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Cabby’s Found Art

Longtime readers may recall I took a playwriting class a couple years ago. One of the assignments — which I blogged about here — was to listen in on a conversation in a public place and write it down word for word. Very awkward, but a good lesson in the random way people really talk.

Now the artist/cabby Daniel J. Wilson has taken the concept to an extreme, recording customers’ conversations and using them in his art.

Matt Flegenheimer writes at the NY Times that while driving a taxi in New York, Wilson “secretly recorded the conversations of his passengers, assembled the highlights into an audio collage of the back-seat musings and installed the final product in his taxi, playing the clips for his riders …

“ ‘It’s this world where people act like you don’t exist, even though you’re three feet away,’ Mr. Wilson, 35, said from the front seat of his cab recently. ‘You get this fragment of a person.’ ” More.

Much has been done with the invisibility theme in literature: Ralph Ellison’s Invisible Man, the powerful Mammy in The Sound and the Fury, the murderer disguised as an “invisible” waiter in an Agatha Christie novel — you can probably come up with more.

The Times article discusses the invasion of privacy. I think invasion of privacy might be the penalty for treating humans as invisible.

Photo: Hiroko Masuike/The New York Times
Victoria Reis, left, called Daniel J. Wilson’s audio collage “the least pretentious and most experimental” work she had seen all week, and tipped him.

Portland, Maine, has a reputation for being welcoming to immigrants and refugees. As a result, newcomers have been giving back, taking seriously their training in how to start a business, for example, hiring people, and boosting the city’s economy.

In this story by Jess Bidgood at the NY Times, we learn about Portland’s “class intended to help immigrants from warm countries cope with the cold.”

Bidgood writes about newcomers “squeezed into a plain conference room at the city’s center for refugee services … to be schooled in a central piece of Portland’s cultural curriculum for its growing population of new arrivals, many of whom are asylum-seekers from Central Africa: the art of handling a Maine winter.

“The instructor, Simeon Alloding, a human services counselor here, sat at the front of the room, ticking off winter’s many perils as clip art images of a penguin and an elephant decked out for cold weather hovered in a PowerPoint presentation behind him. ‘Everyone here has fallen, right?’ Mr. Alloding asked as he began a discussion on how to navigate the city’s icy sidewalks. ‘You don’t walk too fast, you don’t take long steps.’ …

“On this slushy morning, there were more attendees than could possibly find seating, and late arrivals clustered around the entrances to the room, many still wrapped in winter coats and hats despite the stifling heat of the room.”

The refugees help each other with translation, but some questions are hard to answer, like how to know what tomorrow’s weather might be.

“Miguel Chimukeno, from Angola, rose to ask a question in Portuguese, which another student translated to French, which the French interpreter, Eric Ndayizi, posed to Mr. Alloding.

“ ‘He’s low income — zero income — and you said they should watch TV and know some information. How does he get TV?’ Mr. Ndayizi asked.

“ ‘There’s nobody that’s going to issue out TV’s,’ Mr. Alloding said. ‘My only suggestion is that you talk to your neighbors.’ ”

More.

Photo: Craig Dilger for The New York Times

Kiev Subway Dancing

My husband heard that the Kiev subway is a popular place for older Russians and Ukrainians to go dancing. So I Googled around a bit and found stories at Odd Stuff Magazine, here, and the Daily Mail, here. And a video at YouTube. In today’s world, you can’t keep a good story down.

At the Daily Mail (which seems to favor bullet points) Helen Lawson writes, “Saturday night fever: The subway where Kiev’s pensioners dance and find love.

  •     The dancers cannot afford to pay for a venue so they use a metro subway
  •     The group meets every Saturday at 7 pm to socialise and dance
  •     About 20 couples are known to have met thanks to the meet-ups
  •     Reuters photographer Gleb Garanich documented the weekly gatherings

At Odd Stuff, photographer Garanichev Hleb (is that the same Reuters guy?) asks the subjects of his photos about the dance scene. “Milevsky Nicholas was born in 1938 and Natalia Stolyarchuk born in 1955 met at these dances and has since moved in together. This is one of the 20 couples who met at these clubs. ..

“Despite his age, both retired and still work together earn about 4,000 hryvnia per month. …

“These people do not communicate in social networks, but still remember all the holidays of childhood and youth, when put on the table, to visit friends and neighbors come, everywhere sounded cheerful sounds of accordion.” More.

A Fort Point Artist

If I come to work early, I often take a walk at lunch. I love the Greenway, which is especially nice in spring and summer. And the Fort Channel district (the Mayor likes to call it the Innovation District) seems to have something new to see almost every week — repurposed warehouses, galleries, restaurants, pocket parks.

Fort Point Arts got bumped from its space next to Flour (a yummy restaurant) on Farnsworth, so one lunchtime I made a point of checking out its new space off A Street.

I especially like that they show art depicting the Fort Point neighborhood — partly because walking there makes me attached to that part of Boston, and partly because Fort Point is changing fast. (About 18 years ago, when I went to an arts open house there, many artists had studios with beds on ledges and  tiny kitchens. Some artists were squatting in dangerous buildings with wires hanging down, no heat, no doors, no lighting. That world is gone.)

Laura Davidson was one of the featured artists when I was last in the Fort Point Arts shop. She had some block prints of her neighborhood that I admired.

Be sure to check her home page. Everyone should have a home page that looks like a treasure map.

Art:Endangered Neighborhood” reprint of 1995 view of Fort Point), 2012, Laura Davidson

Being in the aging-happily business, Erik is always on the lookout for stories about how seniors are putting their own stamp on their later years, after they have given up skydiving.

He sent me an article about a gentleman called Martin Bayne, who has become a bit of an expert on assisted living, having tried one facility that literally drove him crazy and having eventually found one he loves.

Writes Judith Graham in the NY Times, “Sometimes Martin Bayne speaks in little more than a whisper, like many people with advanced Parkinson’s disease. But his voice has a way of carrying.

“Many consider him the nation’s foremost advocate for people in assisted living. … Dr. William Thomas, a geriatrician and nursing home reformer, wrote in an e-mail, ‘He has been able to do what very few others have done — he has told the story of life on the inside of long-term care.’

After his first assisted-living experience, says Graham, “Mr. Bayne relocated to a facility in northeastern Pennsylvania, where he has a single room and receives several hours of help from aides every day. From this perch, Mr. Bayne blogs about assisted living at thevoiceofagingboomers.com  …

Bayne tells Graham how critical he believes it is to reach out to the others around you when they feel down, “Sometimes just a hand on someone’s shoulder is all it takes. Sometimes picking up a fork that someone drops in the dining room on the floor. Sometimes, just sitting with someone. Trying to make people more comfortable. The simplest things in the world can lead to what I call incremental victories. That’s what I go for in my life.

“I sneak in touches whenever I can. I call them sneak attacks. I just go over and touch someone’s hand or some other part of them. Men are in need of it the most. Men are never touched, at least in this culture.”

Graham asks Bayne how he would run his dream facility, and he says, “First of all, when a prospective resident came to visit, I would have him sit down with 10 other residents. And we would ask, ‘What’s your passion? What motivates you? What’s your mission in life?’ If you don’t have an answer to those questions, then we don’t accept you. Because we want a community that is alive.

“There would be a welcoming committee for every new resident. You’d be taken around and treated like royalty when you first come in. We’d show you that we care about you.

“Once you’re here, you’d get a job. No matter how seemingly insignificant, you’d have responsibilities every day. And the emphasis wouldn’t be on you, the emphasis would be on the community.” More.

Some of the article is sad, but the idea that you can keep making things work for you — over a longer period of time than you may have thought —  is something to ponder.

“Dear Sir,” below, is the first art collaboration of Rhian and Ray Ferrer. Please visit Rhian’s WordPress blog for lots more art, http://artgland.wordpress.com.

I got this story from a recent post by Andrew Sullivan, who got it from Mark Frauenfelder at BoingBoing, who links to Leo Kent at Humans Invent.

It’s about Swiss artist/comedian Ursus Wehrli, who has written a book called The Art of Clean Up.

Leo Kent asks the artist how the book came about.

“I had already done two books before this one,” Wehrli answers. “The first two were about tidying up art and for the third one I devoted myself more to everyday situations or objects. I very often go to museums and I actually like modern art but I was standing in front of a piece by the very messy Swiss artist Jean Tinguely. He is famous for putting all sorts of colours, material and objects on a canvas and I tried to imagine what a cleaning lady would do if she had to clean up his studio.

“I imagined how she would not really know where the mess starts and the art begins so she would end up cleaning not only the floor and the tables but the artworks. I realised this was a fun approach because you really start to look at art very differently if you try to bring some order to it.” More.

More on Wehrli’s process here, at FastCoCreate.com, where Hugh Hart adds to the story.

(You just never know what will turn up next at Andrew Sullivan.)

Photo: The Art Of Clean Up

In case you missed it (ICYMI, as they say on twitter), National Public Radio had a delightful story about Irish Jews last weekend:

“St. Patrick’s Day in New York now means parades and green beer. But 50 years ago, it also meant green matzo balls at the annual banquet of the Loyal League of Yiddish Sons of Erin. The league was a fraternal organization of Irish-born Jews.

“The major migration of Jews to Ireland started in the 1880s and ’90s, says Hasia Diner, who teaches history and Judaic studies at New York University. Thousands moved [to Ireland], primarily from Lithuania. …

” ‘Then the Irish Jews, as Jews historically did, they went to where there were better economic opportunities,’ Diner says.

“A lot of Irish Jews found those opportunities in New York. Like many immigrant groups, they kept their culture alive in the New World. And in the early 1960s, they formed the Yiddish Sons of Erin.

“According to member Rosalyn Klein, the whole thing started as a joke. … A restaurant took out a newspaper ad for a meeting of Irish Jews. Klein thinks they didn’t really expect people, but a lot of them showed up.

” ‘And most of them had lived in Dublin, so it was kind of this mishpocha getting together again,’ she says.”

For many years after, a big Jewish St. Patrick’s Day celebration was held in New York and was de rigeur for politicians and celebrities.

More here.

Photo: SmittenKitchen.com.
This is a normal matzo ball. I couldn’t find a green one.

Once upon a time, mine workers were paid in paper chits that could be redeemed at the company store. (Remember the song “Sixteen Tons,” by Tennessee Ernie Ford and “I owe my soul to the company sto’ “?)

A while back I saw a story in the NY Times about refugee gardens, and there was a picture of someone using wooden coins to buy produce. It turned out that people were not being paid in wooden coins as miners were paid in paper. Instead, the City of San Diego was encouraging poor residents to pursue good nutrition by giving them wooden coins for shopping at farmers markets.

The coins were really just a footnote to Patricia Leigh Brown’s story, which focuses on a national movement to help immigrant farmers get back into the occupation they know best.

“Among the regular customers at [San Diego’s] New Roots farm stand are Congolese women in flowing dresses, Somali Muslims in headscarves, Latino men wearing broad-brimmed hats and Burundian mothers in brightly patterned textiles who walk home balancing boxes of produce on their heads.

“New Roots, with 85 growers from 12 countries, is one of more than 50 community farms dedicated to refugee agriculture, an entrepreneurial movement spreading across the country. American agriculture has historically been forged by newcomers, like the Scandinavians who helped settle the Great Plains; today’s growers are more likely to be rural subsistence farmers from Africa and Asia, resettled in and around cities from New York, Burlington, Vt., and Lowell, Mass., to Minneapolis, Phoenix and San Diego.”

Read how it works. (And click on the slide show to see the wooden coins. My eyes were drawn to them because my father’s favorite “good-bye” line to toddlers always was, “Don’t take any wooden nickels”!)

Photo: Sandy Huffaker for The New York Times
Khadija Musame, right, with a customer from Somalia at the New Roots Farm stand in San Diego.

The plant-identification site Mister Smarty Plants, which I first blogged about here on May 23, 2011, just keeps getting better.

One innovation from the past year has been rounding up tweets containing photos of flowers and plants that people around the world want help identifying and bringing them to the site to be identified by the growing number of readers.

I used to get a lot of identifications right, but Mister Smarty Plants queries are quite exotic now, which makes the site both exciting and challenging.

Today, John announced a new design with special features like kudos to the week’s most successful plant identifiers.

The Smarty Plants concept has always been that the more people who come to the site with their questions, the more who will be available to identify plants. John has been persistent about finding new ways to reach the folks who need the service.

Even if you think you don’t know much about plants, check it out. It’s almost like playing a game, and believe it or not, there are people in other parts of the world who don’t know what a dandelion is.

MisterSmartyPlants

Higher Ground Farm

Brian sent me information about Higher Ground Farm, which is putting down roots on the roof of the Design Center in South Boston.

“A roof farm is a type of green roof. A green roof is a system of layers that is laid over an existing roof. A green roof is beneficial to a building owner and the community because it protects the existing roof, doubling to tripling its life, thereby saving money and keeping materials out of the landfill.

“Green roofs also reduce a building’s energy costs by insulating in the winter and cooling the rooftop in the summer. Finally, green roofs temper the effects of two common urban environmental problems – combined sewer overflow and the urban heat island effect.

“A series of roof farms throughout the city will capitalize on the environmental benefits of green roofs while also increasing access to fresh, healthy food. Higher Ground Farm will operate several roof farms throughout the greater Boston area, utilizing previously unused space while providing additional rental revenue to a building owner.

“Roof agriculture has the potential to be a job-producing boost to the economy, and a completely environmentally sustainable business sector that can set Boston apart from other cities. Higher Ground Farm will utilize the resources of our top-notch universities to study roof agriculture, which will position Boston as a leader in the field. Finally, Higher Ground Farm will be a space where our community can reconnect to productive green space and learn about sustainable city planning.” More.

I also found a video interview about it that you will like, here.

Friendship

At around age 2-1/2, small people begin to be ready for friendship. My almost-three-years grandson plays with his friend now, instead of just in the same space.

They understand each other’s words. They find the same things funny — leaning way, way back on the swing, climbing back up the chute of the double slide, feeding wood chips to mitten puppets, getting ready to kick the ball down the hill when suddenly it decides to go ahead without you.

I spent a little time Saturday morning with my grandson, his friend, and her mother. I told the mother how much I love the learning-language stage. She agreed and gave me an example of how it can be confusing when one word has two meanings.

She said she had told her daughter that the new baby brother had no teeth you could see but that the teeth were in his gums. Sometime later, when her daughter asked what she was chewing and she answered that she was chewing “gum,” the little girl thought her baby brother’s teeth must be in there.

Two and a half is a time so full of strange new things, she probably didn’t think it was any stranger than anything else.

A WordPress blogger in Australia [subsequent correction: not Australia but B.C Canada in the Okanagan] has another cute story, here.

Hungry mitten puppets

get ready to kick

the ball got away

casting light, not shadow

Facebook can be annoying, but I guess it does sometimes pay to be on it.

After “liking” a number of my cousin Sally Frank’s nature photos and art over the years, I finally figured out via Facebook that much of her work is on a WordPress blog — and she has had the blog longer than I have had this one.

Trees are a specialty. Often she will start with a photograph like the one below for inspiration. She then turns to printmaking, which you can learn about at her blog.

“Ms. Frank uses centuries-old printmaking techniques like etching and aquatint on copper plates, as well as innovative methods like solarplate intaglio. She says that although her work is grounded in drawing, she finds the unpredictable nature of printmaking inspirational and exciting.” More.

This photo reminds me of the strangler fig that I saw years ago in Costa Rica, a tree that wraps itself around a host and literally loves it to death. The host tree crumbles, and only the strangler is left — with an empty space inside.

Sally’s photo probably has a happier story — perhaps a nymph turned into a tree to escape danger.

Photo called “bound”: Sally Frank

Dragon and Chimera

According to wikipedia, “The term chimera has come to describe any mythical or fictional animal with parts taken from various animals.” Which explains why it has been appropriated in genetics where it relates to the phenomenon of different creatures sharing T-cells.

Anyway, I have a brother who studies chimerism and its potential application for organ-transplant retention. I may not have this quite right, but I think if you could have enough of the cells of an organ donor in you when you get a transplant, you wouldn’t need to take antirejection drugs.

I had been trying to explain this to people when I decided to go out for a walk in Fort Point Channel. Eerily, this sign greeted me.

chimera

I think it’s an eclectic gift shop or interior decorator business.

Other signs and portents on the same walk related to Suzanne and Erik’s Year of the Dragon baby.

dragon on roof

dragon sculpture in fort point

Who is the dragon artist? I need to know more.

I was thinking about houses this past weekend.

First, there is this house on the grounds of a private school near where I live. I snapped it on my walk.

Concord Academy Treehouse

Second, there is this house on a Hudson River Estate falling down around the ears of the latest, impecunious generation.

Photo of Rokeby, a 43-room house on the Hudson River, by Piotr Redlinski for The New York Times. New York Times story here.

Third, there is a tiny house that a Hampshire College student is living in as a senior project.

James Sullivan writes, “As a child, Hampshire College senior Nara Williams hated being told to pick up after herself. This semester, she’s learning to keep things tidy — very tidy.

“For her senior project, she is living in a 130-square-foot house to explore the realities and benefits of living small.

“A few weeks ago, Williams took delivery on a model home used as a showcase for the Tumbleweed Tiny House Co., a leader in the burgeoning ‘small house’ movement. …

“The housing project, Williams said, is her inquiry into ‘viable alternatives’ to the American dream. Blogging about the experience, she is raising questions about property ownership, material goods, consumption, sustainable living, and other issues in an era marked by housing and environmental concerns.”

Read about Rokeby, the Hudson River estate passed down through too many generations, and read about the tiny house, and pray that no one bequeaths you anything like the former. A tree house or a tiny house are what you want if you prefer to own property and not have property own you.

Update: Omigosh, a scathing memoir is just out on what it was like to grow up at Rokeby — reviewed in the Globe, here

Photo: Darren Durlach/Globe Staff
Boston Globe story here.

Optics maven Gregg just tweeted this link from Wired‘s GeekMom blog.

In the 2010 entry, Judy Berna writes about discovering a clever artist/inventor called Rufus Butler while working in her local library.

“The whole thing started with a baby board book that joined our collection at the library. …

“When you move the book left to right, the picture actually moves. We took turns playing with it and more than one of us almost went into a trance by its hypnotic movements.  …

“Then [my family and I] found ourselves in an art studio over the weekend, somewhere in the back woods of Massachusetts. Taking up one full window was a display of these amazing ‘moving’ discs. Each was a different picture and each moved in the same way the pictures on the library board books moved. …

“Once I got home I looked up their website, Eye Think.  Eye Think’s founder, Rufus Butler, is an artist, filmmaker, and inventor. He was so fascinated with optical illusions that he began creating these new ways to trick the eye. …

“The spinning circles that caught my eye in the art store are called CiniSpinners and come in an impressive variety of pictures. When you click on the web page picture, a moving sample pops up. There’s a little girl skipping rope. And fingers playing a piano. …

“Many animals are represented too. A dragonfly hovers, a dolphin frolics in the water. An adorable penguin waddles to and fro. My nine year old and I had to click on every single one, just to see which one was the best.  (My personal favorite: swimming man, with splashing water and all.)

“(Fun geek fact: After contacting Mr. Butler and sharing my enthusiasm for his products, he admitted that he himself had been the model for the swimming man. His wife videotaped him doing a swimming stroke as he laid across a kitchen chair, then he added the splashing water when he refined the picture in the studio.)” More.

Photo: Eye Think Inc.