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I blogged about the two previous murals in Dewey Square, here, and now there is a third one. The first two were by artists who had shows at the nearby Institute for Contemporary Arts (the ICA). The new one is by an artist associated with the Museum of Fine Arts (MFA).

According to Geoff Edgers at the Boston GlobeJill Medvedow, ICA director, was not pleased that the Rose Kennedy Greenway Conservancy chose a different museum. “Really?” she said. “It’s walking distance to the ICA.”

WBUR radio’s “The Artery” covers more of the story: “Shinique Smith, the creator of the latest work, recalls seeing pictures on the Internet of that earlier mural by the Brazilian twins Os Gemeos. Standing in the grass below her piece, she told me she thought the wall was amazing, ‘and I wanted to do something like them.’ ” More here.

In case you’re wondering, Smith didn’t stand there painting it all herself like the Os Gemeos twins who did the first mural. Instead she gave a kind of map to skilled painters from a company that does this sort of thing, translating a smaller work into a giant one.

I took four photographs of the progress.

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In her comment at my post about artists returning a discarded museum to life, KerryCan wondered if all the old, weird museum collections ended up at the dump. All is not lost if they did, as dumps seem to attract amateur archaeologists with a nose for uncovering treasures.

Eve Kahn wrote recently in the NY Times about collectors who look for terra cotta shards in the Staten Island landfill and poke around promising demolition sites.

“This summer, true shard collectors [led] me into the weedier parts of the Northeast, where slag heaps and demolition debris survive from the long vanished factories that once thrived.

“These particular experts are interested in manufacturers of windowpanes and architectural ornament. They write books and lead tours, but they also pack their homes and workplaces with excavated artifacts from what seems to be a limitless supply. Anyone can follow in their trail and gain an understanding of American ingenuity as well as accumulate booty for gardens and windowsills or even more ambitious art projects.

“You must stay off private property, of course, but I also recommend that you avoid the comical errors that I made on my early expeditions. … I was so bedazzled by glass that I was about to sit down with shards in my front pockets.”

More on Kahn’s scavenging adventures, here. You might also like the blog “Tiles in New York,” here.

Photo: Agaton Strom for The New York Times
Tina Kaasman-Dunn searching for terra cotta shards on Staten Island.

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No matter how bad things get in the great world, there will always be someone who starts a quirky, individualistic project just for the love of it, reassuring us all.

In Providence recently, a few folks got together to resurrect an abandoned natural history museum partly to see what an early museum looked like, partly because it was a shame to throw it all out.

In the NY Times, Henry Founatain wrote,  “If museums are meant to preserve objects forever, then forever ended here in 1945.

“That year, Brown University’s natural history museum, which included multitudes of animal skeletons and specimens among its 50,000 items, as well as anthropological curiosities like rope made from human hair, was thrown away.

“It was a sad end to what had been a labor of love for John Whipple Potter Jenks, a Brown alumnus, taxidermist and naturalist who founded the teaching museum in 1871.

“But Jenks had died in 1894 — on the steps of the museum, no less — and what by then was known as the Jenks Museum fell into disarray. It was shuttered in 1915, and the objects were scattered or stored until most of them were hauled, in 92 truckloads, to a nearby dump in 1945.

“But now the Jenks Museum lives again, at least temporarily, in an exhibition that is as much about art as it is about science.

“A group of Brown graduate students, with help from a faculty adviser and a New York artist, has rounded up a few surviving odds and ends, commissioned artists to recreate some of the vanished objects, and installed it all in Rhode Island Hall, the home of the original museum. The exhibition, which also includes a recreation of Jenks’s office as it might have looked in the year of his death, will be on display until spring.” Read more here.

The Lost Museum will be on display in Rhode Island Hall on the Brown University campus, 60 George Street, the Jenks Museum’s original home, through May 2015.

Photo: Mike Cohea/Brown University
The office of John Whipple Potter Jenks, who founded the natural history museum at Brown University, was recreated for an exhibition called Lost Museum.

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John sent me a collection of photographs showing that a small mongoose-like animal hitches rides on rhinos and other large creatures in previously unrecorded behavior.

George Dvorsky writes at io9, “Earlier this month, conservationists working in South Africa’s Hluhluwe-iMfolozi Park were very surprised when they reviewed photos snapped by their camera trap. Images revealed a mongoose-like genet hitch-hiking on the backs of at least two different species of animals — behavior never seen in the mammal.

“Zoologists have observed cowbirds riding on the backs of cattle to pick off their parasites, along with egrets grazing on the tiny creatures that collect on wildebeest. But mammals riding on the backs of other mammals? Not so much. At least not outside of humans and their domesticated animals. That’s what makes this recent discovery so unique.

“The Conservationists write at their blog, Wildlife Act Team:

This series of photographs depicts a large spotted genet on top of two individual buffalo. One of the buffalo seemed to be unimpressed with the genet and can be seen turning around and thus shaking the genet off. The other buffalo was quite content to let the genet “tag along” for an evening stroll. The genet seemed to have spent this particular evening riding buffalo!”

More here. Lots of pictures.

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Providence is engaging in so many entertaining pop-up activities I can’t keep up. Suzanne sent this link about one that happened today. I guess it is what people mean when they talk about “placemaking.”

Chris writes at the blog for Our Backyard Rhode Island, “Where else but Our Backyard could you walk to dozens of parks in just one day? Today 32 temporary parklets have sprung up in Downtown, the West Side, and the East Side of Providence to mark PARK(ing) Day. More than 30 metered parking spaces have been transformed into temporary public parks. Designers worked with local businesses to find creative ways to add green space to the urban environment. They trucked in plants, Astroturf and picnic tables to create alluring stop offs for people out for a walk.

“On Matthewson Street, you can even use frisbees to play checkers on a board as big as a queen-size comforter. Organized locally by the RI chapter of the American Society of Landscape Architects (RIASLA), the RI chapter of the American Institute of Architects (AIAri), and Transport Providence, Park(ing) Day strengthens connections in Our Backyard.”

More here.

Photo: http://ourbackyardri.com/
A Providence parklet today.

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Today’s post features a bunch of photos again, if you can bear it.

I was especially intrigued by a lovely sunflower and a utility pole that is an actual tree trunk. Although the tree trunk has probably been right in front of my nose for 20 years, it wasn’t until a recent late-train day that I actually noticed. “Holy cow! That’s a tree trunk!” No one else seemed to notice.

Other photos are attempts to capture early-morning light, but you may not be able to tell what time of day it is.

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We bought Wiffle balls and bats this summer, but the grandkids were not quite ready for the big leagues.

Meanwhile, WBUR radio’s Bill Littlefield decided to cover the Golden Stick Wiffle League All-Star Series for Only a Game.

“At about 8:30 [on a] Sunday morning, a half-dozen Wiffle Ball enthusiasts began assembling the field that would host a three-game series of All-Star games between the most accomplished Wifflers in Massachusetts and New Hampshire and their counterparts from New York and Philadelphia, dubbed, vaingloriously, the World All-Stars.

“The field, which took up most of the front yard of a large home in Danvers, Mass., featured black, cylindrical outfield walls which had to be inflated with a leaf-blower. There were yellow canvas lines tacked to the grass to distinguish singles from doubles and a backstop featuring a metal target and a couple of corporate logos. According to Jason Doucette, a player who’d driven down from Laconia, N.H., the logos were a little misleading.

“ ‘Not a lot of people sponsor wiffle ball,’ Doucette said. “Money-wise, we stick together. We try to help each other out.’ …

“Perhaps in part because of a recent cancer diagnosis, [Pat] Vitale was only scheduled to pitch one inning for Massachusetts/New Hampshire. But after Vitale had retired the New York/Philadelphia — a.k.a. ‘World’ side — in order, team manager and president of Golden Stick Wiffle Ball Lou Levesque was asked if he would follow that plan.

“ ‘No, no, by no means. We’re leaving him in there,’ Levesque said. “He’ll go right up to the full three if he keeps playing like that.’

“Would he yank Vitale if he didn’t keep playing like that?

“’Oh, yeah. Absolutely,’ he said. ‘Cut throat. This is the All-Star game.’ ”

More Wiffle fun  here.

Photo: Louis Levesque 
Pat Vitale tosses a pitch during the Golden Stick Wiffle League All-Star series. The 62-year-old managed to stay in the game for an unexpected three innings.

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The Upper Midwest has some unusual races. One year in Minnesota, for example, my husband and I went to an outhouse race, and I wrote up the experience for an East Coast community paper.

Today I read in the NY Times about a Wisconsin race. Mitch Smith writes, “In Spain, they run bulls. In Kentucky, thoroughbreds. But here in America’s Dairyland, llamas are the four-legged athletes of choice.

“On Saturday afternoon, the llamas converged on this tiny town in the corn-covered hills of western Wisconsin, as they do each September. A llama named Lightning, a 14-year-old with swift feet and a bit of a temper, claimed the heaping basket of tomatoes and peppers that goes to the speediest camelid.

“To the roughly 1,900 residents of Hammond, the Running of the Llamas is something far more than an annual excuse to watch South American pack animals lope down Davis Street. In the 18 years since a local bar owner first let the llamas loose, the event has become a source of communal pride and identity in a state where it seems every dot on the map has its own quirky festival.

“ ‘It makes our town unique,’ said Ariel Backes, 16, the reigning Miss Hammond. ‘It just shows small towns are the best.’ …

“Some llamas were eager to race, sprinting swiftly behind the handler holding its reins. Others were compliant but unenthusiastic, making their way past the cheering fans, lined up four and five deep on some stretches of sidewalk, at more of a brisk walk than a run. And a few llamas were downright uninterested, forcing their handlers to practically drag them to the finish line.” More here.

Suzanne and Erik’s two-year-old fed a llama this summer. I can’t quite picture that llama wanting to do anything but eat.

Photo: Colin Archdeacon on Publish September 14, 2014.
This llama-racing event is in its 18th year in Hammond, Wisconsin.

 

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Yesterday my husband, my cousin Dennie, and I went to the Institute of Contemporary Art (ICA) to see a video installation of Icelandic musicians performing together but in separate rooms of a crumbling mansion on the Hudson River.

Museumgoers entered a large dark gallery at any point in the performance and fixed their eyes on whichever of the nine big screens caught their attention. We happened first upon the guitarist Ragnar Kjartansson in the bathtub singing at the loudest point in the cycle. We turned to each other with our mouths and eyes wide in a huge grin, it was so incredibly crazy and far out.

Here’s what the ICA says about the installation: “A celebration of creativity, community, and friendship, The Visitors (2012) documents a 64-minute durational performance Kjartansson staged with some of his closest friends at the romantically dilapidated Rokeby Farm in upstate New York. Each of the nine channels shows a musician or group of musicians, including some of Iceland’s most renowned as well as members of the family that owns Rokeby Farm, performing in a separate space in the storied house and grounds; each wears headphones to hear the others. …

“The piece itself sets lyrics from a poem [“My Feminine Ways”] by artist Ásdís Sif Gunnarsdóttir, Ragnar´s ex-wife, to a musical arrangement by the artist and Icelandic musician Davíð Þór Jónsson; the title comes from a 1981 album from Swedish pop band ABBA, meant to be its last.” More.

From “My Feminine Ways,” by Ásdís Sif Gunnarsdóttir,
“A pink rose
“In the glittery frost
“A diamond heart
“And the orange red fire
“Once again I fall into
“My feminine ways.”

I wrote about the crumbling Hudson River estate before, here.

My husband said Rokeby would have been a great setting for the Antiques Roadshow. Dennie, who is related to the owners of Rokeby, says her friends will never believe that she, a person who always disparages far-out art, was drawn in and ended up really liking “The Visitors.” We watched it twice. I’m still singing the most-repeated line,”Once again I fall into/My feminine ways.”

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Did you ever see tiny, straw-colored objects like the plant called Japanese Lantern at a farmers market and think, “What the heck?” I have. But I would pass them by incuriously, assuming they weren’t edible. They are husk tomatoes.

Turns out my train buddy Kathy grows them. One day this week she surprised me with a little bag of them. She said, “You just squeeze the husk and pop the little tomato into your mouth.”

The taste was sublime. Very sweet. But unlike any tomato or anything else I’ve had before. John thought they looked like a snack his family ate in Egypt, but my daughter-in-law said that was not the same. My grandson liked the idea of popping the tomato out of the husk for me.

That reminded me of car trips when John and Suzanne were little and how my niece said she could always recognize our car because the back seat was full of peanut shells. Husking peanuts was a reliable car-trip occupation for years.

Read more about husk tomatoes (also called ground cherries) here. I’m going to a farmers market Sunday, and if I see any husk tomatoes, I’m going to buy them.

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Every once in a while, when I walk over Fort Point Channel to get some lunch, I run into people dressed as comic-book characters who have wandered off from the convention center.

So I got a kick out of this NPR reporter’s visit to a San Diego Comic-Con (convention) and her description of “cosplay: the art and science of dressing up like your favorite character.

“I’ve got a confession to make,” writes Petra Mayer. “I’m a cosplayer myself, though without any sewing skills, my costumes are a little hacked together. Luckily for me, there are some truly fantastic sights out on the convention floor, like zombie Teletubbies or an army of Daenerys Targaryens (Daenerii?). And so many Frozen princesses I can’t keep track. There are classic Star Trek uniforms, Doctors Who, lady Thors and Lokis in gorgeous armor, and a truly impressive Silver Surfer in head-to-toe body paint that must have taken him hours.

“Today, I’m one of them. Every other day of my life, I’m Petra Mayer, mild-mannered books editor — but today, I am embodying one of my favorite characters in all of comics: Spider Jerusalem, swaggering, world-changing, foul-mouthed and foul-minded journalist of the future, star of the old Transmetropolitan series.”

Petra is thrilled when two kids she meets “actually recognized my costume, but they were just about the only ones — Spider’s ’90s heyday is long gone, and I needed some validation. So I went by the Vertigo booth, Vertigo being the imprint that published the Transmetropolitan books, back in the day.

“And what do you know, someone asked if he could take my picture. Turns out I’d just met Ray Miller, who manages Darick Robertson, the comic artist who helped create Spider Jerusalem. Only at Comic-Con!

“But after everything, all the joy, all the freedom, all the swagger — you still have to get home and take your costume off. And that’s how I learned this very important lesson: If you forget the spirit gum for sticking down your bald cap, don’t try to fudge it with liquid latex.”

Read Petra’s full report or listen to the audio here.

Photo: Petra Mayer
Twelve-year-old Hayley Lindsay spent almost a month working with her dad on this Toothless the Dragon costume. There are sawn-off crutches in the front legs so she can comfortably walk on all fours.

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Sept-11-in-the-Greenway

 

There was an event in the Greenway today to commemorate Sept. 11. A lot of companies volunteered to help the Massachusetts Military Heroes Fund prepare care packages for service men and women.

The fund’s website explains that the care-package service project was to support active duty service members and veterans. Activities included “building 500 military care packages for our service men and women overseas, writing letters of support to our troops, building care packages for our local veterans in need, and a pledge drive for the families supported by the Massachusetts Military Heroes Fund.” More here.

I saw the mayor having his picture taken, so I took his picture, too.

Boston Mayor Marty Walsh at 9/11 service project in the Rose Fitzgerald Kennedy Greenway.
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John’s web surfing has been turning up topics he knows I’d like, too, and he takes the time to send a link. An article he sent from Modern Farmer describes why scientists are studying cows’ hairstyles.

Anne O’Brien writes, “While a bovine couldn’t care less about a hair whorl gone awry, it may be prudent for the farmer to take note. Turns out there is some serious science behind hair whorl behavior and brain development.”

Hair whorls on cows’ foreheads, O’Brien reports, “may be more than an aesthetic quirk. About two decades ago, animal behaviorists began to notice a connection between crazy hair whorls and crazy animals.

“Dr. Temple Grandin, professor of animal science at Colorado State University and author of the best-selling book Animals in Translation, first noticed a connection between the location of a bull’s hair whorl and whether the animal was excitable when handled by humans. Studies showed that location — meaning above, between, or below the eyes — as well as shape of the whorl could be, to some extent, a predictor of excitable behavior in cattle. …

“How, then, are hair growth patterns and temperament related? It all has to do with brain development, says Dr. Amar Klar, head of the Developmental Genetics Section within the National Cancer Institute in Frederick, Maryland.

“ ‘Our skin and the nervous system come from the same layer of cells in embryonic development, the ectoderm,’ Klar says.

“As embryonic cells migrate to form a developing fetus, skin and brain cells are closely intertwined, particularly at the scalp. …

” ‘When we were looking at brain laterality and the location of internal organs, hair whorls also came up,’ Klar says. His research has shown that within the human population, the majority is right-handed and demonstrates a clockwise hair whorl.

“Livestock seem to mimic this handedness. A study from the University of Limerick in Ireland in 2008 demonstrated that horses with clockwise hair whorls were significantly more likely to move toward the right, or begin a gait with the right-sided hooves — in essence, these horses were right-handed.” More here.

Photo: Temple Grandin
Scientists have been exploring the connection between the cow’s hair whorl and its behavior.

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Ian Burrell has a funny story at the Independent about the Times of London deciding to create the old-tyme newsroom ambiance by piping in the sound of typewriters clacking. Goodness knows if the young people can concentrate, but it must make the guys with the green shades feel they’re in the right place.

“Almost as if the digital revolution never happened,” writes Burrell, “the newsroom of The Times once again resounds to the clatter of the old-fashioned typewriter.

“Nearly three decades after Rupert Murdoch’s UK newspaper publisher revolutionised the industry by moving to Wapping and ending the ‘hot metal’ era, his flagship title has reintroduced the distinctive sound of old Fleet Street.

“To the surprise of Times journalists, a tall speaker on a stand has been erected in the newsroom to pump out typewriter sounds, to increase energy levels and help reporters to hit deadlines. The audio begins with the gentle patter of a single typewriter and slowly builds to a crescendo, with the keys of ranks of machines hammering down as the paper’s print edition is due to go to press.

“The development, which was described as a ‘trial’ [in August] by publisher News UK, has caused some bemusement among journalists, one of whom tried unsuccessfully to turn the sound off. …

“The Times’s initiative coincides with a revival of interest in the typewriter, a trend which the newspaper reflected on Page 3 today, with a report on how the actor Tom Hanks has developed the Hanx Writer app, which simulates the sound of an old-fashioned typewriter and has gone to the top of the iTunes app store in the US. Hanks, it noted, can tell the difference between the sounds of an Olivetti, a Remington and a Royal typewriter model. …

“Michael Williams, who began his newspaper career at The Times’s old offices in London’s Gray’s Inn Road in 1973, and is now a senior lecturer in journalism at the University of Central Lancashire, saw merit in the idea.

“ ‘People feel to some extent disengaged from the thrill of producing a newspaper, which is galvanising,’ he said, referring to the relative quiet of modern newsrooms.”

More here.

Photo found at Gizmodo 

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Photo: Mark Andrew Boyer
Norm Burns, member of the U.S. CanAm Oldtimers 70-B team.

Trust Bill Littlefield at WBUR’s “Only a Game” to come up with the quirky sports stories.

In July, reporter Dan Brekke checked out the unusual legacy of a cartoonist who loved ice hockey and didn’t see why anyone should quit playing just because they got old.

Brekke writes, “Less than a year ago, 69-year-old Gary Powdrill was having a quintuple bypass open-heart surgery. But right now, he’s focused on a tight game between his hockey squad, the Central Massachusetts Rusty Blades, and the hometown Woodstock Flyers. And things aren’t going so well.

“The Rusty Blades are one of 68 teams playing in ‘Snoopy’s Senior World Hockey Tournament,’ an event created by ‘Peanuts’ cartoonist Charles Schulz – ‘Sparky’ to his family and hockey buddies – at the beautifully eccentric arena he and his first wife built.

“The tournament is for players from age 40 and up, with divisions set aside for 50, 60 and 70-year-olds.

“Steve Lang, one of the thousand or so players who has suited up this year, is skating for the Woodstock Flyers – the name refers to Charles Schulz’s little yellow bird character. The Flyers and Rusty Blades are fighting for third place in a division for players 60 and up. But unfortunately, according to Lang, the Flyers ‘don’t fly like the bird.’ …

“ ‘We’ve got ages from 76 down to 62,’ Lang said. ‘I’m 75. You know, we think like rabbits, skate like turtles.’ ”

New Yorker Bob Santini, 82, says, ” ‘I try to do the best I can, but the most important thing about a tournament like this is the camaraderie.’ …

“Jean Schulz, Sparky’s widow, says that’s just the way her husband wanted it.” More here.

Photo: Dan Brekke
Jean Schulz, widow of cartoonist Charles “Sparky” Schulz

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