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Photo: Jonathan Wiggs/Globe Staff
“You’re free to be yourself here and grow in so many ways,’’ said Phedorah, a worker at More Than Words. Boston landlord Stuart Rose is supporting the nonprofit with low rent in Boston’s pricey South End.

I’ve often thought how a charitable landlord could give new life to a town where empty storefronts are proliferating. Of course, a landlord needs to make a living like anyone else, but supporting artists or worthy causes when he has many buildings can increase the value of all his properties.

Stuart Rose is a landlord offering low rent to a charity, and it isn’t even in a decaying neighborhood. He is really just doing good.

Rose is supporting More than Words, “a nonprofit social enterprise that empowers youth who are in the foster care system, court involved, homeless, or out of school to take charge of their lives by taking charge of a business.”

Megan Woolhouse writes at the Boston Globe, “Raise a toast, the former Medieval Manor, boarded up for more than a year, will come to life again as a sprawling used bookstore with an unusual social mission.

“It will be run by More Than Words, a nonprofit whose employees are youth from troubled backgrounds who often live in foster homes and homeless shelters.

“Moreover, the owner of the building on East Berkeley Street elected to give More Than Words discounted rent instead of giving in to the tide of gentrification washing over this corner of the South End. The five-story brick building is surrounded by some of the most expensive new real estate in the city, with its neighbor, the Troy, charging as much as $4,600 for a unit.

“ ‘This is 100 percent the convergence of everything right in the world,’ said Jodi Rosenbaum, who founded More Than Words 13 years ago. ‘You don’t see that very often.’ …

“The building has been owned by Stuart Rose for decades, who agreed to lease Medieval Manor’s former space to More Than Words at below-market rate for 13 years. Rose declined to be interviewed, saying through a spokesman that he didn’t want to be ‘knighted’ for his good deeds. …

“More Than Words describes itself as a social enterprise, and provides on-the-job training for youth who have faced problems in court, at home, or in school and struggled to find work. More than 70 percent of its youth have been involved with the foster care system and 40 percent in the courts. The teens also receive intensive case management working with counselors, who help them work through issues and identify goals. …

“The first-floor space will need a significant renovation after decades as a bawdy haven for Renaissance meals. More Than Words has launched a $5 million fund-raising campaign, and Rosenbaum said Liberty Mutual has already donated more than $1 million after its chief executive, David Long, visited the facility.”

Read about all the plans at the Globe, here. There’s more on the youth program here. It’s a great organization, and I can say on the basis of numerous visits to the storefront in Waltham, you’re sure to find a good book there.

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I went to the deCordova Sculpture Park and Museum in Lincoln Friday to see what New England women had been doing with abstract art since 1950.

I was drawn to the painting above, and no wonder. It turned out to be Cynthia Bloom’s way of seeing New Shoreham, Rhode Island, my favorite place in the smallest state. The explanatory text says the artist “incorporated the natural materials and textures she found there into her work, including dried petals and butterfly wings.”

The gigantic heart sculpture looks sweet enough from a safe distance, but when you get close to Jim Dine’s “Two Big Black Hearts” (1985) and see all the broken tools, horseshoes, ladies shoes, etc., smashed roughly into the surface, you may feel a chill.

What’s nice is that on a summer’s day, you can walk in the shady woods on the deCordova grounds and see art along the paths. The serene head is “Humming,” by Jaume Plensa (2011), and the more abstract piece is “Maiden’s Dream,” by Isaac Witkin (1996). That one makes me ask, “Is it a good dream?”

After spending time on the grounds and in the galleries, I took the elevator to the roof deck and photographed the romantic turrets of what was once the home of art collector Julian de Cordova (1851-1945). I don’t think I had ever been on the roof before. The view over Flint’s Pond is amazing.

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Photo: Paul Chinn, The Chronicle 
Artificial turf is installed in a park under construction in San Francisco, which claims to be the first city with a park near every home.

More and more research is showing that access to nature and urban parks improves not only quality of life but the health of city dwellers. Municipalities save, too, when they have healthier residents.

Recently San Francisco was able to claim the distinction of being first in the nation to offer a park 10 minutes from every home.

Lizzie Johnson reports at the San Francisco Chronicle, “In 10 minutes, you can load a TV episode on Netflix, check your mail waiting for BART or make an avocado toast. Now, you can add to that list: take a walk to the park.

“San Francisco is the first city in the nation to have every resident live within a 10-minute walk of a park or open space. The percentage is calculated by the Trust for Public Land, a nonprofit that facilitates the creation of parks and analyzes park systems for the 100 largest cities nationwide. …

“But don’t expect to see a small army of city workers and volunteers with stopwatches in hand counting their steps. The data were gathered using a complex geographic mapping program. The average person can walk a half-mile in about 10 minutes, according to the U.S. Department of Transportation, which counts even your two legs as a mode of transportation. The distance has to include sidewalks — crossing highways or skirting canals doesn’t count.

“ ‘We developed this as the gold standard,’ said Adrian Benepe, the Trust for Public Land’s director of city park development. ‘A 10-minute walk to a park is an important indicator of the livability of a city.’ …

“Criteria for the nonprofit’s annual ParkScore analysis also includes the number of individual parks, overall spending and facilities upkeep. …

“The city has spent $355 million in bond and general fund money over the past four years to purchase land, renovate dilapidated parks and improve open spaces. In 2012, voters passed the $195 million Clean and Safe Neighborhood Parks Bond to fix up neighborhood parks.

“Those measures made the difference in reaching the No. 1 spot, said Recreation and Park Department Director Phil Ginsburg.

“ ‘It speaks volumes about this city’s commitment to open space,’ he said. “It is the reflection of literally a century and a half of decisions regarding parks and open space.’ ”

More at the San Francisco Chronicle.

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Rx: Music and Dance

Photo: The vitality of John Kirsch and Wanda Finley, an over-70 dancing duo known all over the Midwest, suggests that dance is good for health and happiness.

A medical group in the United Kingdom is prescribing dance and music to touch parts of patients’ lives that pills can’t reach.

Giverny Masso writes at The Stage, “An NHS [United Kingdom’s National Health Service] organisation has released a cultural manifesto that pledges to prescribe dance and music to alleviate loneliness and poverty.

“Halton Clinical Commissioning Group, which plans NHS services in Cheshire, aims to ‘put a choir in every care home’ and calls for a ‘paradigm shift’ in health care. HCCG says it aims to reinvent health services by encouraging people to engage with cultural activities instead of focusing solely on medicine.

“In the manifesto, it says: … ‘There are no pills for loneliness and poverty, but a rich cultural context can help ensure residents are better connected to each other and feel more able to cope.’

“The manifesto draws on the example of people with dementia, stating that while there is no cure, people with dementia can learn to live well with what they have through a range of community-based activity such as dance.

“Halton CCG adds that community choirs can help people manage asthma by boosting control of breathing and increasing lung capacity, reducing the need for emergency medication and rescue inhalers.” More here.

Anything that takes a comprehensive look at well-being sounds good to me. Reminds me of past posts on doctor prescriptions for bike sharing and fresh food from farmers markets.

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Dear Readers, I think you will like this bonus post, which I am reblogging from Musalley. I like that it’s in several languages. Love, Suzanne’s Mom

(English, Français, Español, Italiano)

« Unity is strength » is the theme of Friday Heirloom 7, as we’ll be presenting a very unique art institution from Brussels…The Réseau des Arts à Bruxelles / Brussels Kunstenoverleg (RAB/BKO)!

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Photo credit: Fabienne Cresens

The RAB/BKO was created by Brussels cultural organizations with the aim of encouraging dialogue and stimulating synergies, in a complex context of very fragmented cultural policies (Belgium is a federate state, where almost each political level has cultural authority and budget – Federal State, Communities, Region, Municipalities, etc. – without concerted vision and with different priorities.)

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Photo credit: Victor Lévy

A platform for dialogue and reflection, the RAB/BKO is a resource center and an interlocutor for all that concerns the stakes of culture in Brussels and beyond. With the mission of contributing to the development of a global vision for culture in Brussels, the RAB/BKO stimulates the…

View original post 1,064 more words

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Photo: Alison Wortman
Ingrid, a Mayan community health promoter in Guatemala, is delivering direct health services to another Mayan woman in the Mayan language.

US city hospitals have known for years that it’s important to provide health care to patients in their own language. That’s why hospital interpreter is a growing career option. But you can imagine how grateful a patient might be if the providers themselves spoke her language.

In remote parts of Guatemala, a socially conscious coffee company is supporting an initiative to do that.

As Alison Wortman wrote at the Dean’s Beans blog in May, “When I looked through all the colorful photos I took while on my most recent Dean’s Beans development trip to Guatemala, this one stuck out the most. …

“What we are witnessing here is no small feat. This is a picture (above) from a home-visit in a remote mountain village to check up on a new mom and her baby (the little guy is strapped to her back). What makes the visit so extraordinary is that Ingrid, a Mayan community health promoter, is delivering direct health services to another Mayan woman in their own Mayan language.

“This direct, language inclusive health service from the Mayan Health Alliance (known as Wuqu’kawoq) is the only health organization in Guatemala providing home-based health care to indigenous populations in their own Mayan languages. This women’s health program is one of many in their comprehensive health-care programming which includes primary and women’s health services, nutrition and early child development, treatment and support for chronic disease, medical case management services and clean water education.

“In addition to culturally inclusive services, [the] community outreach workers at Wuqu’kawoq have also become role models for the future generation of girls in a country where 70% of indigenous girls do not make it past 6th grade. …

“Dean’s Beans sent three social workers to Guatemala (Annette Cycon, Jean Marie Walker and myself) for 10 days to prep, introduce and facilitate trainings in Annette’s Group Peer Support Model (GPS). GPS is a powerful and effective group support model that focuses on social support groups to address isolation, mental health concerns, self-esteem building and women’s empowerment. …

“At the end of class the woman served lunch. They all ate half of their portions and wrapped the rest in a bowl covered in bright cloth to take home. Although at first we thought it was to share with their families, we learned later [that] it was to prove to their husbands and mother-in-laws that they had indeed gone to class. This was another example of the oppressive conditions many women face in a country where gender based violence are at epidemic levels.” More here.

That comment reminds me of certain Syrian refugee women I work with. The men are definitely controlling what they do. I think you have to be careful to teach without messing around with another woman’s culture unless you are sure that is what the woman wants. So hard to witness some things, though.

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Photo: Joe Suarez for NPR
Las Cruces High School has one napping pod, which students use for 20 minutes when they are tired, stressed or angry.

In my family, we are big believers in naps. Long naps, short naps, any kind of nap. I don’t take a nap every day, but when I’m feeling exhausted for any reason, I find that 15 or 20 minutes of sleep really refreshes me.

Interestingly, 20 minutes is what teachers prescribe for students at Las Cruces High School in New Mexico.

Patti Neighmond reports at National Public Radio, “Studies have shown teenagers actually need between nine and 10 hours of sleep a night. But the vast majority (69 percent) aren’t getting it.

“Enter ‘napping pods.’ They’re essentially egg-shaped lounge chairs that recline, with a circular lid that can be pulled over the chest to shield against light.

“It just sort of envelops you in a really nice darkness, with soft lighting behind you,” says [18-year-old Hannah] Vanderkooy, a frequent user of the pods. She says she typically gets only four to five hours of sleep a night.” She’s a senior and working hard to get good grades and maybe college scholarships.

“There’s soft music playing in the pod and ‘you just feel extremely relaxed,’ she says. …

“A nap can’t substitute for a good night’s sleep, but it certainly can help, says Dr. Nitun Verma, a sleep specialist and spokesperson for the American Academy of Sleep Medicine.

“A short nap for a teenager ‘can give a boost to memory and attention during the day, and it can increase school performance,’ he says, adding that in a perfect world, schools would roll back their start times. …

“Several public schools in New Mexico are trying to tackle the problem by providing napping pods for their students.

” ‘We know lack of sleep changes mood and makes you more anxious,’ says family nurse practitioner Linda Summers, who is an associate professor at New Mexico State University’s school of nursing in Las Cruces.

“Summers also works with the nearby Las Cruces High School health center, and has seen firsthand the effects of sleep deprivation on students there. So she decided to apply for a federal health grant to buy the pods, which, at the time, cost $14,000 each. They were installed in four high schools.

“And while the Las Cruces school napping pods were bought to remedy sleep deprivation, Summers says, ‘it also turns out to be good for anger and stress.’

“Even if kids don’t fall asleep, but simply ‘zone out,’ she says, they emerge saying they feel ‘refreshed and calm.’ ” More here.

Summers has conducted a study that has been accepted by a peer-reviewed journal, so expect to hear more on this topic anon.

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Photo: Ruairi Gray/Twitter
Students tricked a museum into exhibiting an ordinary pineapple as a piece of art.

They used to say of the Walker Art Center in Minneapolis that the janitorial staff had to be careful not to leave a mop and bucket in a gallery even for a moment or they could come back to find a cluster of museum-goers studying it.

Actually, that can happen.

Recently, Roisin O’Connor wrote at the Independent that students left a pineapple in a gallery of a Scottish museum and someone on the staff thought it was the real thing.

“Students claim they managed to pass off a pineapple they bought for £1 at a supermarket as a work of art, after leaving it in the middle of an exhibition at their university,

“Ruairi Gray, a business information technology student at Robert Gordon University in Scotland, and his friend Lloyd Jack, reportedly left the fruit at the Look Again exhibition at RGU’s Sir Ian Wood building, hoping that it might be mistaken for art.

“When they returned four days later he found that the pineapple had been put inside its own glass display case at the event. …

“Natalie Kerr, a cultural assistant for the festival who organised the display, said she wasn’t the one who included the fruit as an artwork because she is allergic to pineapple.

” ‘We were moving the exhibition, and came back after 10 minutes and it was in this glass case,’ she told the Press & Journal. …

“The incident recalls a similar prank last year when a 17-year-old placed a pair of glasses on the floor at the San Francisco Museum of Modern Art.

“Apparently unimpressed with some of the work on display and wanting to test the theory that people will try to interpret any object provided it is in a gallery setting, TJ Khayatan placed the glasses on the floor and walked away.

“Soon after, visitors to the gallery surrounded them and began taking pictures.”

More at the Independent, here, and at the NY Times, here.

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Photo: Sara Teresa
The rollout of a dance-based falls prevention programme in the UK by arts and health charity Aesop will see 1,000 older people benefit.

About 15 years ago, after breast cancer treatment, I joined a hospital-based class called “I Hope You’ll Dance.” I used to call it Cancer Dance Class because anyone who was being treated for cancer or had been treated could join. It happened to have only women during the time I was a participant although men were welcome.

The dance routines were very simple, but there was something pleasant about doing them with women you didn’t know but with whom you shared something as big as cancer. I also liked the music selections, which ranged from the playful “Diamonds Are a Girl’s Best Friend” to numbers that were more moving, like “You Raise Me Up” and “I Pray You’ll Be All Right.”

I thought of the mysterious comfort that class provided when I read about a dance program for the elderly in England and Wales. Christy Romer described it at Arts Professional, a UK-based website.

“The rollout of a dance-based falls prevention programme by arts and health charity Aesop will see 1,000 older people benefit from a new £2.3m investment.

“The programme will run for two years from October 2017, during which time 63 interventions will take place across England in Wales. These will be delivered in collaboration with health and social care providers, and arts organisations including Yorkshire Dance and Birmingham Royal Ballet. …

“Previous Aesop research showed how the Dance to Health programmes could address a problem that costs the NHS £2.3bn a year, as the rates of completion for dance-based alternatives to NHS exercise courses are 55% higher.

“An evaluation of the Dance to Health pilot programme in February 2017 also concluded that dance artists could be trained to deliver classes which were an enjoyable artistic challenge, faithful to healthcare objectives, and would deliver measurable reductions in loneliness for participants. …

“The expanded programme will receive support from ‘Dialogue Partner’ organisations, including Age UK and NHS England, and collaborate with eight Arts Council England-funded dance organisations. …

“A formal evaluation of the programme will be conducted in 2019, ahead of an anticipated national rollout in the coming years.” More at Arts Professional, here.

Romer mentioned the effort to address loneliness through the dance classes, but I imagine that the way physical motion improves thought processes is a big piece of the health benefit. And what about improving balance? That’s a concern for me, and a reason I take both tai chi and Essentrics when I’m not on vacation.

But I’m on vacation. So I’ll sign off now and go practice standing on one foot.

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Yes this post’s title is toying with the name of the famous John Singer Sargent painting “Carnation, Lily, Lily, Rose,” which KerryCan told me she liked.

The roses in New Shoreham are so abundant this year, I couldn’t stop taking pictures. I admire these roses because they do their own thing. They need no attention from humans. If they feel like climbing up a tree or entwining themselves with acres of poison ivy, they will just do it.

I’m also posting a water-lily pond where I saw a rough-hewn guy in a beat-up car place a rescued turtle. Other photos include a typical New Shoreham dirt road, Suzanne’s daughter’s monkey enjoying a rare respite, a deer, and Stuga40’s breakfast idea (flax seeds and pumpkin kernels on cereal).

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Photo: Balazs Koranyi/Reuters 
A sign warns residents of the arctic Svalbard islands in Norway of the danger from roaming polar bears. Norway is planning to expand its oil operations in the Arctic. 

Norway has a reputation for environmentalism. Unless you are talking about oil. Now some of the country’s leading lights are suing the government because of its plans to start drilling in the Arctic. A Norwegian whose writing I admire is one of them.

David Crouch reports at the Guardian, “Norway’s best-known author has lashed out at ‘the shortsightedness and stupidity’ of plans to expand oil exploration into the Arctic, as campaigners prepare to sue the government for placing future generations at risk from climate change.

“Karl Ove Knausgaard, whose bestselling memoir has been a global literary sensation, is fronting a campaign to mount a legal challenge against moves by Norway to open up the Arctic to oil companies.

“Oil and gas extraction in the Arctic has nothing to do with worthwhile goals such as alleviating poverty, Knausgaard said. ‘Norway is one of the richest countries in the world – it’s all about greed. … I never believed that my government actually would do such a thing. … It just makes me want to cry.’ …

“The campaign aims to make use of a recent change to the constitution which obligates the state to take action to ensure natural resources are managed ‘on the basis of comprehensive long-term considerations,’ including safeguarding the environment for future generations. …

“The campaign by Norwegian environmentalists aims to mirror similar legal challenges in the Netherlands and in the US, where lawsuits have attempted to hold governments to account over climate change. In April, the Dutch Urgenda foundation launched the first case in the world to use human rights and tort law to hold a government responsible for failing to reduce carbon emissions fast enough.

“ ‘Where do we draw the line if not in the Arctic?’ said Åsne Seierstad, the bestselling Norwegian author and another signatory to the petition. ‘No economic policy is more short-term than relying on profits from the very areas that are worst affected from climate change.’ ”

More here.

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Photo: Hannah Ellis-Petersen for the Guardian
This mural of a worker removing one star from the European Union logo appeared overnight in Dover, Kent. It’s Banksy’s reaction to the Brexit vote.

When I was at the magazine and collecting articles for the next issue, I was sometimes surprised to discover I had a whole issue — or almost a whole issue — on one topic. Suddenly several articles on prisoner issues came together, or maybe immigrant issues, or agriculture issues. It was not planned that way, it just happened.

Today I notice that another United Kingdom topic has popped up after yesterday’s entry on UK election artists. This post is about the street artist Banksy and his stealth reaction to the vote that authorized the UK to leave the European Union and expel many immigrants. Hannah Ellis-Petersen at the Guardian reported the story in May.

“A Brexit-inspired mural by Banksy showing a metalworker chipping away at a star on the EU flag has appeared in Dover. …

“The mural, which was confirmed by Banksy’s representatives to be a genuine work by the elusive artist, is his first comment on the Brexit vote last year.

“The stars of the flag ‘stand for the ideals of unity, solidarity and harmony among the peoples of Europe,’ according to the EU website. …

“The Dover artwork is across the Channel from Calais, where a Banksy mural appeared at the main refugee camp in 2015, showing the Apple founder, Steve Jobs, whose biological father was a Syrian immigrant,” reminding people that immigrants should be valued. More at the Guardian.

I have posted a few times about this street artist, and once I took a photo of what people said was his work. Check these links to a few of my Banksy posts: here, here, and here.

Banksy appears in Boston. Maybe.

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Art: Simon Roberts
Simon Roberts was the “election artist” for the 2010 general election in the United Kingdom. He chose 24 images — one for each day of the campaign — to reflect the geographical breadth of the trail
. Cornelia Parker is the election artist for 2017.

Not long ago, my husband pointed out a story about official “election artists” in England. That was a new idea for me.

An article in the Economist offers background.

“Many were bemused by the announcement on May 1st that Cornelia Parker was to be the official artist of the 2017 general election. Not as a comment on Ms Parker’s credentials — she is widely considered to be one of Britain’s most exciting contemporary artists — but to discover that such a post exists.”

Parker is the first woman chosen since the post was established in 2001 and the first conceptual artist.

“Jonathan Yeo, the inaugural artist, created a triptych oil painting of the main party leaders where the size of their portrait correlated to their portion of the vote. In 2005, David Godbold produced Hogarthian satirical illustrations on scraps of election ephemera such as manifestos, letters and flyers. In 2010 Simon Roberts photographed the quiet lanes and doorstep conversations of day-to-day campaigning …

“Ms Parker is using an Instagram account (@electionartist2017) to offer an eclectic commentary: so far she has posted pictures of road signs, homeless people and newspaper headlines. One image, captioned ‘The election contenders,’ shows a group of waving garden gnomes.

“Two further stipulations come with the role. First is that the artist must remain politically impartial. … The second is that they must produce a final work — one that can be put on display, or contain elements that can be displayed — which will eventually join the parliamentary art collection.”

I searched the web but couldn’t find Parker’s piece for the permanent collection. Maybe a reader will find it for me. It’s hard to envision what an artist known for “detonated sheds, cut-up shotguns and squashed instruments” would come up with, even if she is currently focused on instagram.

The Economist story is here, the Guardian‘s here and the New Yorker‘s here.

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Photo: Lisa Wrightsman
When soccer player Shauntel Payton attended the Street Child World Cup in Brazil, she says, “A lot of people kinda didn’t know why I was there. Like, ‘How are you homeless? You’re from the United States.’ ”

I hope readers don’t mind that I keep revisiting favorite themes. Since there are always new followers, I have to assume not everyone is familiar with the topics near and dear to my heart.

One such topic, covered here in 2014, concerns the sense of freedom that street soccer can provide to people experiencing homelessness. The 2014 story took place in Chile. This one, by Martin Kessler at Only a Game, is from California.

“Seventeen-year-old Shauntel Payton is the second oldest of five children. … Growing up, Shauntel and her siblings lived with their grandparents. She says her mom was in and out.

“But around 2010, Shauntel’s mom moved into a transitional housing program outside Sacramento for adults who had been in homeless shelters or rehab centers. She was recovering from addiction. Shauntel and her siblings joined their mom. Shauntel liked living there — there were lots of other kids.

” ‘All the kids knew where I was coming from,’ she says. ‘We all came from somewhat of the same background, so we all kinda just connected.’

“Around the same time, another resident named Lisa Wrightsman was trying to start a soccer team.

“Wrightsman was a former college player. She was also recovering from addiction. When she moved into the transitional housing, she realized Sacramento had a Street Soccer team for men. But not for women. So she decided to start one.

“And if she wanted to recruit women, she was certain of one thing: Children had to be welcome at practices. … That’s how Shauntel and her siblings ended up at the very first practice for the Sacramento Lady Salamanders.

“The idea was that the kids would sit and watch while their moms practiced. But when the Payton kids started wrestling on the sideline, Wrightsman realized that plan wasn’t going to work. …

“So Wrightsman invited Shauntel and her siblings to scrimmage against their mom and the five other players. …

“Shauntel says those practices were important.

” ‘It was like a different vibe when we would go there,’ she explains. ‘We kind of connected better than we would’ve, I think, without having some type of outlet to come together and do something as a family.’ …

“As Shauntel’s siblings got older, they gravitated to other sports. But Shauntel stuck with soccer.

“When I step on the field I just feel like a brand new person,’ she says. ‘And when I shoot the goal, it’s like a feeling like I’ve never really felt before. It’s like freedom.’

“And that brings us to an event called the Street Child World Cup. Every four years, the World Cup host country holds a competition for children who have been homeless.

“In 2014, Wrightsman nominated Shauntel to join the U.S. team in Brazil. …

Shauntel had never left the country. But in Brazil, she met boys and girls from Zimbabwe, Burundi, the Philippines, and 15 other countries.

“Some of the kids were surprised to see Shauntel and her U.S. teammates.

” ‘A lot of people kind of didn’t know why I was there,’ she says. ‘Like, “How are you homeless? You’re from the United States?” I was really shocked. And I was like, “I don’t know.” ‘

“The kids shared their stories. One Indian boy told Shauntel how he spent his days working for pocket change to help his family. And how he saw his dad abuse his mom.

” ‘It made me kind of think back to my life and how much I took for granted,’ Shauntel says. …

“Shauntel says as soon as she got back to the U.S., she gave all her siblings big hugs and started crying.” She says the trip made her more hopeful.”

More here.

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Photo: Pedro Alvarez for the Observer
Øvre Forsland hydroelectric station in northern Norway.

So while we’re on the subject of removing pollutants using artistic sculptures, how about an article on creating clean power in an artistic energy plant?

Stuart Dredge writes at the Guardian about “an unusually handsome hydroelectric plant” on the edge of a forest in northern Norway.

“Located in the Helgeland district in northern Norway, [Ovre Forsland is] a small hydroelectric power station capable of supplying 1,600 homes with power.

“Designed by Norwegian architecture firm Stein Hamre Arkitektkontor, it sits on a riverbed at the edge of a forest, with an exterior that aims to reflect the irregular shapes of the spruce trees forming its backdrop. …

“Says Torkil Nersund, production manager at the plant’s owner, energy company HelgelandsKraft … ‘This region is known for its spectacular nature, so we thought the building should try to live up to the surroundings.’ …

“ ‘Øvre Forsland does not only serve hydropower to people in the region. Its purpose is also to bring attention to hydropower, the history around it and the benefits,’ says Nersund. …

“Øvre Forsland is also angling for the attention of people who come to Helgeland for its hiking trails and beautiful scenery. Those visiting the power station can look through a tear in the building’s exterior that reveals its innards: the turbines. …

“The emphasis on this harmony, and on renewability in general, can be seen in the fabric of Øvre Forsland itself. The architects used Kebony wood, sustainable softwood that has been treated with a bio-based liquid to make it more like hardwood. …

” ‘We hope that the Government also sees that hydro power has a great future ahead and that they facilitate the development of Norwegian hydro,’ says Nersund.”

More here.

Hat tip: @VictoriaLynden on twitter.

 

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