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Posts Tagged ‘postaday’

Straight from Maria Popova’s wonderful Brain Pickings blog, a review of an illustrated book on strange trees.

“In Strange Trees and the Stories Behind Them (public library), French author Bernadette Pourquié and illustrator Cécile Gambini choreograph an illustrated tour of the world’s greatest arboreal wonders, from species that have witnessed the dinosaurs roam this Earth to exotic marvels like Brazil’s ‘Walking Tree’ (Red Mangrove) and the Philippines’ ‘Rainbow Tree’ (Mindanao gum tree) to underappreciated procurers of human delights, such as the sapodilla tree that gives us chewing gum and the cocoa tree without which there would be no chocolate.

“Alongside each imaginative illustration, partway between botany and fairy tale, is a one-page autobiography of the respective tree, describing its natural and cultural habitat in a short first-person story fusing curious science facts, history, and local customs.” Read more.

I hope that John is reading this post. He’s officially on his town’s tree committee — promoting the value of trees in urban and commercial areas as well as residential — and he is leading a town tree inventory that was launched yesterday.

 Illustration: Cécile Gambini 

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A Dutch diplomat started following me on twitter. He’s a Yale World Fellow, so how bad could it be? (Better than, say, Contagious Disease Fellow.)

@Alex_Verbeek is focused on environmental issues, and today he tweeted about the Stockholm Environment Institute, “ is ranked second best think tank worldwide.”

Because of my Swedish relatives, I naturally felt curious about SEI and looked it up. The website doesn’t say which think tank is first — or at least not prominently — but it does say that the US office is in Somerville, Mass., of all things. You learn something every day. I did know that the great environmental radio show Living on Earth is in Somerville, but the city is still a bit under the shadow of its industrial past.

From SEI’s website: “SEI’s vision is a sustainable future for all. Our mission is ‘to support decision-making and induce change towards sustainable development around the world by providing integrative knowledge that bridges science and policy in the field of environment and development’.

“To deliver on our mission, we work across issues like climate change, energy systems, water resources, air quality, land-use, sanitation, food security, and trade, and we approach these issues from a range of perspectives from the natural and social sciences.

“We combine scientific research with policy analysis, connecting our work to decision-makers and civil society in global governance, national public policy, regional cooperation, local planning, and the private sector. We generate and share knowledge that catalyses action, and always take a highly collaborative approach: stakeholder involvement is at the heart of our efforts to build capacity, strengthen institutions, and equip partners for the long term.

“Making scientific knowledge accessible is a priority. We publish our own series of open-access reports and briefs, alongside articles in leading academic journals, and work creatively through a range of media to ensure that our research is available to those that need it. We convene seminars and conferences that bring together decision-makers, academics, and practitioners to debate key issues and share knowledge, and engage in and inform policy processes, development action, and business practice worldwide.”

Whew! Wonky! Wish I could introduce SEI to Somerville neighbor Steve Curwood of Living on Earth. He’s pretty good at using everyday language for listeners.

I hope to learn more about the Stockholm Environment Institute, in any case, and am delighted its US office is so close to home.

Photo: Stockholm Environment Institute
One environmental concern SEI is studying is disaster risk in the Asia-Pacific region.

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A Native American chef trained in French cuisine has a mission to teach the world about an older, unrecognized culinary tradition that has influenced most of us. Hanna Choi reported the story for National Public Radio.

“When Nephi Craig enrolled in the culinary program at Arizona’s Scottsdale Community College, there was nothing like ‘Native American Cuisine 101’ in the curriculum. Craig identifies as White Mountain Apache and Navajo, and the first mention he can recall of anything remotely related to his background was a class discussion on fry bread, a crispy fried concoction that ‘is really a taste of American colonialism,’ he says …

“Since then, he increasingly came to sense a sort of dismissiveness and sloppiness towards Native Americans and indigenous food ways in the mainstream culinary world.

“Craig grew up immersed in his culture through art, music and ceremony, and food always played a large role. He wanted to find a way to bridge the gap. …

“Upon graduating from culinary school in 2000, Craig launched the Native American Culinary Association. Based in Arizona, NACA is a network of Native chefs — professionals and those just starting out — dedicated to the research, refinement, and development of Native American cuisine. Since 2011, the association has organized a yearly Indigenous Food Symposium, bringing people from different fields together to share and learn about Native foods, agriculture and landscapes.

‘Craig is also the executive chef of The Summit Restaurant at Sunrise Park Resort in Whiteriver, Arizona. … Craig’s culinary team there is staffed entirely by cooks and other food workers who identify either with the White Mountain Apache tribe or as Navajo/Dineh.”

In the NPR interview, Craig tells Choi, “I had always been cooking since I was a kid, growing up here on the rez with my mom and my family. We didn’t have a lot of money and so we would bake and sell our goods and I would bag up stuff in sandwich bags and sell them as a little guy.

“I’ve been cooking my entire life, all through my adolescence and I had ultimately wanted to do something creative. …

“I had no idea the world that I would be entering in the long classical legacy that is French cuisine. But that’s kind of where I started out, just in childhood, and then realizing just by pure observation that we were left out of this picture of world cuisine even when about 70 percent of foods consumed around the world today were developed and domesticated by Indigenous peoples of the Americas.”

Craig explains more here. Check it out.

Photo: Evan Sung/Nephi Craig
Nephi Craig, executive chef of The Summit Restaurant at Sunrise Park Resort in Whiteriver, Arizona.

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At first I saw no art. I didn’t enter the woods where the sign was, and I thought, “Maybe I have the wrong time.”

But the Hapgood Wright Town Forest is a work of art in itself, and I was up for a walk. The hilly pine-needle paths, the pond, the sounds of bullfrogs, wind in the trees, unfamiliar bird calls — all lovely. Then bit by bit, I began noticing pieces of art, part of the 2016 Art Ramble, which can be seen in the woods until September 5. How good of artists to do this!

The Umbrella Community Arts Center explains on its website, “This collaborative project with the Concord Department of Natural Resources celebrates all the arts. Sculpture, poetry, dance, and dramatic readings encourage the intersection of art, nature, and community in a historic natural setting.

“The arts offer a doorway for exploring our relationship with nature and place. An exhibit map will guide you through the exhibit at your own pace. And our calendar of special events and activities offers numerous opportunities to engage with the artists and with nature along the trails.

“We invite you to visit often, reflect, and play.  Share your experiences via writing and drawing in the journals provided along the trail.  Or make your own art using natural materials in the forest.”

[Nancy, this sounds like an event you organized last year.]

Curator Ursula Ziegler says, “It’s been a rumble-tumble-fantastic-interesting road, and it has already exposed us to so many interesting-important dialogues, thoughts, and ideas. Beyond the visible part of art works in a public space, there is an equally important but less visible part, which are the conversations, networks, and structures that are created within our local community and beyond.”

I took some pictures of ceramic toadstools, a QR code I don’t know how to use that would have identified an artist, sapling-like totems (or totem-like saplings), a small sculpture of a boy attached to a tree, fluttery dragonflies and the sign I missed on entering.

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Here are some recent Rhode Island and Massachusetts photos. (Connecticut is also considered Southern New England, but I haven’t been there in ages.)

I wonder if other people have preferences for seeing certain kinds of photos on certain kinds of social media. For example, unless it’s a picture of one of my grandchildren, I really don’t like seeing people pictures on Instagram, but on Facebook, people pictures are the only kinds of photos I want to see. I’m still figuring out Ello, which is more likely to have art or gifs. I like almost any kind of photo on twitter or on blogs.

My own pictures are mostly from my walks. I’m starting off here with the plant sale at the New Shoreham library fundraiser and a typically short-lived scene on the island’s famed painted rock. Also in Rhode Island, an intensely serious heavy-equipment operator in a sandbox, the alley beside the Rhode Island School of Design Museum, fancy church architecture, and a plaque commemorating H.P. Lovecraft, a popular Providence-based horror writer with some regrettable character flaws.

From Massachusetts, yellow iris in a meadow that is more often than not under water — or ice. Also a clematis, a remnant of a once-spectacular garden at a house that got sold. (Too spectacular for the new owners to live up to. Kind of like the garden in Woolf’s To the Lighthouse.)

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I’ve been telling Suzanne and John about a free children’s hour on Thursdays at the Tomaquag Museum in Exeter, Rhode Island. I thought it sounded like fun for the kids.

According to the website, the program teaches “the history and culture of the Narragansett Tribal Nation through music, dance and storytelling. … Children’s Hour targets pre-school and homeschoolers during the school year and the families during school vacation. …

“Each week will have a different theme or focus. It will include music, dance, storytelling, engagement with exhibits and art or science activities. Each activity will be scaled to fit the ages and abilities of the youth. We will encourage peer mentoring between older and younger participants.

A typical Children’s Hour consists of: Traditional Greeting & Narragansett Welcome Dance (weather permitting); Narragansett Lesson/cultural concept (in our museum); Scavenger Hunt connected to theme where kids can explore exhibits; Social Dance to our Pavilion building; Storytelling/book share; craft or game depending on the content; Closing circle

The museum just won a national award for museum and library services. Executive Director Lorén Spears and Narragansett tribal leaders went to Washington last week, where Michelle Obama presented the award.

More here.

Photo: Tomaquag Museum Executive Director Lorén Spears

 

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I was reading about the community outreach of the artist chosen to represent the United States at the Venice Biennale in 2017. How inspiring to see a once-disadvantaged kid reach back to help others after he meets with success!

Sebastian Smee writes at the Boston Globe, “The next artist to represent America at the Venice Biennale, the world’s most prestigious contemporary art event, will be the Los Angeles-based artist Mark Bradford. And his exhibit for the US Pavilion will be presented by the Rose Art Museum at Brandeis University. …

“The recipient of a 2009 ‘genius’ grant from the MacArthur Foundation, Bradford grew up in South Los Angeles. He worked for many years in his mother’s hair salon, which later became his studio. …

“Bradford, 54, is known for his tough, large-scale abstract works made from layers of paper, much of it salvaged and repurposed, and bound together with clear shellac. Using power sanders and other devices, he then works back into the surface, exposing the layers underneath. The results are some of the most beautiful, raw, and inventive works in recent art. …

“Bradford and his partner, Allan DiCastro, along with the collector Eileen Harris Norton, established a private foundation called Art + Practice, which combines an exhibition space with the provision, among other things, of job training and other forms of support for children transitioning out of foster care.”

More at the Globe. Check out Bradford, Norton and DiCastro’s nonprofit, Art + Practice, here.

Photo: Caitlin Julia Rubin
Christopher Bedford (left), director of the Rose Art Museum at Brandeis University, with artist Mark Bradford at the Rose in 2014.

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Not everyone can be an inventor, but inventors can be found everywhere.

“Richard Turere, 13, doesn’t like lions. In fact, he hates them. Yet this bright Maasai boy has devised an innovative solution that’s helping the survival of these magnificent beasts — by keeping them away from humans.

“Living on the edge of Nairobi National Park, in Kenya, Turere first became responsible for herding and safeguarding his family’s cattle when he was just nine. But often, his valuable livestock would be raided by the lions roaming the park’s sweet savannah grasses, leaving him to count the losses. …

“So, at the age of 11, Turere decided it was time to find a way of protecting his family’s cows, goats and sheep from falling prey to hungry lions …

” ‘One day, when I was walking around,’ he says, ‘I discovered that the lions were scared of the moving light.’

“Turere realized that lions were afraid of venturing near the farm’s stockade when someone was walking around with a flashlight. He put his young mind to work and a few weeks later he’d come up with an innovative, simple and low-cost system to scare the predators away.

“He fitted a series of flashing LED bulbs onto poles around the livestock enclosure, facing outward. The lights were wired to a box with switches and to an old car battery powered by a solar panel.

“They were designed to flicker on and off intermittently, thus tricking the lions into believing that someone was moving around carrying a flashlight.

“And it worked. Since Turere rigged up his ‘Lion Lights,’ his family has not lost any livestock to the wild beasts, to the great delight of his father and astonishment of his neighbors.

“What’s even more impressive is that Turere devised and installed the whole system by himself, without ever receiving any training in electronics or engineering. …

Paula Kahumbu, executive director of the Kenya Land Conservation Trust …  helped him get a scholarship at Brookhouse International School, one of Kenya’s top educational institutions, where he started last April. …

” ‘One thing that’s unique about Richard is that if you give him a problem, he’ll keep working at it until he can fix it. [He] doesn’t give up; he doesn’t find things too difficult; he’s not afraid of being unable to do something and I think this is why he is such a good innovator — because he’s not worried that it might not work, he’s going to try and do it anyway.’ ”

More here. And you can catch Richard’s TED Talk here. (Yes, he got on TED Talk!)

Photo: CNN

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John told me that my efforts to learn Swedish online with Duolingo help to improve Google Translate and similar translation services, which purchase the history of users’ mistakes in order to refine their translation algorithms. I think Google Translate has fewer howlers lately. Maybe I helped.

Now along comes a product that claims to translate as you converse with a speaker of another language. Spenser Mestel has the story at the Atlantic.

“Last week, New York City-based Waverly Labs announced its recent invention, Pilot, a set of two ear buds that costs $299. Scheduled to be released by spring of 2017, the device purports to offer near-simultaneous translation for four languages.

“Inspired ‘when he met a French girl,’ Andrew Ochoa, the company’s founder, says that Pilot promises ‘a life untethered, free of language barriers.’ …

“Despite how quickly machine translation has progressed in the last few decades, language is a data set that’s far more complex than it seems, so no matter how quickly translation technology evolves, the stochastic messiness of speech will always outpace it. …

“In 1949, the scientist Warren Weaver proposed an alternative to rule-based translation called statistical machine translation (SMT).  Instead of attacking language one minutia at a time, Weaver suggested a two-pronged approach: First, the computer would mine millions of documents looking for statistically significant linguistic patterns, thereby discovering the grammar, syntax, and morphology rules for itself. At the same time, the program would create a model to predict how certain phrases are translated and where in the sentence they should appear. …

“Waverly Labs hasn’t yet released the details of its software, but it likely works in the same fundamental way as Google Translate, which uses these rules and the predictive model to give the most statistically likely translation, the one that best mirrors the patterns it already found. …

“Even if it lags and stutters, Waverly Labs’s Pilot … could allow for more substantive engagement with the world.” More here.

Photo: Waverly Labs
The Pilot in-ear translators from Waverly Labs

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I call this one Downward Facing Dogwood. Taken from above, it shows our dogwood’s drooping magnificence. Next is a view from almost the same angle but including the neighbors’ flowering trees, too. On the back steps is an arrangement of lilacs, dogwood and a ubiquitous yellow flower whose name I don’t know.

Three pictures taken in Providence feature a decorated utility box near the Rhode Island School of Design, the dragon that hovers over the Children’s Museum, and a cryptic statement in small print on the side of a Benefit Street house. My question: Is this the homeowner’s voice or vandalism?

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The article by Astrid Zweynert and Ros Russell begins, “Boys campaigning for girls’ education is not common in most parts of the world, but in India’s Rajasthan state, they are at the heart of a drive to get more girls into schools.

Educate Girls trains young people to go into villages to find girls who are not in the classroom in a country where more than 3 million girls are out of school.

“Some 60 percent of Educate Girls’ 4,500 volunteers are boys, founder and executive director Safeena Husain told the Thomson Reuters Foundation.

” ‘Having these boys as champions for the girls is absolutely at the core of what we’re trying to achieve,’ Husain said in an interview as she was awarded the $1.25 million Skoll Award for Social Entrepreneurship, the largest prize of its kind. …

“In Rajasthan, 40 percent of girls leave school before reaching fifth grade, often because their parents do not see education as necessary for their daughter because she is going to get married or stay at home to do housework, Husain said. …

“Educate Girls’ approach to is to define hotspots where many girls are out of school, often in remote rural or tribal areas, and then deploy its volunteers to bring them back into the classroom, said Husain.”

There’s plenty of research showing that when girls are educated, the standard of living in a country goes up. Educated girls “are less likely to get married at an early age or to die in childbirth, they are likely to have healthier children and more likely to find work and earn more money.”

More at the Christian Science Monitor, here.

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Are you familiar with the “Lens” blog at the NY Times? It focuses on “photography, video and visual journalism.” Here David Gonzalez writes about the photos of Putu Sayoga.

[Hat tip: Asakiyume on twitter.]

“If you live in a far-off place, a library may be something you’d only read about in books. That is, if you had books to begin with.

“That became the mission of Ridwan Sururi, an Indonesian man with a plan — and a horse. Several days a week, he loads books onto makeshift shelves he drapes over his steed, taking them to eager schoolchildren in the remote village of Serang, in central Java. ..

“Mr. Sayoga, a co-founder of the collective Arka Project, had seen something about the equine library on a friend’s Facebook page. It reminded him of his own childhood, where his school had only out-of-date books. Intrigued, he reached out to Mr. Sururi, who offered to put Mr. Sayoga up in his home while he spent time photographing Mr. Sururi on his rounds. …

“Mr. Sururi made a living caring for horses, as well as giving scenic tours on horseback. One of his clients, Nirwan Arsuka, came up with the book idea as a way of doing something to benefit the community, specifically a mobile library. He gave Mr. Sururi 138 books for starters. Most were in Indonesian, and the books included a lot with drawings.

“Children at the schools he visits can borrow the books for three days, and demand has been so great that he now has thousands of books.” More here. Check out the slide show.

Photo: Putu Sayoga

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One place that refugees are making a life for themselves is in Kansas City, Kansas, where some are bridging their current and former lives through farming.

Oluwakemi Aladesuyi reports at National Public Radio, “In the midst of boxy yellow and brown public housing, beyond the highway and past empty grain elevators, sits Juniper Farm. It’s spread over nine acres on the Kansas side of Kansas City.

“As their children play on the grassy knoll behind us, four women sit at a plastic picnic table speaking in Karen, a language spoken in parts of Myanmar [Burma].

“They’re students at a program called New Roots for Refugees. The program aims to teach the basics and business of farming [in America] to refugees over the course of four years. At the end, many of the graduates are ready to start farms of their own.

“It’s a joint effort between Catholic Charities and Cultivate Kansas City, a nonprofit that encourages locally grown food and urban agriculture. …

“Many of the men and women at New Roots come from Myanmar or Bhutan. Some were farmers in their homelands. But farming on the outskirts of Kansas City is different: the land, the crops and even the weather. …

“Many who’ve come here are happy to have escaped violence. But adapting to life in a new country, with a different language and customs, is still difficult. Many refugees struggle economically. …

“August Gaw [is] 25 years old and often translates for her mother, Beh paw Gaw, who graduated from New Roots a few years ago. …

“August used to come here to help her mother. But now Beh paw has her own 3-acre farm which she runs with her sister. Last year the operation made more than $10,000. The potential to make money is important; many refugee families live below the poverty level.” More here.

Read the story if you have time. One striking aspect: farm manager and adviser Sam Davis, an African American, experienced real intolerance when moving to Kansas from Arkansas, but to one of the Karen women, who had seen extreme isolation of different ethnic groups in Myanmar, America seems prejudice-free.

You might also be interested in this article on Karen people who were relocated to Waterbury, Connecticut. Written by John Giammatteo, it appeared in Communities & Banking magazine in 2012.

Photo: Oluwakemi Aladesuyi/NPR
Beh paw Gaw is a New Roots graduate and a Karen refugee from Myanmar. Now she has her own three acre farm which she runs with her sister.

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Pigeon performance art in New York is ruffling a few feathers, and no wonder. The pigeons failed to sign performance agreements.

Andy Newman reports at the New York Times, “No one asked 2,000 pigeons if they wanted to have lights strapped to their legs in the name of art. Nor did anyone ask the birds how they felt about being shooed from their homes at dusk and sent flying up to illuminate the Brooklyn sky.

“But whether Duke Riley’s avian-powered performance piece ‘Fly by Night‘ constitutes pigeon abuse is a more complicated question.

“More than 5,000 people have signed a change.org petition calling for the show, which opened May 7 at the Brooklyn Navy Yard, to be closed. …

“Their charges: that the birds are terrified by the flapping plastic flag Mr. Riley waves to keep them flying; that it is unnatural to make pigeons fly at night, when they normally rest; and that between their poor night vision and the distractions of the moving lights, they could become disoriented and crash into the East River. …

“Before ‘Fly by Night’ opened, [however], the nonprofit arts group that organized it, Creative Time, asked the director of the Wild Bird Fund, Rita McMahon, to inspect. The fund, based on the Upper West Side, treats more than 2,000 sick and injured pigeons a year.

“ ‘Mixing art and animals is a very risky business,’ said Ms. McMahon, who is a state-licensed wildlife rehabilitator, ‘but I was very impressed.’ The pigeons were healthy and well fed, their temporary homes beautiful and clean.

“ ‘I didn’t see any traumatized pigeons,’ she added. ‘You see them mating, courting, everything, all over the boat. I think that’s a pretty good sign.’

“ ‘Fly by Night’ runs on Fridays, Saturdays and Sundays until June 12, and the protesters say they will be out every night for the rest of the run.”

More here.

Photo: Byron Smith for The New York Times  
Duke Riley’s “Fly by Night” performance piece features more than 2,000 trained pigeons with LEDs attached to their legs.

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It seemed clear from the start that the refugee job-training company Providence Granola Project was onto something.

Now I’m realizing that related concepts can spring up independently in other places. Maybe there should be a trade group.

Check out this story about a food-delivery business in New York that hires refugees.

Autumn Spanne writes at the Guardian, “When Manal Kahi arrived in New York from Lebanon two years ago, to pursue a master’s degree in public administration, she longed for authentic hummus, but couldn’t find a restaurant or supermarket that came close to her expectations. So she started making her own, based on a recipe from her Syrian grandmother.

“The recipe was a hit with her friends, and it occurred to Kahi that there might be a successful business in it. The idea also dovetailed with her growing concern about the Syrian refugee crisis. …

“She decided to start a social enterprise designed to help refugees from all over the world get established in their new country and provide New Yorkers a positive entry point for interacting with the city’s refugee community. Kahi’s efforts put the spotlight on the role business has to play in the refugee crisis, and whether there’s a need for new approaches to help recently arriving refugees integrate and become self-sustaining. …

“The result went far beyond hummus. [In January], Kahi and her brother launched Eat Offbeat, a for-profit meal delivery startup that employs recently resettled refugees from around the world as chefs who prepare traditional dishes from their countries of origin. …

“Al Janabi, who uses only her last name out of concern for the safety of family still in Iraq, was one of Eat Offbeat’s first hires. … For months, she was afraid to go anywhere alone. Her first solo trip on the subway was to the Eat Offbeat kitchen in Brooklyn. …

“ ‘I want people in the US to know that refugees have few opportunities here, but we bring our skills with us,’ she said. ‘We come in difficult circumstances.’ …

“Al Janabi and two other refugees from Nepal and Eritrea … learned basic food preparation and hygiene techniques – skills that they can use to get other jobs, or perhaps eventually open their own business, said Kahi.

“ ‘Ultimately we want to change the narrative around refugees, for New Yorkers and the rest of world to see that refugees don’t have to be a burden, they have economic value.’ ” More here.

Photo: Eva Cruz/Eat Offbeat
Potato kibbeh is one of the dishes on the Eat Offbeat menu.

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