G: Is that a blackberry in your popsicle?

Small: No, a blueberry.

2: Well, when you have kids, you can’t participate in every charity event or random partnership.

3: You have to prioritize, be strategic. Know when to say no.

1: But she has a great community reputation. She’s so upbeat.

G: I really think that’s a blackberry. Like Mrs. Rabbit’s in Peter Rabbit. Supporting everything in the community can add up.

1: It rolls up.

3: But you can waste a lot of time.

2: And energy.

G: People are grateful, though. If you’re strategic, you miss the kind of opportunities that you have no idea where they will lead. I like the way that popsicle drips right into the holder. It’s less messy.

Small: Do you want one?

G: I don’t want to take your last popsicle.

Small: We can make more.

G: Maybe after dinner.

Small: Let’s do it!

G: Careful — the juice is spilling. One and one and 50 make a million. It’s good to be open to serendipity if you possibly can.

2: There are only so many hours in the day.

3: Numerous small investments can’t get what one big investment would.

G: Do you want a napkin?

Small: I got a green popsicle at Whole Foods, but it dripped all over my dragon shirt. It was green.

G: There is nothing like a reputation for being upbeat and cooperative. I know where we can pick blackberries for the next batch of popsicles.

Small: But you have to add juice so it sticks together.

1: We now trade services. She does that with almost everyone. I feel like she could teach a class in entrepreneurship.

G: Teach one together, how about?

Small: Do you want a popsicle? Do you want one now?

G: Maybe after dinner. Look, that’s a raspberry. Or do you think it’s a strawberry?

Small: Do you want a popsicle now? I can go get it. We can make more later. Yes or no?

G: OK. Yes.

Small: Say, Please.

G: Yes, please.

Photo: Matthew Klein

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The Institute for the Study and Practice of Nonviolence is an outstanding Providence nonprofit that takes a holistic approach to ending violence in poor communities.

On Thursday, I went to an open house and barbecue organized by the students in the Institute’s work program, and was mightily impressed. I shook hands with Mayor Jorge Elorza and chatted at some length with Chief of Police Hugh Clements and the Institute’s executive director, Teny Gross. Not to mention the retired priest who was a founding member, the youth themselves, and the dedicated staff. I heard some pretty inspiring stories!

The young organizers provided a tour of their headquarters, a lovely converted convent on Oxford St.

It was a great event. But here is something sad. In the five years since I visited the Institute’s old quarters, the vagaries of funding sources have forced cutbacks. They no longer have 17 streetworkers turning youth from violence toward work and better lives. They can afford only four. It seems a shame when the need is still significant.

The Institute is advertising for a development director, and they sure need a way to get more support. A big endowment to protect the work from shifts in the winds would be ideal. Read more here.

By the way, Teny Gross has been called to teach nonviolence techniques around the nation and world. He has received many acknowledgments for his success. An unusual honor this month gave him one of his proudest moments. It relates to a George Washington letter about religious tolerance.

“225 years ago, George Washington wrote a letter ‘To the Hebrew Congregation in Newport,’ which is now known as the Touro Synagogue in Newport, Rhode Island. To mark the historic importance of the letter, the congregation and the Touro Synagogue Foundation conduct an annual ‘Letter Reading,’ around the time that the letter was sent. The setting is the beautifully restored Touro Synagogue, built in 1763.

“The letter was only four paragraphs long, but they were four powerful and significant paragraphs and they are regarded as critical in the history of the Jewish people in the Colonial United States.  The letter reading evolved into today’s two hour event filled with greetings from dignitaries, announcements of scholarships and an award to Teny Gross, leader in the Institute for the Study of the Practice of Nonviolence.”

Goes to show that teaching nonviolence can spread out in many unexpected ripples.

Read the details here.

Photo: Institute for the Study and Practice of Nonviolence

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Bill Littlefield, at Only a Game on WBUR radio, got a lesson in the subtleties of Finnish baseball when he interviewed the Wall Street Journal’s Brian Costa recently. Costa went to Finland to report on pesäpallo, a game whose players are sometimes scouted by US baseball teams.

“Brian Costa: The biggest difference is the pitcher, instead of throwing the ball from a mound at the batter, stands beside him and throws it up in the air and sort of gets out of the way. But there are base paths, there’s four bases, there’s home plate, players field with gloves. …

“Bill Littlefield: Critics of baseball in the U.S. say the games are too long. It’s too slow. There’s not enough action. Would such critics be happier with pesäpallo?

“Brian: Oh, they would love pesäpallo. There are very, very few strikeouts, very few swings and misses, so pretty much every ball that gets pitched gets put into play. …

“Bill: What’s it like for fans attending a game of pesäpallo? And how many are there? Is this a big popular attraction?

“Brian: This is really not a city sport, so [in] Helsinki, you won’t see that much of it. But it is the sport of the Finnish countryside. You’ll have towns where the local population may be 3,000 people, and they’ll get 3,500 at a game. …

“Bill: You note that a scout from the New York Yankees was in Finland last month for All-Star weekend there. … [But] Finnish players, I gather, do not seem very interested in playing baseball as we know it?

“Brian: No they’re not. It’s very interesting. … None of them seemed to really follow Major League Baseball. The people who I asked about their impressions of it kind of smirked or winced or just said, ‘eh.’ I mean, they feel like they’ve got a better version of it.”

More here.

Video: PattijoenUrheilijat

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Two of my grandchildren just got back from a month in Scandinavia with their parents, visiting the Swedish side of the family. It’s amazing how much kids can develop in one month.

The baby left here with four teeth and came back with eight. She could barely reach for something without falling over and now crawls like a demon. Her older brother is more of a conversationalist than ever and has returned with new ideas for playing with old toys.

The children bloomed and blossomed with all the love and attention of their Swedish family.

The lotus below was also blooming during the past month.

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Maura Judkis of the Washington Post blogged recently about an actor who wants the opportunity to perform in your home and will throw in a surprising service.

Judkis writes, “Fringe Festival audiences have opened their homes to Brian Feldman. He has met their families and friends, admired their art, eaten their food, handled their precious china. …

“The premise for Feldman’s show, ‘Dishwasher,’ is this: He will come to a person’s house, wash all of the dirty dishes, perform a monologue of the audience’s choosing and then conclude with a single question: ‘Am I a better actor or dishwasher?’ The answer can depend on the monologue that he cold-reads — and on how crusty that casserole dish in the sink has become. The show — the first Fringe show to take place in private homes — has sold out its entire run. …

“His [work] follows in the tradition of great performance artists such as Tehching Hsieh and Marina Abramovic, but it’s more playful — and in his opinion, more theatrical.

“ ‘It’s hard to define — I’m straddling the middle, and I’m always pitching it as theater,’ he said. ‘I was always more interested in theater that had a concept that was hard to define, or things that didn’t have an ending, and didn’t necessarily have a beginning.’ …

“In the week of performing the show so far, he’s dealt with messes big and small. There was the Cleveland Park home with the too-small sink.

“ ‘It was hard to wash anything,’ he said. ‘They had a door that you could enclose yourself in the kitchen. I used it to comic effect, it was almost like “Noises Off.” ‘ …

“So far, five of his hosts have told him he’s better at acting, one has said he’s better at dishwashing, and two couldn’t decide.

“ ‘I’m trying to do as good a job dishwashing as I am acting,’ he said. ‘It’s subjective, just like art.’ ”

Read how Judkis and her friends got him to read “the character of Mrs. Pringle, who is fretting about a disappointing party, from the play ‘Fourteen’ by Alice Gerstenberg. ‘This is my last dinner party — my very last — a fiasco — an utter fiasco!’ ” here.

Photo: Maura Judkis/The Washington Post
Brian Feldman performs a monologue in the writer’s home.

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